Photograph of two raccoons on the branches of a bare tree

Photographs from album 1 which are unidentified.

Photographs from album 2 which are unidentified.

Photographs from album 3 which are unidentified.

Group portrait possibly of a meeting of officials of the of Alma Street United Brethren in Christ Church taken outside. Identified on the verso are Rev. S.H. Swartz (centre in front of doors), President Bangs of Huntington College Indiana (front row, 3rd from right), Rev. Stanton, Lautenschlager, Rev. Howe, and Rev. Burton.

Group portrait of the Alma St. United Brethren in Christ Church choir, which was led by A.O. Bowman.

Back row: Ed Clemens, Frank Schantz, Arthur Schantz, Eli Brubacher.

Middle row: Aggie Brubacher, Lizzie Groh, A.O. Bowman, Lizzie Musselman.

Front row: Sophie Schantz, Susanna Musselman, Rosetta Lautenschlager, Ella Weaver.

Group portrait of the Alma St. United Brethren in Christ Church choir, which was led by A.O. Bowman.

Back row: Ed Clemens, Frank Schantz, Arthur Schantz, Eli Brubacher.

Middle row: Aggie Brubacher, Lizzie Groh, A.O. Bowman, Lizzie Musselman.

Front row: Sophie Schantz, Susanna Musselman, Rosetta Lautenschlager, Ella Weaver.

Group portrait of the Alma St. United Brethren in Christ Church choir, which was led by A.O. Bowman.

Back row: Ed Clemens, Frank Schantz, Arthur Schantz, Eli Brubacher.

Middle row: Aggie Brubacher, Lizzie Groh, A.O. Bowman, Lizzie Musselman.

Front row: Sophie Schantz, Susanna Musselman, Rosetta Lautenschlager, Ella Weaver.

One artistic landscape photograph of trees in swamp land. Photograph is an a portfolio style enclosure with "Almer Coe & Company, Chicago" on the front; however, the creator of the photograph is unknown.

One upper body studio portrait of Alfred Austin, suitor of Sophie Emma Schantz.

Head and shoulders studio portrait of Rev. Mrs. Baldwin seen in partial profile looking off camera.

One studio portrait of the Berlin (now Kitchener), Ont. City Council in 1914. This photograph may have been created by the photographer Levi R. Yost. The backdrop in this photograph resembles the backdrop in other photographs taken by Yost.

Back Row: Dr. J.E. Hett, Dr. J.J. Walters, H.A. Hagen, W.O. Knechtel, Geo. Sohlee.

Middle Row : Dr. A.E. Rudell, D. Gross, Jr., A.L. Breithaupt, John Hessenauer, W.E. Gallagher, C.O. Hahn.

Front Row: I. Master, Geo. Rumpel, W.D. Euler, Mayor, G.G. Bucher, John Schwartz.

Three-part composite photograph. The top half contains numbered portraits of 155 members of the Berlin Philharmonic Society, the middle contains portraits of Miss C. Specker, contralto, Miss D. Zigler, soprano, Miss A. Bean, organist, Mr. Gains, tenor, Miss Specker, pianist, Mr. E. Shuch, baritone, Mr. C. Ruby, basso, and the bottom third of the photograph portrays the orchestra, seated with instruments and music. This photograph contains portraits of many well known citizens, particularly women.

Portraits of members of the Berlin Philharmonic Society include:

1. Geo. Howard, 2. A. Master, 3. W. Tuchlinski, 4. W.F. Roadhouse, 5. O. Vogelsang, 6. R.D. Lang, 7. H.P. Harding, 8. A. Breithaupt, 9. W. Euler, 10. J. Stauffer, 11. O. Master, 12. Geo. Zigler, 13. H. Clemens, 14. W. Zigler, 15. Rev. Tafel, 16.S. Groh, 17.L. Weaver, 18. E. Englert, 19.J. Brandt, 20. T. Simpson, 21. J. Steifke, 22. E. Werner, 23. D. Musselman, 24. W. Freeman, 25. J. Fischer, 26. A. Snyder, 27. E. Brubacher, 28. A. Musselman, 29. F. Shantz[sic], 30. J. Musselman, 31. E. Clemens, 32. W.H. Becker, 33. H. Hymmen, 34. E. Reiner, 35. A. Devitt, 36. E. Heist, 37. A. Shantz[sic], 38. J. Bilger, 39. G. Rehmann, 40. C. Harttung, 41. J. Weiderholt, 42. E. Lang, 43. H.A. Huber, 44. J. Good, 45. L.J. Breithaupt, 46. F. Boehmer, 47. D. Stadelbauer, 48. G. Reiner, 49. A.Grebenstein, 50. B. Marks, 51. T. Reid, 52. M. Ahrens, 53. M. Anthes, 54. A. Moyer, 55. E.Clemens, 56. Mrs. Musselman, 57. E. davey, 58. S. Musselman, 59. A.Detweiler, 60. I. Kolb, 61. A. Fischer, 62. Mrs. Howd., 63. A. Moyer, 64. T. Fehrenbach, 65., Mrs. Becker, 66. Mrs. Schmalz, 67. E. Swartz, 68. W. Fischer, 69. L. Motz, 70. F. Knechtel, 71. A. Mitchell, 72. A. Musselman, 73. C. Lang, 74. E. Hillard, 75. C. Webb, 76. A. Rathman, 77. T. Kimmel, 78. I. McMahon, 79. M. Moyer, 80. A. Cairnes, 81. L. Ziegler, 82. L. Rudell, 83. A. Kolb, 84. L. Musselman, 85. A. Boomer, 86. M. Devitt, 87. A. Devitt, 88. E. Pfeffer, 89. B. Bean, 90. Mrs. Shuh, 91. F. Caton, 92. M. Smuck, 93. M. Smuck, 94. M. Knell, 95. A. Wiegand, 96. A. Hett, 97. E. McIntyre, 98. L. Ruby, 99. M. Burke, 100. L. Hillard, 101. L. Hoffman, 102. Miss Kumpf, 103. A. Hendershott, 104. T. Pequegnat, 105. A. Knell, 106. G. Bowman, 107. A. Bird, 108. L. Pfeffer, 109. Miss Kumpf, 110. R. Musselman, 111. E. Dunn, 112. L. Sheppard, 113. Miss Grey, 114. F. Freeman, 115. R. Huck, 116. R. Ziegler, 117. M. Lauer, 118. M. Walper, 119. C. Vetter, 120. M. Walper, 121. Mrs. Tafel, 122. A. Staebler, 123. E. Schmidt, 124. L. Teidt, 125. A. Clemens, 126. S. Strasser, 127. Mrs. Fetzer, 128. M. Detweiler, 129. Mrs. Seiler, 130. A. Bossenberger, 131. C. Rehman, 132. U. Heins, 133. E. Stein, 134. A. Bean, 135. S. Shantz[sic], 136. C. Martin, 137. A. Eby, 138. A. Moyer, 139. E. Reiner, 140. B. McIntyre, 141. L. Eby, 142. L. Barlett, 143. K. Thomas, 144. L. Bricker, 145. L. Specker, 146. Miss Wagner, 147. K. Bingeman, 148. Mrs. Doering, 149. Miss Wagner, 150. M. Kalte, 151. S. Fehrenbach, 152. Mrs. W. Oelschlager, 153. Mrs. A. Oelschlager, 154. A. Brubacher, 155. Mrs. H. Heller.

Full body studio portrait of Anna Bilger (nee Fry) seen looking at camera and standing with left hand resting on the back of a chair.

Head and torso studio portrait possibly of John Book or Jesse (last name unknown) seen looking off camera and dressed in suit and tie.

Photographs of Hervey Bowman, a house on Church St., Kitchener, and a house on Roland St., Kitchener. Note that the photographs were found with correspondence between Franklin Abram Schantz and Franklin Bowman regarding Hervey Bowman's death.

One full length studio portrait of Abram O. Bowman and Susannah Detweiler Bowman. Abram is sitting in a chair wearing a suit and Susannah is standing next to him in a full length velvet dress with leg of mutton sleeves.

One head and shoulders studio portrait of Annie Bowman, seen looking at camera, that was found with Hervey Bowman's belongings.

One hand coloured head and shoulders portrait of a woman possibly, Eliza M. Bowman of Berlin, Ont.

One head and shoulders studio portrait of Hervey Bowman, seen looking at camera and dressed in a suit and tie, that was found with his belongings.

Exterior view of Hervey Bowman's home located at 60 Church Street, Kitchener, Ontario by an unidentified photographer. The house is somewhat obscured by trees and an adult, possibly Hervey Bowman, is seen standing at left, behind a row of shrubs.

One full body studio portrait of Issac Lucius Bowman seen dressed in a long coat and standing with left hand resting on the top of a chair.

One full length studio portrait of Jacob Harold Bowman, son of Abram O. and Susannah Detweiler, as an infant. Harold is seen wearing a long, lace trimmed gown and sitting in a large chair.

One upper body studio portrait of Nancy Bowman, friend of the Schantz family. Identification from album.

Full body studio portrait of Marjorie Bricker seen kneeling on a wicker arm chair with a doll and looking off camera.

Photograph of pile-driver with pile hanging from boom on incomplete span of rail bridge over a large body of water. Construction works are visible on a raft in the water, at the bottom of the pile, as well as on and next to the pile-driver. A sign on the machinery reads: "Industrial Brownhoist".

Photograph of pile-driver with pile hanging from boom on incomplete span of rail bridge over a large body of water. Construction works are visible on a raft in the water, at the bottom of the pile, as well as on and next to the pile-driver. A sign on the machinery reads "Industrial Brownhoist" and another on the rail car reads "Canadian Pacific Pile-Driver".

Unidentified person walking along construction site enclosed by white, crisscrossed wire fence. In the background a pile-driver with boom at a 45 degree angle is visible along a railway.

Photograph of a construction site enclosed by a white, crisscrossed wire fence. A pile-drive with boom vertical is visible along rail tracks on a ridge behind two homes enclosed by fence.

Negatives showing the Bridgeport Flood. Includes images of cars, houses, and bridges in the water as well as the river. Identification from enclosure.

One studio portrait, possibly of Franklin Abram Schantz.

Upper body studio portrait of Eli Brubacher, seen looking at camera.

One upper body studio portrait of Eli Brubacher.

One upper body studio portrait of Oliver Bushy seen in partial profile.

Photographs and negatives showing the Canadian Officer's Training Corps, possibly of McGill University. Included are images of the Longueuil barracks, the Jacques Cartier Bridge in Montreal, a fort, and other army camps and vehicles as well as an image of Lt. Peter Anderson. Some identification from verso.

Promotional composite photograph of 1930 C.F.C.O. Station Staff in Chatham, Ontario. Includes views of station building, studio and operation room.

Identified staff: Aubery Cox (Announcer), Con. E. Shea (Secretary-Treasurer), Jack Beardall (President & Station Designer), Edwin England (Operator), Clarence Lemire (Announcer), Victor R. Weatherhead (Musical Director), Geo. Spence (Operator), Grace Wilkinson (Sketch Artist), Jim Couper (Sketch Artist), Stewart Clark (Operator), Geo. Watt (Announcer).

Photograph of Clark Russell in swimsuit and cap flexing muscles at water’s edge.

Photograph of Clark Russell seated outdoors on a piano stool playing a guitar lying upright in his lap.

Photograph of (left to right) Carl Berlet, Alf Stewart and David Ward Clement standing in a row outdoors. The group is seen in uniform and looking at camera.

Two copies of a photograph of (left to right) Art Schnarr, David Ward and Alf Stewart standing outside of a residential home. The group is seen in uniform and looking at camera.

Studio portrait of evangelists Hugh Crossley and John Hunter. Crossley is seen with legs crossed, looking off camera and paper in left hand. Hunter is seated on the arm of a chair next to him with right arm propped on Crossley's shoulder, looking at camera.

One upper body studio portrait of Ethel Davey.

Studio portrait of Phoebe Detweiler and Ellen Shoemaker.

One full body studio portrait of Goodwal Dickerman dressed in the character of Peter Timothy Tomkins from " The Tomkins Family", given as a Christmas gift in 1894. Goodwal was a humorist and impersonator, and went on to act on Broadway.

One full body studio portrait of broadway actor Goodwal Dickerman.

One studio portrait of Goodwal Dickerman as the character Freddie in "The Tomkins Family" given as a gift for Christmas 1894. Goodwal was a humorist and impersonator, and went on to act on Broadway.

One studio portrait photograph of Goodwal Dickerman, showing his left side. Goodwal was a humorist and impersonator, and went on to act on Broadway.

Photograph of Frank Schantz and Dorothy Russell standing apart on rear concrete bridge in Victoria Park. The pair, dressed for cool weather, is seen at a distance, slightly from above. Bare and evergreen trees and a view of snow covered park are included in shot. The bridge has lights on top of each corner and a bear cage is partially visible in the background at left.

Pink tinted photograph of Dorothy Russell looking into camera with head resting on hand.

Photograph of Dorothy Russell and Laura Reichold, seen in dresses, standing in front of a large silver birch tree at Highgate.

Photograph of Dorothy Russell seated on grass in Victoria Park framed by bushes and a canopy of trees. Bear cages and a wood bridge are visible in background.

Photograph of a small body of water inside of an enclosure next to tree-lined railway. A duck, two chickens and a coop are included in shot.

One photograph printed on a postcard of the Duke of Connaught reading a reply to Mayor William Daum Euler's address during his visit to Berlin, Ontario on May 9, 1914. This photograph was found with Hervey Bowman's belongings. The photograph was originally housed in an envelope, which is included in the file.

Full body studio portrait of Glenn Earl Eby, seen as a small child, standing on a chair, wearing a long gown with lace.

One upper body studio portrait of Jeremiah Eby. Identification from album.

One packet of 20 souvenir photographs of Montreal and six packets of souvenir postcards, including the Canadian Rockies, Lookout Mountain in Colorado, Washington D.C., Canadian National Exhibition and Chatham, Ont.

Full body studio portrait of Sarah Finley seen standing with left hand on back of armchair and looking at camera.

Two identical upper body studio portraits of Melvina Dorthula Flagler. Melvina is shown with a watch on a chain and a large lace flower on her jacket. Note that the mounting for one photograph is labeled: "Dunn, Leamington, Ont." but that the image was in fact taken by Hartley's, Chicago, Ill..

One upper body studio portrait of Melvina Dorthula Flagler, later in life, seen looking at camera.

One upper body studio portrait of Melvina Dorthula Flagler seen looking off camera.

Head and shoulders studio portrait of William Flagler seen in outdoor jacket and looking off camera.

Photograph of Nell Johnston Flagler and William B. Flagler, posed for the camera, seated on a bench on the side lawn of a residential home.

One heads and shoulders portrait of (left to right) Melvina Dorthula Flagler, Ruth Schantz, and Carrie Flagler Schantz. Ruth in the middle with arms around her Melvina's neck.

Photograph of large chunks of ice and snow. Water and partially tree trunks are included in background.

Head and shoulders studio portrait of Angeline Fogel seen looking off camera. Fogel is wearing a lace collard top and a [charm?] choker.

Head and shoulders studio portrait of Angeline Fogel seen looking off camera. Fogel is wearing a lace collard top and a [charm?] choker.

Photograph of Chinese geese, chickens and other fowl in Victoria Park fowl pen that includes a small waterway and a barn-like shelter. The smoke tower from the old glue factory is faintly visible in background skyline.

Photograph of Chinese geese, ducks and chickens grazing in Victoria Park fowl pen. Enclosure includes barn-like shelter with dovecote on roof.

Group portrait of Freeport Academy teachers and students taken about 1869.

Back row, left to right: Rev. John B. Schlichter, Ezra Weber, Mary Snyder (Mrs. Moses Weaver), Harriet Shupe, Mina Gonder, Miss Bergey, Samuel S. Moyer, Isaac L. Bowman (Principal).

Middle row, left to right: William Simmons, Ananias Eby, Ephraim A. Snyder, James Peterson, William Sherk, Saruch Eby, Charles Shupe, Abraham M. Snyder.

Front row, left to right: Benjamin M. Snyder, Moses Weaver, Abram O. Bowman, Titus Snyder, Horace Beam, Horace Smith, Jacob B. Weaver, Hiram Hewitt.

A composite class photograph of the scholars attending the Freeport Academy taken around 1870. This photograph was originally housed in an oval frame featuring decorative fruits and leaves. The individuals in the photograph were identified by a list in the Isaac Bowman files.

Row 1, top: Charles Shupe, Levi B. Clemens, Titus Snyder, George A. Scott (Assistant), Levi Sherk, Jacob Hagey.

Row 2: Menno Bowman, Nelson Morley, Henry Woods, J.B. Weaver, Mina Gonder, Menno B. Clemens, Unidentified, Jos. Perrin.

Row 3: Ephraim Snyder, John Groh, Hespeler, Harriet Shupe, I.L.Bowman (Principal), Simon Bowman, Moses Weaver, Levi Roos.

Row 4: Charles Glick, Sylvester Godbold, Benjamin Sherk, A.O. Bowman, Aaron Sherk, Sarah Snyder, Philip Boehmer.

Row 5, bottom: Henry Sauer, John Sherk, Mary Snyder, Saruch Eby, Mary Weaver, Aaron Meyer, Menno B. Clemens.

One head and shoulders portrait [Annie Nash Fry?] seen wearing glasses and looking slightly off-camera.

One studio portrait of Annie Nash Fry (wife of Samuel Fry) seen looking at camera. Annie is shown late in life wearing a bonnet which ties at her neck, and glasses. Also includes one print of the identical portrait with a poem. Item may be a funeral card. Identification from verso with birth date as 1819 and death as 1903. Identification is uncertain however, as a print with a poem about the woman identifies the woman as Nancy Fry (possibly familiar form of Anna).

Poem reads:

We meet, in thankfulness to-day,
For blessings showered on our way.
May all our hearts with love abound
As once again we gather round
The heartstone of Aunt Nancy.
Vineland, August 9th, 1905.

One casual outdoor portrait of employees of F.W. Woolworth Co. taken at Puslinch Lake, Ont. Portrays men and women in various types of casual dress, including several women in uniforms of sweaters, bloomers and caps, perhaps dressed for baseball. It is possible that the older woman present could be Florence Annie Catherine Schantz or Sophie Emma Schantz, both of whom worked for Woolworth's.

Photograph of large, bare tree surrounded by water and ice during a flood along the Grand River.

One full length studio portrait of Mable Grant seen standing in a long lace and velvet dress in front of lace curtains.

Studio portrait of [Mary Harriet Gribble] with grandchildren Elsie Snider and Ralph Snider, the children of Faith Gribble and William Snider. Gribble is shown looking down at newborn Elsie, held on her lap, while Ralph, about three years of age, stands next to them, looking over shoulder off camera.

One upper body studio portrait, possibly of Faith Gribble. Photograph is in an embossed green enclosure with a purple interior and reads "With the Compliments of the Season."

Image of two children, possibly Don and Lydon Gross, holding hands and smiling at the camera as an adult wearing a hat and suit looks on from behind them with a lawnmower. The children have ropes around their torsos, held by the adult, positioned to pull the lawnmower like they are animals.

Image of two children, possibly Don and Lydon Gross, holding hands and looking toward the camera as an adult wearing a hat and suit looks on from behind them with a lawnmower. The children have ropes around their torsos, held by the adult, and are positioned to pull the lawnmower like they are animals.

Image of Don and Lyndon Gross standing in front of a snowman on a residential street. Snowshoes and a toboggan are positioned at the base of the snowman.

Image of Don and Lyndon Gross standing in front of in front of a snowman, seen in profile, on a residential street. Snowshoes and a toboggan are positioned at the base of the snowman.

Image of Don and Lydon Gross posed for the camera on a residential street along with two unidentified adults who are both holding dogs. A snowman with snowshoes at its base is visible behind the group at left.

Photograph of group of four dressed in winter coats and wearing snowshoes seen next to and top of a windswept snowdrift.

Photograph of Dorothy and Clarke Russell with Clarke’s half sister in swimsuits and caps at water’s edge.

One snapshot of Isabel Hachburn and Eddie McKinley standing outside next to a car.

One upper body studio portrait of Joseph Hilborn looking off camera in partial profile.

One full body studio portrait of Leila Vera Hilborn as an infant. Hilborn is shown wearing a cap and gown, and laying on a fur rug.

Studio portrait of the Honsberger family. The spelling of the Honsberger name varies in inscription on verso.

Back row, left to right: Lucinda Honsberger, Amanda White (nee Honsberger), Owen Honsberger, Lovina Levagood (nee Honsberger).

Front row, left to right: Benjamin Honsberger, Phoebe Murphy (nee Honsberger), Ervine Honsberger, Rosa Honsberger, Mrs. Stickney (first name unknown), Esther Honsberger (nee Biehn).

One carte-de-visite portrait of HRH Prince Edward VII.

Three identical group portraits of the attendees of the golden wedding anniversary of Benjamin Hunsperger and Esther Biehn Hunsperger. The Hunspergers were the parents of Ward Malott White's second wife Ella Amanda Hunsperger. They lived in Westcott Alta, near Didsbury.

One group portrait of some attendees of the golden wedding anniversary celebrations for Benjamin Hunsperger and Esther Biehn Hunsperger. The Hunspergers were the parents of Ward Malott White's second wife Ella Amanda Hunsperger. They lived in Westcott Alta, near Didsbury.

Three identical group portraits of the attendees of the golden wedding anniversary of Benjamin Hunsperger and Esther Biehn Hunsperger. The Hunspergers were the parents of Ward Malott White's second wife Ella Amanda Hunsperger. They lived in Westcott Alta, near Didsbury.

One full body studio portrait of Howard Hutchinson as a small child. Howard is shown standing against a small stool wearing a long dress.

A group portrait, posed outdoors, of staff and campers at Camp Tinawatawa.

Studio portrait of Grace Evelyn Kolb, aged 8 years, 8 days, seated, holding Raymond Oliver Kolb, aged 1 year on lap. Evelyn is seen with has large ribbons in her hair and Raymond is holding a sprig of greenery.

Group portrait of Lang Treacy Co. Ltd. (dry goods and house-furnishings) employees posed outdoors taken June 1927. Image shows Franklin Schantz (back row, 4th) W.C. Treacy (front row, far right), R.D. Lang (second row, first from left) and E.D. Lang (third row, first from left). Also of note are the dress of the employees, particularly a fur stole.

Photograph of a woman holding a child's hand in front of a flowering bush.

Head and shoulders studio portrait of Grace Longworth seen looking slightly off camera.

Photograph of a sculpted bust of Sir John Alexander Macdonald, seen in partial profile.