One sketchbook (12 pages). Includes ms. notes, landscape and seascape sketches of Terretel, Roches des Naye, Turbach Restaurant, Rhone Valley Estuary at Gringolph, and the Isle of Skye.

One sketchbook (17 pages). Includes landscape sketches of the Western Isles, Broadford, Isle of Skye, Loch Lomond, the Highland Ferry, and Iona, as well as sketches of flowers, ships, boats, birds, and cars.

One sketchbook (11 pages). Includes landscape, cityscape, architecture, harbour, and figure sketches.

One sketchbook (7 pages). Includes sketches of ships, still life studies, figures, and landscape sketches of the Chateau de Chillon, Montreux, Terretel.

One sketchbook, nine pages. Includes Scotland landscape sketches of Cornwall and Dunreay, flowers, profiles, and geometric designs.

One sketchbook (9 pages). Includes landscapes and cityscapes of London and Lugano: Hyde Park, the Marble Arch, Great Cumberland Crescent, an outdoor scene in Lugano, still life studies, flowers, and figures.

One sketchbook (20 pages). Includes landscape and cityscape sketches of Glasgow, the Victoria Infirmary, cars, and boats.

One sketchbook (8 pages). Includes landscape, cityscape, figure, and architecture sketches of Lugano.

One sketchbook (12 pages). Includes ms. notes, sketches of figures, geometric designs and equations, and landscape sketches.

One sketchbook (9 pages). Includes landscape sketches of Bermuda scenery, cacti, figures, flowers, boats, and a sketch of a map of Bermuda.

One sketchbook (13 pages). Includes landscape sketches of the harbours of Provincetown and Orleans, Cape Cod, boats, trees, and a sketch of the Preston flour mill.

One sketchbook (27 pages). Includes landscape, architecture, and cityscape sketches of Venice (St. Mark's and the Grand Canal), Ravenna, Arsini, Rome, Naples, and Capri.

One sketchbook, four pages.

Contains 1 sketchbook (88 pages) with manuscript notes and architectural sketches relating to A.G. Shoosmith's studies at the Royal Academy Schools.

Contains 1 sketchbook (56 pages) with manuscript notes and architectural sketches relating to A.G. Shoosmith's studies at the Royal Academy Schools.

File consists of one poster advertising the Kaufman Lofts. The poster is double sided with two different advertisements.

File consists of one reprint of the Busy Berlin map of 1912. The map was reprinted in 1989 at 69% of the original size by the Kitchener Public Library.

Correspondence, clippings and drawings from Lionel Burt to William H. Kaufman, concerning the "Sorel Strut" ski system.

Artwork created by Mary Ham (nee Augustine).

Drawing of LeRoy car.

Four copies of a "Re-elect Norman Schneider" poster.

Series contains clippings documenting memorial exhibits for Homer Watson and articles reviewing his life. There are two scrapbooks containing newspaper clippings between 1936 and 1947. One scrapbook contains mostly newspaper memorabilia and exhibition advertisements, while the other contains clippings focused mainly on announcing exhibits throughout Ontario along with press and editorial comments. There are also files of clippings that discuss the closure of Watson’s art gallery and studio in 1947. One of the clippings is a print, from a magazine, depicting Homer Watson.

Series contains leaflets relating to Homer Watson’s life and memorial exhibits. Leaflets contain information about memorial exhibits such as one held by the Waterloo Trust and Savings Company building in Kitchener. One of the leaflets also contains a photocopied sketch of a graveyard scene. The series also contains a typescript biography of Watson written by his friend, Ross Hamilton. Another typescript covers a speech by Watson to shareholders of the Waterloo County Grand River Park. The speech calls for the conservation of a woodland area called Cressman Bush.

Typescripts
14. Address by H. Watson “Conservation of Cressman Bush for Waterloo County”
15. Homer Watson Paintings
16. Expense Account of Ross Hamilton in Connection with H. Watson Estate Feb. 4-10

Pamphlets
17. Homer Watson, Artist - A Tribute
18. Biography of Homer Watson by Ross Hamilton
19. Catalogue Memorial Exhibition of Original Paintings by Homer Watson, R.C.A., L.L.D. 1947

One pen and ink sketch of a Chateau at Monte Bello, signed M. Krueger, 1928; one watercolour [of Mount Fuji?] signed HMR.

The fonds consists of a single diary kept by Jane Urquhart from 1974 to 1981, before she began her writing career, and documents primarily several trips to Europe taken with Tony Urquhart. This diary served as a sketchbook, journal and trip diary, and contains drawings and sketches, photographs, ephemera, plant material, etc. Its 258 pages contain 71 sketches, drawings and watercolours including 27 by Tony Urquhart, 32 by Jane Urquhart, 2 by Michael Ondaatje and 10 by other artists.

File consists of a sketch (self-portrait) of artist Leonard M. Davis presented to Catherine Taylor in appreciation for her services in the US and overseas.

Student portfolio created by Nancy-Lou Patterson and presented as a special art project in January 1947, possibly during her time at the University of Washington. Art project is of story The Princess and the Goblin and includes a front cover with a small illustration of a castle with mountains in the background, eleven drawings made by Patterson, and a back cover. Drawings were drawn with pencil and then coloured with watercolours. Drawings depict moments of the story of princess Irene and her friend Curdie, with bright colours and dynamic scenes, and include subtitles with information about the section of the story to which they belong. Sections are:

• Title page "The princess and the goblins" with subtitle "Special art project / January, 1947".
• Drawing of Irene and a woman with subtitle "There, Irene, is my work for you!"
• Drawing of Irene and a woman on a balcony with subtitle "She clapped her hands with delight."
• Drawing of Irene and her nursemaid Lootie by a river with goblins in the background with subtitle "We are lost, lost!"
• Drawing of Curdie in a mine watching goblins talk with subtitle "It was a goblin-voice...there could / be no doubt about that."
• Drawing of a Curdie in a cave watching goblins talk with subtitle "One of the court was now addressing / the multitude."
• Drawing of a woman with a spinning wheel with subtitle "'Come in, Irene,' she said again."
• Drawing of Irene walking in the night with subtitle "In a moment, the clouds them- / selves parted."
• Drawing of Irene walking in a forest with subtitle "[...] bit of gossamer is!"
• Drawing of Irene and Curdie in a cave with subtitle "Curdie gave a great rush with his / shoulder."
• Drawing of a battle between humans and goblins with subtitle "Curdie burst in like a small incarnate / whirlwind."

One mounted painting of a jack-in-the-pulpit flower, one watercolour landscape signed by D.E.W., and one reverse painting on glass of puppies.

One sketch of an owl by Dorothy Etta Russell (nee White) in pencil outline which has been filled in with crayons.

22 coloured illustrations of flowers, animals, children, and sentimental scenes. Most of the prints are Chicago Tribune Art supplements.

Ten prints including:

One portrait of Abraham Lincoln.

Two memorial portraits of Victoria, Queen of Great Britain, 1819-1901.

One portrait of the [George] Washington family.

One portrait of Baden-Powell of Gilwell, Robert Stephenson Smyth Baden-Powell, Baron, 1857-1941. This print is mounted on the lid of a box and decorated with gilt paper trim.

Side-by-side portraits of George V, King of Great Britain, 1865-1936 and Mary, Queen, consort of George V, King of Great Britain, 1867-1953.

Side-by-side portraits of Edward VII, King of Great Britain, 1841-1910 and Alexandra, Queen, consort of Edward VII, King of Great Britain, 1844-1925.

One illustration of the G?ltzsch Viaduct, a railway bridge in Germany.

One illustration of a landscape in Switzerland.

One illustration of cupid and another figure warming their hands by a fire.

One small watercolour sketch and a drawing of a dog with puppies mounted on board and matted with construction paper and secured with brass brads.

Circular wood burning by Orpheus Schantz of a woman's face surrounded by symbols.

One large illustrated poem about the month of November by Orpheus Moyer Schantz. The poem is in the centre of the board and is surrounded by illustrations of autumn leaves.

Pen drawing featuring the lines of the poem titled, A Slumber Song as well as butterfly and 16 point compass rose motifs. The drawing also includes a monogram possibly made by combining the letters F, A, C, S and the date October 5, 1902.

The poem featured in the drawing was originally titled, Sleep Sweet and was written by Ellen M. Huntington Gates. The creator of this drawing changed the title and a few words in the lines of the original poem titled, Sleep Sweet by Ellen M. Huntington Gates.

Pen drawing featuring the lines of the poem titled, My Symphony by William Ellery Channing as well as flower and butterfly motifs. The creator of this drawing changed the order of some of the lines in the original poem titled, My Symphony by William Ellery Channing.

Pen drawing by Orpheus Moyer Schantz titled, The Girl He Left Behind Him. The drawing features a woman sitting in a field with ships visible in the distance. Artist's note underneath signature confirms this drawing was modeled after the works of Charles Dana Gibson.

Handmade New Years card from the Schantz family to Arthur Benjamin Schantz. The card features calligraphy, small drawings of bells and has scherenschnitte edges. It reads: "1894. Wishing you a joyous new year. To Arthur B. Schantz From Ruth, Carrie & Orph."

Small painted drawing of the back of a woman wearing a pink bonnet by Carrie Flagler Schantz.

Black ink drawing of a couple seated close together by Orpheus Moyer Schantz captioned "The last day of summer" of a despondent looking couple.

A black ink drawing of a dogwood flower and an unidentified building done by Orpheus Moyer Schantz September 1st and 2nd, 1895.

A small black ink drawing of a cardinal with a circular border by Orpheus Moyer Schantz.

Handmade New Yeas card from the Schantz family to Sophie Schantz. The card features calligraphy, small drawings of moons and has the numbers of the year 1894 in each corner.. It reads: "To Sophe E. Schantz. Berlin. Ontario. We wish you a happy new year. From Ruth Schantz, Carrie Flagler Schantz,Orpheus Moyer Schantz. Morton Park, Ill."

Handmade New Years card sent to Sophie Schantz. The card has scherenschnitte edges and features calligraphy and a painting of pink flower blossoms by Carrie Schantz. It reads "Of this joyous day. Sophie Schantz. Many happy returns."

Handmade birthday card from Orpheus Moyer Schantz to Sophie Schantz. The card has scherenschnitte edges and features calligraphy, drawings of small animals, birds and plants. It reads: "May Happy Returns. Sophie E. Schantz. May 4-'89"

One print of a studio portrait of Levi Nash Moyer.

Print of a photograph of Levi Nash Moyer.

A print of a purple bouquet of flowers.

One print showing a bouquet of flowers in a bucket.

Photograph of Ruth Schantz on an illustrated mount. The photograph consists of four separate shots of Ruth in different poses that have been developed together as one photograph and mounted on a large board around which Carrie Flagler Schantz has painted pink flowers. The mount is dated September 30, 1899 and includes two lines from the poem, Seven Times One by Jean Ingelow: “I've said my seven times over and over; Seven times one are seven.”

One print showing the enlarged premises of the Marshall & Field Company building in Chicago. Orpheus worked for Marshall & Field.

Twenty drawings and sketches by Orpheus Moyer Schantz. Included are portraits, studies of animals, technical drawings for a boat, one ink drawing of the back of a woman in a gown, two drawings after C.D. Gibson- "When Doctors Disagree" and "Mr. Pipp just after dinner steps our for a few moments with a change acquaintance. He returns at 2 A.M.", and two with leaf varieties and poetry. Smaller drawings were originally found in an old men's silk handkerchief box with other ephemera.

File consists of two etchings accumulated by Florence Grace Clement. One is a plate taken from a book with identifying notes showing Louisa Elizabeth, Baroness Durham engraved by Thomson from a painting by Sir Thomas Lawrence, 1831. The other is an advertisement for an exhibit of oil and watercolour drawings and modern etchings at the City of London Fine Art Gallery by H. Gillard Glindoni from 1882.

File consists of art work created by John Edward Motz as a child.

File consists of ten collage artworks created by Virgil Burnett. Each artwork is a large piece of construction paper with words cut out from newspapers pasted on to form poems. Some have illustrations as well.

File consists of twenty three prints by Virgil Burnett. The prints are of five different images by Burnett.