Head and shoulders studio portrait of Angeline Fogel seen looking off camera. Fogel is wearing a lace collard top and a [charm?] choker.

One upper body studio portrait of Alfred Austin, suitor of Sophie Emma Schantz.

One full length studio portrait of Abram O. Bowman and Susannah Detweiler Bowman. Abram is sitting in a chair wearing a suit and Susannah is standing next to him in a full length velvet dress with leg of mutton sleeves.

One upper body studio portrait of Amos Musselman seen looking off camera. File also includes one small red paper flower that was included in the album with the photograph.

File consists of one upper body studio portrait of Arthur Benjamin Schantz seen looking off camera.

One upper body studio portrait of Benjamin Schantz seen looking off camera.

A group studio portrait of some of the Schantz cousins, from left to right: Austin, Etta, Franklin, Sophie, and Theodore.

One upper body studio portrait of Etta Lydia Mary White (nee Schantz) seen looking off camera.

Two identical copies of a full body studio portrait of Tobias Schantz, showing him with his book agent's accoutrements: hat, cane and book sample case.

One image of a Hudson's Bay Company building on the Grand Rapids Tramway, west of Grand Rapids, Manitoba.

Advertisement trade card showing a group of children playing including a young girl preparing sausages for the other children. Caption reads: "compliments of the Domestic Sewing Machine Co." Stamp on verso reads "H.C. Palmer dealer in sewing machines, 7 West Street, Danbury, Conn."

Die cut Lenox Soap advertisement showing a woman standing next to a washing tub with a large pile of soap suds coming out of it. The advertisement reads "Lenox Soap. Lather from 1 oz in hard water. Lathers freely in hard water."

Soapona trade card advertisement featuring an elephant looking on while two women hang laundry on a line. Verso reads "Saves times, expense and labor. Makes hard water soft. Does not injure the hands or clothes. Makes linen perfectly white. Is a great disinfectant. Each package contains a set of handsome picture cards. Manufactured only by R.W. Bell & Co. 77 to 89 Washington St., and 8 to 20 Beaver St., Buffalo, N.Y."

File consists of one full length studio portrait of Grace Bowlby Fennell by Gagen and Fraser, Toronto, Ont. Identification on verso is incorrectly identified as Emma Allen Bowlby Boyd.

Advertisement trade card for Bacon, Stickney, & Co., enterprise baking powder, coffee, spices, Albany, N.Y. depicting a young woman washing clothes in a wash bucket while a man with a riding crop looks on. Caption reads "The handsomest girl in town."

Pamphlet advertising L.I. Fisk & Co's Soaps. The cover shows three women washing and hanging out clothes with the caption "The suds is like velvet, I never used a soap like it. The water is settled and I find no grit in the tub. We never had such clothes they are whiter at every washing. L.I. Fisk & Co,'s Soaps for sale by all grocers who look to the interests of their customers by buying pure goods." The interior describes the qualities of the soap and gives examples of clothes washed in their soap and with others. The back cover shows a young woman and a caricature of a Japanese man holding a scroll which reads "All soaps bearing our name are warranted free from any of the many adulterations the best for economy, purity, cleanliness and washing quality of any in the world. L.I. Fisk and Co., Springfield, Mass." There are also testimonials on the back cover which read "It has cured my chapped hands. I'll use no other and keep them so. It is a delight to all in the bath. It is so soft and clean."

Die cut card showing five women behind a fence with a caption reading "The look well on the fence! Much better on the other side. This road leads to success used by the million." The verso shows the backs of the women, each of whom are holding a Sweeperette sweeper. Verso reads "always in the push our Sweeperette. Sweeperette Company 76 5th Ave. New York Grand Rapids, Mich."

One image of the house and grounds of Angus McKay, who was an Indian Agent at Berens River, Manitoba, in 1890. Part of the caption reads "from a Geological Survey of Canada photograph in the Public Archives of Canada".

Head and shoulders studio portrait of Angeline Fogel seen looking off camera. Fogel is wearing a lace collard top and a [charm?] choker.

One upper body studio portrait of Ela Bliss Moyer in collared shirt and tie seen looking at camera.

One upper body studio portrait of Ela Bliss Moyer seen looking off camera in partial profile.

One upper body studio portrait of Metta Sophia Moyer in a high-collared top, seen looking off camera.

One full length studio portrait of Florence Annie Catherine Schantz , Arthur Benjamin Schantz and Herbert Cecil Palmer Schantz.

Florence is seated on a ladies chair, Arthur is standing at centre, and Herbert is standing with left arm resting on a tall table. Florence is holding a painting of a young girl and Arthur is holding one of a pastoral landscape.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera and wearing a Cedar Falls Drum Corps uniform and cap.

Head and shoulders studio portrait of an unidentified individual seen looking off camera and dressed in a high collared top with a brooch at centre of neck.

One photograph album of 91 photos from Newfoundland and Labrador, ca. 1890. The images show men and women hunting, fishing, exploring nature and visiting with Inuit communities. The photographs were taken in St. John's (showing Signal Hill, the harbour, and the city skyline), along the Humber River (at Big Falls, Steady Brook, and Bay of Islands), and in Labrador (at Nain, Cape Harrison and Hawke Harbour).

One upper body portrait of Louise Moyer seen leaning over the back of a chair and wearing a dress with a lace collar.

Head and shoulders studio portrait of Henry Nash. Photograph has been altered to show Henry in a scroll and the edges of the card are bevelled.

Portrait of the employees of Welden Combination of Iowa Falls, Iowa. Identified on the verso are: William Welden (Proprietor & Manager), S.H. Welden (Travelling Salesman), J.L. Welden (Shipping Clerk), Robert Wright, Jr. (Manager Clothing Department), E.R. Stewart (Assistant Manager Clothing Department), Aaron McDonell (Manager Grocery Department), Clint McDonell (Delivery-man), Orpheus Moyer Schantz (Manager Dry Goods Department), Kate Griswold (Stenographer and Typewriter), O.J. Lawson (Fashionable Cutter), J.H. Flemming (Journeyman Coatmaker), George Schade (Pants Maker).

One full length studio portrait of Mable Grant seen standing in a long lace and velvet dress in front of lace curtains.

One upper body studio portrait of Clyde Entrekin Moyer seen in partial profile.

One head and body studio portrait of Ela Bliss Moyer seen looking off camera.

A group studio portrait of some of the Schantz cousins, from left to right: Austin, Etta, Franklin, Sophie, and Theodore.

Head and torso studio portrait of Agnes Nash seen in partial profile looking off camera. Nash is wearing a top with lace edging around the collar and a cross on a choker necklace.

David's Prize Soap advertisement trade card showing an older woman standing at a washing bucket with a bar of David's Soap while two young women play the piano in another room. It reads "All got by using David's Prize Soap besides the excellent washing it does" as well as a caption under the women at the piano which reads "The prize pianoforte." Verso outlines details regarding incentives to try David's Prize products where users can exchange product wrappers for tickets that can be put toward a list of presents.

One image of an unidentified man sitting on a rocky beach at the north end of old Fort Island[s], with Cedar Lake behind him, Manitoba. Caption also reads: "From a Geological Survey of Canada photograph in the Public Archives of Canada."

Upper body studio portrait of John S. Anthes seen in profile.

Studio portrait of Louis Jacob Gordon Wagner as a child standing in a row boat holding an oar.

Map shows: township boundaries, sectional survey and railways. On verso: Manitoba farming information.

One group studio portrait of Samuel Moyer and Emma Bliss Moyer with their children Ela Bliss Moyer (standing right), Robert B. Moyer (standing left) and Louise Moyer.

A collection of musical notation to be sung by students from Sunday Schools across Chicago as part of the Chicago Sunday School Field Day.

Photograph of a rocky beach in Penetanguishene (Ontario) with two people sitting down on top of a boulder and a ship in the background.

Studio portrait of (left to right) Luella Jane, Mary, Homer LeRoy, Abram Shantz. The family later moved to Colorado Springs, Colorado.

Mounted photograph of employees casually standing at the front and side of the Anthes Manufacturing Company factory. Looking at the camera, most are wearing hats, some with hands at hips or in pockets.

Hand coloured head and shoulders studio portrait of Etta Schantz seen looking off camera.

Advertisement featuring illustration of young girl holding a dust pan, broom and bucket with a box of James Pyle's Pearline Washing Compound in it titled "My Busy Day." Verso reads "James Pyle's Pearline washing compound the great invention for saving toil & expense without injury to the texture, color, or hands. New York. Front of every package of Pearline should look exactly like this cut, or it is an imitation. Don't use an imitation of anything, much less an imitation of Pyle's Pearline. Peddlers and some unscrupulous grocers will tell you the stuff they offer is "Pearline," "same as Pearline," "or as good as Pearline." IT'S FALSE; Pearline is the Original Washing Compount - has no rival - no equal - never peddled - gives no prizes - but stands on the foundation on which it was reared – MERIT."

Photograph of employees standing outside of C.H. Doerr & Co. Biscuit & Confectionery Works looking at camera. They are seen standing on the front steps of the building and next to horse-drawn delivery buggies parked along the side.

One image of an unidentified man on the platform at the Canadian Pacific Railway station in Savanne, Ontario. The caption also reads: "From a Geological Survey of Canada photograph in the Public Archives of Canada."

Mounted photograph of employees standing in a row, posed for the camera, at the side front of the Anthes Manufacturing Company building under a painted sign that reads: "The Anthes Mfg. Co. of Berlin. Limited." J.I. Frank Anthes is visible standing in a doorway behind the employees at right.

Photograph of a group of nine adults and children standing or sitting down on the porch of a summer house, one person approaching the group, two children on the balcony above, and a dog on the side, taken at the family "Bay View Cottage" in Penetanguishene (Ontario).

People in photograph are: on the balcony, left to right, Martha Melvina Rieder and Ella Elmina Cook. On the porch are possibly Lydia Catherine Anthes standing on the left, followed by Carrie Breithaupt, and Frank Anthes seated on the right with legs crossed.

Photograph of a group of nine adults and two children sitting down or standing for the photograph, taken at the family "Bay View Cottage" in Penetanguishene (Ontario). There is a body of water behind the group.

According to annotations, people in photograph are: Oscar Buhler, Frank Anthes, and Franey K.

Studio portrait of (left to right) John Edward Breithaupt, John Christian Breithaupt, and Carrie Breithaupt seen looking off-camera.

Photograph of the home of Orpheus Moyer Schantz and family at Morton Park. Two unidentified children, possibly Ruth and Worth, are visible standing on the porch. The photograph has been mounted on a board and with a decorative handwritten caption that reads "Residence of Mr. & Mrs. O.M. Schantz, Morton Park, Ills., Sept. 9, 1892."

One upper body studio portrait of Nancy Bowman, friend of the Schantz family. Identification from album.

One snapshot of the Clement family and friends at Wees Beach in Sarnia, Ontario. People are shown in the water, in a boat and on the shore.

Four copies of a head and torso studio portrait of J.I. Frank Anthes dressed in a suit and seen looking off camera.

Head and shoulders studio portrait of J.M. Schneider seen looking off camera.

Head and shoulders studio portrait of J.M. Schneider seen in partial profile looking off camera.

Group portrait taken during an outing to Elora, Ontario of members of a United Brethren Church group from Berlin, Ontario. The group is seen posed for the camera against a rocky backdrop.

Back row standing: ?, [Aggie Brubacher], Franklin Abram Schantz, Edgar Clemens, ?, ?

Seated middle row: Arthur Benjamin Schantz, Eli Brubacher, ?, [Amos Musselman], Ella Weaver, ?

Seated front row: Sophie Emma Schantz, [Lizzie Musselman]

Full body studio portrait of an unidentified adult seated in a chair with left arm resting on side table and wearing a dress with leg of mutton sleeves.

File consists of mounted snapshots taken in Penetanguishene, probably by Martha and Ella Anthes. Includes snapshots of people on a beach, a cottage, loads of bark on a dock and a boat, people resting from travelling, hiking, etc.

File consists a studio portrait of Peter and Emeline Rieder with five of their children, probably Talmon Henry (standing back centre), Elmer, Maude, Idella, and Loretta.

Photograph of a group of twelve adults sitting down in a circle having a picnic and one adult and one child standing up as part of the group, taken in Penetanguishene (Ontario). Trees and a partially obscured horse drawn carriage are visible in the background.

People in the photograph are: Carrie Breithaupt is seated at right looking toward camera, Ella Elmina Cook is seated at left wearing a white tam, looking over at Martha Melvina Rieder, also wearing a white tame, and seated at right, next to Carrie.

Photograph of a group of nine adults and three children sitting down and standing on a house porch, possibly taken at the family "Bay View Cottage" in Penetanguishene (Ontario).

According to annotations, people on photograph are Lydia Anthes, John Anthes, John Christian Breithaupt, Carrie Breithaupt, Catherine Hailer Breithaupt, Frances Marian Bean, Ella Elmina Cook, Martha Melvina Rieder, Adeline Staebler, Albert Liborius Breithaupt and John Edward Breithaupt.

One full length studio portrait of Jacob Harold Bowman, son of Abram O. and Susannah Detweiler, as an infant. Harold is seen wearing a long, lace trimmed gown and sitting in a large chair.

Full length studio portrait of Ruth Schantz at two years of age seen standing in a long white gown and holding a bough of flowers.

Full length studio portrait of Ruth Schantz, age 15 months, seen standing on a wicker chair in a long black dress and looking off camera.

Copy negative of old photograph of J. M. Donaldson standing outside of Bell Telephone Co. Central Office building in Berlin.

Three copies of a studio portrait of (left to right) John S. Anthes, Sally [Salome] Anthes Strasser, and Henry William Anthes as older adults.

Full length studio portrait of Ruth Schantz, age 15 months, seen standing on a wicker chair in a long black dress and looking off camera.

One head and shoulders studio portrait of Lillian M. Moyer seen looking off camera.

One full body studio portrait of Inez Muriel Martin, aged one year. Inez is showing standing on a chair, wearing a long white gown with lace.

Article "C.W.A. Meet, Waterloo, July 1st and 2nd," Saturday Globe, June 22, 1895: [1]. This article concerns the annual meet of the C.W.A. [Canadian Wheelman's Association?] to be held in Waterloo, Ont. in 1895. Joseph E. Seagram was Honorary President of the Waterloo Bicycle Club and donated a horse as a prize for this meet. The article also includes two images of the Waterloo Bicycle Club Track, as well as portraits of local individuals: D. Hybner, Mayor, Berlin; Simon Snyder, Mayor, Waterloo; Waterloo Bicycle Club officers J.W. Fear, J.M. Scully, Geo. Wegenast, F.G. Hughes, A.H. Snyder, C.W. Wells; also W.G. Roos, C.H. Froelich.

Photograph of a camp on a board scow on a body of water by a shore with trees in the background and foreground and a Union Jack flag by the camp. There is a person on a canoe leaving the camp.

One print showing the enlarged premises of the Marshall & Field Company building in Chicago. Orpheus worked for Marshall & Field.

File consists of one three quarter length studio graduation portrait of David Shannon Bowlby. David is shown with legs crossed, wearing a gown and holding a graduation cap in his lap.

Upper body studio portrait of Alfred Stocker seen looking off camera.

Photograph of employees and a horse drawn delivery sleigh, stacked with boxes, outside of the C.H. Doerr & Co. Biscuit & Confectionery Works buildings.

File consists of one upper body studio portrait of David Shannon Bowlby seen in partial profile looking of camera in graduation cap and gown.

Studio portrait of Louis Henry Wagner seen looking off camera.

Head and body studio portrait of Christian Rieder seen looking off camera with right hand on back of arm chair.

Two copies of a studio portrait of Helena Schneider seated, holding Emma Louise Schneider upright on lap.

File consists of one three quarter length wedding portrait of Isabel and Peter Mackay in their wedding clothing. Peter is standing by a seated Isabel who is holding a branch of leaves.

File consists of two identical group portraits (one mounted) showing the Clement family by Green & Co, Berlin, Ont.

Back row: William Pope, Charles Bowlby, Blanche Mildred Clement Kelly.

Front row: Florence Grace, Janie Elizabeth Bowlby, Edwin Perry, Edwin Oliver.

Studio portrait of Louis Henry Wagner with son Louis Jacob Gordon Wagner, and wife Sarah Moyer Wagner.

File consists of one head and shoulders studio portrait of Isabel Mackay in her wedding dress. The upper part of her dress can be seen, and she is holding a bouquet of ferns and carnations and wearing a snake upper arm cuff.

Group portrait of Christian Schantz (brother of Tobias), Mary Hutchinson, and all of their children that lived into adulthood: Benjamin Schantz, Jacob Arthur Schantz, Susanna Ann Schantz, Lydia Elizabeth Schantz, James Robert Shantz, Josiah Orphus Schantz, Christian Reid Shantz, William Andrew Schantz, George Washington Shantz and Walter Dickson Schantz. All members of the family are seen seated in front of a home, likely Christian's homestead in Wetaskiwin, Alta.

File consists of three architectural drawings of the building of the Berlin [Kitchener] Y.M.C.A. at 22 Queen Street North. Includes a side elevation, main and upper floor plans, and details of the locker room.

Head and torso studio portrait of Sophie Emma Schantz seen looking off camera.

Head and torso studio portrait of Ward Malott White seen in profile and wearing a Salvation Army uniform.

Upper body studio portrait of Ruth Schantz, age three, seen dressed in a lace trimmed top and looking off camera.

Studio portrait of Louis Henry Wagner with son Louis Jacob Gordon Wagner, daughter Ida Wagner and wife Sarah Moyer Wagner.

Photograph of a group of four children and one adult sitting down in the garden by the porch of a house, taken at 172 Margaret Avenue (Kitchener) in 1896.

According to annotations, people in the photograph are Lillian Breithaupt (with Louise Catherine Geil on her lap), Laurine Catherine Augustine, Rosa Melvina Breithaupt Hewetson Clark, and John Edward Breithaupt.

Group portrait showing the Moyer family having Christmas dinner at Levi Nash Moyer's home in Wilmette, Illinois. From left to right: Mary Emma Moyer, [Edmund Warren Moyer?], ?, Ela Bliss Moyer, ?, Charlotte Hays Moyer, Levi Nash Moyer, Jennie Moyer, Etta Moyer.

Head and shoulder studio portrait of Jennie Hall seen looking at camera and wearing a high-collar top with leg of mutton sleeves.

File consists of one studio portrait of William John Motz. The photograph shows five different angles of William John seated around a table playing cards and smoking.

Group portrait showing the Moyer having Christmas dinner at Levi Nash Moyer's home in Wilmette, Illinois. From left to right: Mary Emma Moyer, [Edmund Warren Moyer?], ?, Ela Bliss Moyer, ?, Charlotte Hays Moyer, Levi Nash Moyer, Jennie Moyer, Etta Moyer.

File consists of one group portrait of Martha Esther Murphy Bowlby (second from left) with daughters (from left to right) Janie Elizabeth Bowlby Clement, Grace Esther Bowlby Fennell, and Emma Allen Bowlby Boyd. All are seen in high-collared dresses with oversized leg of mutton sleeves.

Upper body studio portrait of Urban Snyder seen looking toward camera.

File consists of one group portrait of Martha Esther Murphy Bowlby (left) with daughters (from left to right) Janie Elizabeth Bowlby Clement, Grace Esther Bowlby Fennell and Emma Allen Bowlby Boyd. All are seen in high-collared dresses with oversized leg of mutton sleeves.