One upper body studio portrait of Mary Schantz (nee Moyer).

Originally in page 3 of album 1.

Full length studio portrait of Orpheus Moyer Schantz and Carrie Schantz (nee Flagler). Orpheus is seated in a chair, dressed in a suit, with legs crossed. Carrie stands to his left in a long dress with right hand on back of Orpheus' chair.

Full length studio portrait of Albert Snyder and wife standing side by side in their wedding outfits.

Canadian Drawing Course, book 4. The book is authorized by the Minister of Education and had been completed by Etta Lydia Mary White (nee Schantz).

An advertisement for Delmonico blend coffee.

25 postcards (20 real photos and 5 printed) of scenery in Great Smoky Mountains National Park. The photographs were taken by Orpheus Moyer Schantz and are captioned.

Ten prints including:

One portrait of Abraham Lincoln.

Two memorial portraits of Victoria, Queen of Great Britain, 1819-1901.

One portrait of the [George] Washington family.

One portrait of Baden-Powell of Gilwell, Robert Stephenson Smyth Baden-Powell, Baron, 1857-1941. This print is mounted on the lid of a box and decorated with gilt paper trim.

Side-by-side portraits of George V, King of Great Britain, 1865-1936 and Mary, Queen, consort of George V, King of Great Britain, 1867-1953.

Side-by-side portraits of Edward VII, King of Great Britain, 1841-1910 and Alexandra, Queen, consort of Edward VII, King of Great Britain, 1844-1925.

One illustration of the G?ltzsch Viaduct, a railway bridge in Germany.

One illustration of a landscape in Switzerland.

One illustration of cupid and another figure warming their hands by a fire.

Two letters received by Arthur M. Bowman, one from Mickle, A.E, June 20, 1890 asking for a chain man position on a survey gang and one from his mother, Elizabeth Meyers Bowman, July 13, 1891, asking for money.

Date and Place from: June 20, 1890 Toronto, Ont. To Bowman, Arthur M. From Mickle, A.E.

Date and Place from: July 13, 1891 Berlin, Ont. To Bowman, Arthur M. From Bowman, E.M.

One letter received by Isaac L. Bowman from his cousin Simon Bowman accompanied by a manuscript copy of the "register of grandfather Bowman's family, Nov. 19, 1890."

Date and Place from: Nov. 19, 1890 Caledonia, Mich. To Bowman, Isaac Lucius, d.1893 From Bowman, Simon Notes: Includes a list of family births and deaths.

Head and shoulders studio portrait of Levi Nash Moyer seen looking off camera.

One full length studio portrait of Florence, Arthur and Herbert Schantz. Florence is seated on a ladies chair, Arthur stands beside her, and Herbert next to him with his arm resting on a tall table. Florence is holding a painting of a young girl and Arthur is holding one of a pastoral landscape.

Two identical copies of a full body studio portrait of Tobias Schantz, showing him with his book agent's accoutrements: hat, cane and book sample case.

A brochure with information on using the Kombi camera.

Two portraits (plus one duplicate) of Margaret (Gartshore) Wilson, one including another woman, possibly a sister.

One image of a Hudson's Bay Company building on the Grand Rapids Tramway, west of Grand Rapids, Manitoba.

A photograph of an unidentified woman from the Bechler family photo album.

Cabinet card studio portrait of an unidentified man and woman, seen looking at camera, from the Bechler family photo album.

Full body cabinet card studio portrait of an unidentified man, seen looking at camera with right arm propped on back of chair, from the Bechler family photo album.

Head and shoulders studio portrait an unidentified woman, seen looking off camera, from the Bechler family photo album.

Full body studio portrait of unidentified children standing in front of a chair from the Bechler family photo album.

File consists of an album compiled by Ella Anthes Cook, and including some additions probably by Martha Rieder. Includes snapshots of family members and friends and snapshots taken on Ella's trip to Europe, around Ontario, at Felsheim, and on her honeymoon. Includes a family photograph taken at Talmon Henry Rieder's 40th birthday, a snapshot taken when Earl Grey visited Berlin, a snapshot taken at the unveiling of Queen Victoria's monument at Victoria Park, and a photograph by Denton of the interior of Zion Evangelical Church.

Studio portrait of J.I. Frank Anthes (at right) with an unidentified man.

File consists of photographs of Anthes Manufacturing Company of Berlin employees standing outside of the company building

Photograph of a large windmill in a grassy field with a wooden fence and dirty road in foreground. Photograph is a sample produced by the Eastman Kodak Company showing the quality and size of picture made with the Bullet and Bulls-Eye cameras.

Full length studio portrait of Willie and Arthur, last name unknown, seated side by side. One child, dressed in a plaid dress with a lace collar, is seated in a chair, with left arm on the side of an armchair where a second child, an infant, is seated upright dressed in a white grown.

Upper body portrait of an unidentified seated adult looking toward camera while holding an infant, dressed in an white gown, upright on lap. The child's face is blurry from moving when the photo was taken.

Head and shoulders studio portrait of an unidentified adult seen looking off camera.

Full length studio portrait of the children of Evelyn and John Parry, from left to right: Elizabeth, John, Margaret and Rosa. Elizabeth and John are seen seated on a round-back chair and Margaret and Rosa are seen standing to the right, holding hands.

Studio portrait of a family seen looking at camera. Two adults are seated at both ends of the photo with five children seated and standing between and next to them.

Studio portrait of three unidentified children seated in a row, slanted from high to low, and looking at camera. The head of an adult is partially visible behind the children, supporting the infant dressed in a long white gown at centre.

Head and shoulders studio portrait of an unidentified teenager seen looking off camera.

Head and shoulders studio portrait of Emma Wilkin (Simpson) seen looking slightly off camera.

Series consists of visual material produced and accumulated by various personnel and departments within Electrohome. Some of the material may have been used by Robert Lovell, Public Relations Manager (1963 to ca. 1988), or his successors, as it appears that some photographs were taken for internal and external publicity purposes.

Some of the material appears to have been pulled from elsewhere in collection, probably for use in Raymond Stanton's book Visionary Thinking: The Story of Canada's Electrohome, or for other purposes associated with the 90th anniversary celebration or researching company history. Includes photographs, slides, negatives, transparencies, contact sheets, and printing proofs.

Head and shoulders studio portrait of Carl Ahrens seen dressed in suit and tie and looking at camera.

Copy negative and modern prints of an old formal portrait of the children of Catherine Schneider White and John White. Includes identifications:

Left to right: John White, Arthur White, Elizabeth White.

Series consists of biographical information and photographs relating to Elizabeth Schneider Gofton.

Series consists of biographical information and photographs relating to Albert Carl Schneider.

Copy negative and modern prints of an old formal portrait of Albert Carl Schneider.

Advertisement trade card showing a girl holding the tail of a cat as it tries to scratch a bird in a cage. The caption reads "Cats can but Bon Ami can not scratch for it lacks grit." Verso reads "Bon Ami is a modern improvement in the list of household necessities, doing the work of a metal polish, a scouring soap and all powders used for cleaning purposes (not for washing of clothes). It will clean anything cleanable and polish anything that can be polished. It contains no grit to scratch or acid to corrode; neither is there any alkali to redden or roughen the hands; on the contrary, it leaves them soft. It is always used in the form of a lather, which is applied to the surface to be cleaned. It requires so little water for this that slops and muss are avoided. It is made of the best and finest materials, and is so constituted that while it is too fine to scratch, it is coarse enough to clean. Coarser cleaners gradually and surely wear out the article cleaned, but Bon Ami removes the dirt without injuring or wearing off the surface. Don't fail to try the sample. Read carefully directions with each package. For sale by all grocers. The Bon Ami Company, 66 Maiden Lane, New York City."

Upper body studio portrait of of Aaron Weber, salesman, seen looking at camera.

Studio portrait of an infant posed upright in a chair, dressed in a gown and lace cardigan. Possibly a cousin to Anna Elizabeth Metz Schneider.

Three copies of a studio portrait of J.M. Schneider with son Norman. Norman is seen with elbow on J.M's left shoulder with ringlets in his hair, wearing a plaid garment with a collar and bow.

Legal documents for the John Ratz estate executors and distribution.

Receipts relating to the John Ratz estate including Royal Bank stock certificates, cheques, taxes, groceries, fire insurance, and some correspondence.

File consists of one full length studio portrait of Grace Bowlby Fennell by Gagen and Fraser, Toronto, Ont. Identification on verso is incorrectly identified as Emma Allen Bowlby Boyd.

One photograph of a man standing in front of trees holding a knife and an apple [?]. He is wearing a salt and pepper style cap and a pocket watch chain with a croix pattée.

Two photographs , one showing the harbour docks of St. John's, Newfoundland and one showing two ships up close. One ship appears to have the words "Cobden Mines" written on it.

One photograph of a sailing ship in open water, and one of a British naval ship [?] in St. John's, Newfoundland harbour.

One photograph of 4 people on a rocky beach at the bottom of a cliff, possibly at Blow me Down Provincial Park. One photograph of a small unnamed harbour.

One photograph of 5 people sitting on rocks by the water, possibly at Blow me Down Provincial Park. One photograph of a small community in an inlet, possible Lark Harbour or somewhere else in the Bay of Islands area.

One photograph of 3 men eating in a boat which is on a river bank. Two men are wearing salt and pepper caps and one is smoking a pipe. The third man is pouring liquid into a cup from a kettle. the verso of the photograph reads "A resting spot. Humber River."
One photograph of a lean to in small clearing. Verso of the photograph reads "Cook house at our camp. Big Falls Humber River."

One photograph of 2 men standing on a boat. One is wearing what appears to be a captain hat. One photograph of a group of Inuit men standing outside wearing caps and sealskin kamiks.

One photograph of a group of dogs in a small community. One photograph of two women and a man on a boat.

Two photographs of snowy landscapes.

One photograph of a large modern house with a barn outside.

One photograph of a bare tree. One photograph of water with hills in the background. The caption on the verso of the photograph reads "Mountain scenery. Lower Humber."

One photograph of Signal Hill and the Battery area of St. John's, Newfoundland. One photograph of two men standing on a boat.

One photograph of three people in a forest.

One photograph of salmon leaping the Big Falls, Humber River. One photograph of a large wooden ship in a harbour.

One photograph of an Inuit man standing on a ship wearing European clothing and sealskin kamiks.

File consists of an album probably compiled by Dorothy (Scheifle) Rieder. Includes snapshots of Dorothy with friends and probably Scheifle family members, snapshots of Dorothy and Paul, etc. Some photographs have dates/captions. Some photographs are loose between the album pages.

Upper body studio portrait of Henry William Anthes seen looking at camera.

Upper body studio portrait of John S. Anthes seen in profile.

File consists of two studio portraits of Peter Rieder.

Full body studio portrait of Peter Rieder standing and looking forward with left hand on a carrying case and right hand holding an umbrella.

Head and shoulders studio portrait of an unidentified adult seen looking slightly off camera.

Full length studio portrait of Hugh and Evelyn Clarke, the children of May Wing, seen looking at camera. Hugh is seen seated on a side table, holding hands with Evelyn who is standing at right.

Three-quarter length studio portrait of two unidentified adults. One adult is standing with a rolled document in right hand, which is resting on a side table. The second, seated at the first's side, is seen looking at camera with left arm resting on the back of an armchair.

Head and shoulders studio portrait of Lulu Fawcett seen looking off camera. Lulu is wearing a fancy hat and a high-collar jacket with leg of mutton sleeves.

Full length studio portrait of four children, possibly siblings, seated at various heights and looking at camera. Two of the children have large bows in their hair, another is wearing a suit with mid-leg high socks, and the third, an infant, is dressed in a white gown.

Head and shoulders studio portrait of missionary Jozo Takano seen looking off camera.

Upper body studio portrait of two unidentified adults seem looking off camera.

Head and shoulders studio portrait of an unidentified adult seen looking slightly off camera.

Studio portrait of two unidentified adults. One is seated and looking off camera with legs crossed and the other is standing with left hand on the other's shoulder, looking off camera in the opposite direction.

Full length studio portrait of a young unidentified child seen looking off camera and dressed in a button up outfit with a lace collar.

File consists of a photograph of the plan of seating for the the Zion Evangelical Church in Berlin, built in the 1890s on a property purchased by John S. Anthes and Jacob Kaufman.

One photograph of the Ahrens family home at the corner of Benton St. and Courtland Ave. while under construction. Two unidentified people are standing next to the house with piles of wood and debris visible in the foreground.

Head and shoulders studio portrait of Anna Elizabeth Schneider, seen looking off camera.

Head and shoulders portrait of Emma Ahrens seen looking off camera.

Two copies.

Series consists of biographical information and photographs relating to Catherine Schneider White.

Accrual consists of materials created and accumulated by Jane Urquhart relating to her personal and professional life. Includes mss. and tss. of Urquhart's works, research materials, correspondence, biographical materials, and materials relating to other professional commitments.

Series consists of materials created and accumulated by Jane Urquhart relating to her professional commitments and writing. Includes handwritten and typed drafts of many of Urquhart's works, research for her works, as well as material relating to other professional commitments including prize judging, readings, etc.

Series consists of photographs documenting the operations, products, events and personnel of Dominion Rubber and later Uniroyal.

Photographs taken in and around Waterloo, Ontario by unknown photographers. Included are images of Waterloo Park and events and businesses along King Street.

Diary kept by Louis Henry Wagner.

Photograph of a painted portrait of Louis Henry Wagner.

Contains 1 day book (395 pages) for the William Kriesel stoves and tinware store (hardware store) from 1890-1891. Daily entries include names and corresponding ledger page numbers for customers, with a description of what they bought, whether they paid for it, the prices and quantities of items bought, and whether customers paid by cash or by eggs, rags, beef, pork, butter, teaming supplies from St. Petersburg to New Dundee, wood, oats, flour, hay, or similar materials.

Kriesel indicates what he has sold by writing "To" and then the items, and how the person paid by writing "By" and then the method of payment.

Customer names include Phillip Poth, A.B. McRae, E.M.B. Snider [ie. Snyder], Kolebrenner brothers, John Woelfle, J.M. Weber [ie. Webber], Mannheim storekeeper, Cassel, the public school section no. 1, Charles Kaufman, and other notable New Dundee business people.

Membership cards signed by Harvey J. Sims for the Rangers Football Club dated 1890 and 1899, listing officers and executive, club grounds and colours. In 1890, Harvey J. Sims is listed as on the Committee of Management; in 1899, he is on the executive committee. The 1899 card includes the W.F.A (Western Football Association) schedule for the spring season. These cards are in addition to a copy of the Western Football Association Annual for 1900, edited by D. Forsyth, Secretary Western Football Association and printed in Berlin. This volume contains the constitution and rules, hints for referees and players, as well as detailed lists of champion teams from 1880 to 1899. The pages for 1900, printed in red, appear to have been pasted in at the front and end of the 1899.

One image of the house and grounds of Angus McKay, who was an Indian Agent at Berens River, Manitoba, in 1890. Part of the caption reads "from a Geological Survey of Canada photograph in the Public Archives of Canada".

A cabinet card photograph of an unidentified man holding an infant from the Bechler family photo album.

A cabinet card photograph of unidentified children from the Bechler family photo album.

A cabinet card photograph of an unidentified man and woman indoors, seen looking at camera, from the Bechler family photo album.

Head and shoulders studio portrait of two unidentified women, seen looking off camera and wearing fancy hats, from the Bechler family photo album.

Studio portrait of an an infant in a gown holding a small plant sprig from the Bechler family photo album.

A photograph of an unidentified woman standing in a garden and looking at camera with hands in skirt pockets from the Bechler family photo album.

Fonds consists of material created and accumulated mainly by Ivan W. Keffer, and some by his wife Mary L. Keffer, that documents the lives and activities of the Keffers, especially during the time they lived in Germany. Records also relate to the career of Ivan W. Keffer at the F.W. Woolworth Co. Includes diaries, correspondence, photographs, souvenir postcards and other ephemera, personal documents, reports, clippings, and other material.