File consists of photographs and a negative of the construction of the water reservoir on Lancaster Street, Kitchener, and photographs of the interior and exterior of the pump house.

File consists of three photographs of the drilling of the Layne test well near the Shoemaker Avenue pump house in Kitchener.

File consists of photographs of the Layne well near the Shoemaker Avenue pump house in Kitchener.

File consists of photographs of the construction of the water reservoir at Mannheim (southwest Kitchener).

File consists of a photograph of the [Prokap?] well at Strange Street.

File consists of three mounted copies of a photograph of the construction of an in-ground concrete reservoir at the Shoemaker Avenue pump house. Photograph shows 12 men (probably including the water commissioners) in the distance standing beind the excavated construction site.

File consists of a mounted photograph of 12 men (probably including the water commissioners) standing around an artesian well and drilling rig at Shoemaker's Lake.

File consists of four mounted photographs (plus duplicates) of artesian wells, probably located near the pumping station at Shoemaker's Lake. Two of the photographs show two men near the wells, and one photograph shows 10 men gathered around a well and the drilling rig.

File consists of two photographs (plus duplicates) of the water tower on St. George Street in Kitchener, one taken during construction, and one upon completion.

File consists of a photograph of the interior of the Shoemaker Avenue pumping station and three photographs of the million gallon reservoir at the Strange Street pumping station. One photograph includes a typed note about the retouching on the photograph.

File consists of photographs of the Strange Street pump house and reservoir. Includes photographs taken during construction, photographs of the equipment inside the plant, and photographs of the water commissioners outside the pump house. Some photographs include a description and/or Kitchener Water Commission stamp on verso. Duplicate photographs may be present.

File consists of two photographs (plus duplicates) and two contact prints of the interior of the Strange Street pumping station. Photographs show pumping machinery, including an 8 horsepower, 6 cycle Ruston diesel engine and English electric generators.

File consists of a mounted photograph of an artesian well at Strange Street in Kitchener. Three men, one of which is J.C. Breithaupt, are standing behind the well.

File consists of a mounted photograph of six men (including some or all of the Kitchener water commissioners) standing outside the Strange Street pumping station, constructed in 1922. Includes Marcel Pequegnat, second from right.

File consists of photographs of artesian wells. Includes three photographs of Roberts well at the Shoemaker Avenue pumping station; two photographs of well 30A, or the Hartley well, also at Shoemaker Avenue; one photograph of #20 well (location not identified); and one photograph of two boys at the Kelly well (location not identified). The boys are identified on a modern handwritten note as Robert and James Pequegnat.

Clippings, primarily relating to both the [1894?] Lacrosse championship and the 1959 Kitchener downtown fire.

Group photographs of the Chicopee Tennis Club, probably at annual club events. John Alexander Martin is present in most of the photographs. Three of the photographs are incorporated in two Christmas cards. One photograph was taken at a 1928 Rotary Club picnic at Chicopee.

File consists of a 1939 group photograph of Greb Shoe Company employees, a photograph of an employees sports team (baseball?), and two snapshots of employees in a cafeteria and playing horseshoes outside a Greb plant. File also includes a modern reproduction of a group photograph of Greb Shoe Company employees, [ca. 1917?] standing outside of the Queen Street South location; reproduction is printed on cardstock and taped to a mat.

File consists of photographs of the offices and factories of Greb Industries Limited. Includes photographs of the Winnipeg plant, the Breithaupt Street plant, and several unidentified plants and office buildings. File also includes a photograph of Harry Greb with a model of the Ardelt Avenue complex.

File consists of photographs taken during the Kitchener portion of the Hush Puppies World Conference in 1974. Most photographs were taken during an Okotoberfest dinner and dance held for the delegates at the Concordia Club. File also photographs of conference delegates disembarking a plane, standing in front of the Greb Industries administrative offices, having conversations, and visiting the Royal Canadian Yacht Club and Toronto Island. Duplicate photographs may be present.

File consists of mounted photographs of the interior of the Greb Shoes factory, showing employees at work on footwear production lines. File also includes a photograph of Erwin Greb in the Greb Shoes office, adjoining the factory on Queen Street in Kitchener.

File consists of photographs taken at Quarter Century Club banquets in Kitchener and Trois-Rivieres. Includes photographs of club members receiving a gift, and group portraits. Some photographs include Harry Greb and Arthur C. Greb. Duplicate photographs are present.

File consists of a mounted aerial photograph of the Valentine and Martin Limited factory on Breithaupt Street in Kitchener.

File consists of material relating to the organization and publicity of the Kitchener portion of the Hush Puppies World Conference held in 1974. Includes news releases, press clippings, incoming and outgoing correspondence of Charles E. Greb (including thank-you letters from conference delegates), agendas, Wolverine advertising material, and other documents.

File also includes photographs of Charles E. Greb [at the Calgary portion of the conference?], the delegates outside the Greb offices on Ardelt Avenue (Kitchener), and others.

File consists of press clippings and other material relating to Greb Industries and Greb Shoes during the 1960s, and Charles E. Greb's tenure as manager of the Winnipeg plant. Includes news releases, correspondence, footwear price lists, product tags, a memorandum to retail customers, ts. speeches by Charles E. Greb and J.D. Campbell (vice-president, marketing), and other documents.

Press clippings also relate to local history and news in Kitchener-Waterloo, the death of politician Maitland Steinkopf (also founder of Canada West Shoe Manufacturing Company), and GGD advertising agency (used by Greb). Photographs are of men and women wearing Greb footwear, Hush Puppies displays, an unidentified event attended by Harry and Arthur Greb, and Charles E. Greb awarding Best in Show at the K-W Kennel Club.

File consists of press clippings and other material relating to Greb Industries and Greb Shoes during the 1960s, and Charles E. Greb's tenure as manager of the Winnipeg plant. Includes news releases, correspondence, footwear price lists, product tags, a memorandum to retail customers, ts. speeches by Charles E. Greb and J.D. Campbell (vice-president, marketing), and other documents.

Press clippings also relate to local history and news in Kitchener-Waterloo, the death of politician Maitland Steinkopf (also founder of Canada West Shoe Manufacturing Company), and GGD advertising agency (used by Greb). Photographs are of men and women wearing Greb footwear, Hush Puppies displays, an unidentified event attended by Harry and Arthur Greb, and Charles E. Greb awarding Best in Show at the K-W Kennel Club.

File consists of an album compiled by Ella Anthes Cook, and including some additions probably by Martha Rieder. Includes snapshots of family members and friends and snapshots taken on Ella's trip to Europe, around Ontario, at Felsheim, and on her honeymoon. Includes a family photograph taken at Talmon Henry Rieder's 40th birthday, a snapshot taken when Earl Grey visited Berlin, a snapshot taken at the unveiling of Queen Victoria's monument at Victoria Park, and a photograph by Denton of the interior of Zion Evangelical Church.

Four copies of a head and torso studio portrait of J.I. Frank Anthes dressed in a suit and seen looking off camera.

Head and shoulders studio portrait of J.I. Frank Anthes seen looking off camera. The image has been altered so that Anthes is shown in a scroll.

Two copies of a three-quarter length studio portrait of J.I. Frank Anthes seated with a role of paper in hand and looking at the camera.

Studio portrait of J.I. Frank Anthes (at right) with an unidentified man.

Studio portrait of John S. and Lydia Anthes. John is seen in profile looking off camera and Lydia is seen looking toward it.

Photograph of the extended Anthes family outdoors during a picnic at Bridgeport on the occasion of John and Lydia Catherine Anthes' 42nd wedding anniversary. The group is seen standing and seated along the length of a bench and "Bowling Alley" sign is visible in the background at right.

Adults in back row: Cyrena Anthes, John Isaac Anthes holding an unidentified infant, Carrie Breithaupt holding an unidentified infant, John S. Anthes, Lydia Catherine Anthes, Emeline Rieder, Talmon Rieder, Peter Rieder, Ella Anthes, Martha Rieder, and Louisa Breithaupt.

Children in front row: ?, John Edward Breithaupt, ?, Frieda Breithaupt, Louise Breithaupt with possibly Esther Breithaupt, Walter Breithaupt and Fred Breithaupt (likely incorrect).

Studio portrait of John S. (seated left) and Lydia Anthes (seated right) with their children. Ella and Martha are seen posed between their parents with siblings (left to right) John, Louisa, and Carrie standing at back.

Two copies of a full body studio portrait of (left to right) John S. Anthes, Ella Cook and Lydia Anthes. John is seen in partial profile, seated in an ornately carved arm chair. Ella and Lydia are seen standing next to John, looking at the camera with arms crossed at each other's back.

Studio portrait of the Anthes siblings. Carrie and Martha are seen standing behind Lydia, Ella and Frank seated.

Two copies of a full body studio portrait of the Anthes siblings seen looking at camera. Frank is seen at centre, seated in an ornate, high-backed arm chair with (left to right) Martha and Carrie standing and Lydia and Ella seated on either side of the chair.

Three copies of a studio portrait of (left to right) John S. Anthes, Sally [Salome] Anthes Strasser, and Henry William Anthes as older adults.

Upper body studio portrait of John S. Anthes seen in profile.

Upper body studio portrait of John S. Anthes seen in profile.

Upper body studio portrait of John S. Anthes seen in profile.

Studio portrait of John S. Anthes seen looking off camera.

Upper body studio portrait of John S. Anthes seen in partial profile.

Full body studio portrait of John S. Anthes standing next to a side table with a hat on top. Anthes is seen looking at the camera, arms at sides.

Studio portrait of Lydia Anthes with daughters Ella Cook, Martha Rieder, Louisa Breithaupt and Carrie Breithaupt. Ella and Martha are seen standing, with Louisa and Carrie seated on either side of Lydia. Only Lydia and Louisa are looking toward the camera.

Two copies of a studio portrait of Lydia Anthes with daughters Louisa Breithaupt, Ella Cook, Martha Rieder and Carrie Breithaupt. Louisa and Ella are seen standing, with Lydia, Martha and Carrie seated at front. Only Ella, Lydia and Carrie are looking toward the camera.

Studio portrait of Lydia Anthes (centre) with daughters (left to right) Carrie Breithaupt, Martha Rieder, Ella Cook, and Louisa Breithaupt. Only Martha and Ella are seen looking toward camera.

Photograph of the exterior of a corner of the Anthes Manufacturing Company of Berlin seen from across a dirt road. Clusters of trees are visible next to the building and at right in what may be an adjoining lot.

File consists of photographs of Anthes Manufacturing Company of Berlin employees standing outside of the company building

Mounted photograph of employees standing in a row, posed for the camera, at the side front of the Anthes Manufacturing Company building under a painted sign that reads: "The Anthes Mfg. Co. of Berlin. Limited." J.I. Frank Anthes is visible standing in a doorway behind the employees at right.

Mounted photograph of employees casually standing at the front and side of the Anthes Manufacturing Company factory. Looking at the camera, most are wearing hats, some with hands at hips or in pockets.

Mounted photograph of employees posed for a photo outside of the Anthes Manufacturing Company factory. Seen in two rows, one standing and one kneeling, most are holding hats at their side or on a knee. An unidentified man on a horse is included in the group at right.

Photograph taken during the construction of an unidentified factory in Berlin (now Kitchener), probably the Berlin Rubber Manufacturing Company.

File consists of a wedding portrait of Albert Breithaupt and Louisa Anthes.

File consists of photographs (possibly progress photographs) of the construction of additions to the the Dominion Tire Company manufacturing plant in Kitchener. File also includes some photographs of the Elmira Rubber factory.

Album containing photographs of the construction of the Dominion Tire Company manufacturing plant in what was then Berlin, Ontario. Includes photographs of the construction process, the surrounding land, the interior and exterior of the building during construction, equipment used the tire manufacturing process and employees on the factory floor, etc. Although the majority of the people are unidentified the following people appear in the album: Talmon Henry Rieder (page 1), [Ed Cable?] and Irene Bain (page 3), Dr. Wood (page 6), and J.I. Franklin Anthes (page 9 and 53).

Upper body studio portrait of Louise McEwen McLean looking off camera, wearing a high-collar top with leg of mutton sleeves.

Upper body studio portrait of Blanche Mildred Clement looking off camera, seen wearing a fancy hat.

Upper body studio portrait of an unidentified woman seen in profile.

Studio portrait of Effie Schmidt Tulloh seen standing with right hand at back and looking off camera.

Studio portrait of Ina Kimmel seen standing and looking off camera.

Studio portrait of Ella Anthes and Frieda [?]. Ella is seen looking at camera and Frieda, seen in partial profile, is looking off camera. Both are dressed in high-collar tops with leg of mutton sleeves.

Studio portrait of Ella Anthes and Frieda [?]. Ella is seen looking at camera and Frieda, seen in partial profile, is looking off camera. Both are dressed in high-collar tops with leg of mutton sleeves.

File consists of a wedding portrait of Arthur Gauerke and Talma (May) Rieder, a photograph of their daughter Joyce Evelyn at 6 months old, and a later family portrait (with three daughters).

File consists of three photographs of the John S. Anthes home at 44 Weber Street in Berlin (Kitchener). Two photographs are mounted. Includes one duplicate photograph.

File consists of a photograph of the John S. Anthes home at 44 Weber Street in Berlin (Kitchener).

File consists of four snapshots taken on the street outside of the Rieder home at 58 Roy Street in Kitchener in the winter. A duplicate photograph is present.

Head and shoulders studio portrait of Emma Ratz Kaufman seen looking off camera.

File consists of three photographs of the Kitchener Natatorium and its locker rooms. Talmon Henry Rieder played a role in the construction of the natatorium, which opened July 21, 1917 at at 121 King Street West in the Rieder Block.

Photograph of (left to right) May Wing, Martha Rieder, Emma Ratz Kaufman, and Ella Cook posed for the camera wearing hats and holding picnic baskets. The group is seen in front of a vine covered backdrop.

Photograph of (left to right) May Wing, Martha Rieder, Emma Ratz Kaufman, and Ella Cook posed for the camera wearing hats and holding picnic baskets. The group is seen seated in front of a vine covered backdrop.

File consists of miscellaneous snapshots, most of which were probably accumulated by Martha Rieder. Includes snapshots of Martha Rieder, her children, and grandchildren, as well as other family members and friends. Talmon Henry Rieder is present in some snapshots. Many photographs include members of the families of John C. and Carrie Breithaupt, Albert and Louisa Breithaupt, and H. Milton and Ella Anthes Cook; Alma and Eva Rieder are also present in some photographs.

Photographs were taken at Penetanguishene, Georgian Bay, on Lake Huron, Port Dalhousie and other travel destinations; at various cottages; at the Rieder home at 58 Roy Street in Kitchener; and other locations. File also includes a colour print-out of a photograph Margaret Paisley [?] and an unidentified woman.

Full length studio portrait of Martha Anthes looking down at a flower held in hands, seen wearing a long white dress and standing in front of an arm chair with throw pillows. A side table with a potted plant is visible in the background at right.

Full length studio portrait of Martha Rieder seated in an arm chair holding a flower in lap, seen wearing a long white dress and looking at camera.

Upper body studio portrait of Martha Reider seen wearing glasses and looking at camera.

Full length portrait of Paul Rieder and Dorothy Scheifele on their wedding day, seen looking at the camera dressed in a tuxedo and wedding dress. Dorothy has a veil on and is holding a large bouquet of flowers at front.

Full length portrait of Paul Rieder and Dorothy Scheifele on their wedding day with their wedding party. The group is seen looking at camera and dressed in formal wear. From left to right: Homer McIntosh, Bruce McCullough, Paul, Dorothy, Grace Pernfuss, June Peacock, and Walter Pernfuss.

Head and shoulders studio portrait of unidentified bearded adult seen looking off camera.

Head and torso studio portrait of unidentified adult seated with right hand on thigh and left arm propped on table at side.

Head and shoulders studio portrait of Sam Reider seen looking off camera.

Upper body studio portrait of Peter Rieder seen looking at camera.

Upper body studio portrait of Emeline and Peter Rieder seen seated side by side and looking at camera.

Upper body studio portraits of Emeline Rieder and Peter Rieder seen looking at camera. The photos are inside a double panel photographer mount with decorative patterns around the photos.

File consists of two wedding portraits of Talmon Henry Rieder and Martha Anthes.

Full length studio portrait of Martha Anthes and Talmon Henry Rieder standing side by side in their wedding attire. Martha, dressed in a white gown adorned with a veil and arm length gloves, is seen holding the back of a wicker chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing next to Martha with right hand behind back and holding a glove in his left hand.

Full length studio portrait of Martha Anthes and Talmon Henry Reider in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing at Martha's side with left arm at back.

Head and shoulders studio portrait of an unidentified adult seen looking at the camera with a slight smile on face.

Head and shoulders studio portrait of an unidentified adult seen looking off camera.

Fully length studio portrait of an unidentified child looking toward camera with right hand resting on the arm of a chair positioned at back. Their right ankle is crossed in front of the left and they are holding a rolled up document in their left hand.

Studio portrait of an unidentified infant seated upright in an armchair and looking toward camera. The child is dressed in an embroidered dress with a lace collar and underskirt.

Head and shoulders studio portrait of Carrie Briethaupt seen looking slightly off camera that likely belonged to Martha Rieder.

Upper body portrait of an unidentified seated adult holding an infant, dressed in an white gown, upright on side of chair. Both are seen looking at camera.

Head and shoulders studio portrait of missionary Jozo Takano seen looking off camera.

Upper body studio portrait of two unidentified adults seem looking off camera.

Studio portrait of three unidentified children seated in a row, slanted from high to low, and looking at camera. The head of an adult is partially visible behind the children, supporting the infant dressed in a long white gown at centre.

Head and shoulders studio portrait of an unidentified adult seen looking slightly off camera.

Head and shoulder studio portrait of J.E. Bilger seen looking off camera.

Head and shoulders studio portrait of W.W. Nash seen looking at camera.

Upper body studio portrait of John Edward Breithaupt seen looking off camera.

Full length studio portrait of Willie and Arthur, last name unknown, seated side by side. One child, dressed in a plaid dress with a lace collar, is seated in a chair, with left arm on the side of an armchair where a second child, an infant, is seated upright dressed in a white grown.