File consists of one print of At the Round Earths Imagin'd Corners. Numbered 7/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

Sketchbook containing pencil sketches by David Hill.

File consists of one print of St. Matthew. Numbered 14/20 and signed by Gill. Originally an illustration for The Passion of our Lord printed by Hague and Gill.

File consists of one print of The Symbol of Christ Crucified. Originally an illustration for "The Devil's Devices."

File consists of four watercolour paintings of landscapes.

File consists of one print showing a head and shoulders portrait of Thomas Edmond Lowinsky. Pencil mark in bottom right reads "proof EG."

File consists of one print of Thou Hast Made Me. Numbered 6/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

File consists of one print of Tradegy: Man Trying to Escape. Numbered 19/20 and signed by Gill. Originally an illustration for The New Temple Shakespeare.

File consists of one original drawing, one proof print, and one final variant print (with red ink) of Tree and Dog. Designed as a press mark for the Pigotts Press. Proof print is dated 12.1.31.

File consists of one print of the side-by-side images Tree Woman (Leaves for Hands) and Spray of Fifteen Leaves. Numbered 6/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of Trousers and Spats. Numbered 7/10 and signed by Gill. Originally intended as an illustration for Clothes, by Gill.

File consists of one print of View of Ditchling. Originally a design for the Ditchling Women's Institute.

Drawing of LeRoy car.

File consists of one print of the side-by-side images Woman and Ape and Naked Men Fighting. Numbered 3/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

Circular wood burning by Orpheus Schantz of a woman's face surrounded by symbols.

Partial sketchbook containing pencil sketches by David Hill.

File consists of one print of Babe on bough. Numbered 19/20 and signed by Gill. Originally an illustration for The Constant Mistress.

File consists of one dance programme in the format of a large painting listing the dances, and featuring an illustration of a student using a transit to look at a flying diploma while his military instructor urges him on. Painting is unsigned but is attributed to W.H.E. Schmalz.

File consists of one print of Woman Bending, showing a naked woman bent over in nature. Numbered 14/25 and signed by Gill.

File consists of one print of Woman Dancing. Numbered 7/10 and signed by Gill. Originally intended as an illustration for the title page of Clothes, by Gill.

File consists of one drawing of David Pepler. Titled, dated and signed by Gill.

A notebook containing drawings, writing, and mathematical equations created by Peg Forbes.

File consists of one drawing of Father O'Connor. Verso identifies him as "Father O'Connor (the very reverend mgr. John O'Connor). Also includes a photocopy of the drawing.

A wedding planner notebook containing correspondence, sketches, advertisements, and notes pertaining to Betty Forbes's wedding ceremony with Bill Land on May 29, 1954 in Hespeler, Ontario.

File contains 6 pen and ink drawings created by John Herbert in 1973 regarding his comic "The Slideshow". The drawings have captions written on them. Includes author's note on the envelope: "Box D: John Herbert archives. D15: original drawings, 1973. The Sideshow (a comic book). The enclosed 6 pages were John Herbert's beginning of a comic-book project (under the name 'Jack Past') based on his memories of working with a carnival burlesque show (Model Shows' 'Paris After Midnight') in 1953, travelling through Ontario, Quebec, New Brunswick and Nova Scotia (over a 6 months period)."

File consists of four drawings later used to create woodcuts. They include The Manage (Physick 74), Epiphany (Physick 84) and Palm Sunday (Physick 86).

File contains 28 drawings (originals and photocopies) of draft cartoon drawings, unfinished drawings, and sketches. They also include notes regarding story development ideas. Includes a photocopy of a three page manuscript letter to the editor of Now Weekly. Includes author's note on the envelope: "Box E: John Herbert archives , Porter Library, University of Waterloo. Enclosed: cartoons. E16: a variety of complete and incomplete cartoons and comic strips by John Herbert (under one or another of his 'noms de plume' as cartoonist) - plus some preliminary sketches and notes in planning the cartoons. Names (noms de plume) Nemesis, Hellican, Jan, R.U. Horny, Jacki Brun, No. of items: 31 pages - Dates: 1989 to 1994."

File consists of one drawing by Gill of the Fox Inn, Bramsdean. Signed and dated.

File contains the April 2, 1992 issue of the magazine "Frank". There is a comic created by John Herbert published in the magazine on page 22. Includes author's note on the envelope: "Box C - C6: FRANK Magazine: A comic strip by J.H. aka 'Nemesis', page 22 - 'The Club on Bay Street'. Note: John Herbert used the nom de plume 'Nemesis', as a cartoonist for Onion, the Toronto Paper on the Arts, from 1975 to 1982. (See collection of Onion issues in J.H. archives, the Porter Library, University of Waterloo)."

File consists of one pencil drawing highlighted with watercolours by Gill. The drawing shows a woman's head and is titled "Minnie." Unique in style for Gill, the drawing is a Whisterlian OHO!.

File consists of one original drawing by Eric Gill titled "Old House at Ditchling." Signed E.A.G.

File consists of various small drawings of cartoons and sketches on three sheets of paper. Includes cartoons copied from famous works (including Mutt and Jeff), original cartoons, and sketches.

Undated sketchbook containing pencil sketches by David Hill.

File consists of one print of Bartimeus. Originally an illustration the jacket of the Aldine Bible.

File consists of one drawing of an unidentified femal nude. The drawing has been squared, possibly indicating it was to be made into a sculpture. Verso of drawing appears to be a list of books. Also includes photocopy and original sale notice.

File consists of one watercolour painting by Gill, titled Seen in Utopia. The work is very different from his usual style. Signed and dated.

File consists of one drawing of a house, titled "Ville de Madrid." Titled, dated and signed by Gill with an explanatory note. Also includes photocopy and caption from Thomas Fisher Rare Book Room.

The fonds consists of a single diary kept by Jane Urquhart from 1974 to 1981, before she began her writing career, and documents primarily several trips to Europe taken with Tony Urquhart. This diary served as a sketchbook, journal and trip diary, and contains drawings and sketches, photographs, ephemera, plant material, etc. Its 258 pages contain 71 sketches, drawings and watercolours including 27 by Tony Urquhart, 32 by Jane Urquhart, 2 by Michael Ondaatje and 10 by other artists.

Fonds consists of materials created and accumulated by Stan Johannesen including seven diaries and original artwork for his novel Sister Patsy.

Student portfolio created by Nancy-Lou Patterson and presented as a special art project in January 1947, possibly during her time at the University of Washington. Art project is of story The Princess and the Goblin and includes a front cover with a small illustration of a castle with mountains in the background, eleven drawings made by Patterson, and a back cover. Drawings were drawn with pencil and then coloured with watercolours. Drawings depict moments of the story of princess Irene and her friend Curdie, with bright colours and dynamic scenes, and include subtitles with information about the section of the story to which they belong. Sections are:

• Title page "The princess and the goblins" with subtitle "Special art project / January, 1947".
• Drawing of Irene and a woman with subtitle "There, Irene, is my work for you!"
• Drawing of Irene and a woman on a balcony with subtitle "She clapped her hands with delight."
• Drawing of Irene and her nursemaid Lootie by a river with goblins in the background with subtitle "We are lost, lost!"
• Drawing of Curdie in a mine watching goblins talk with subtitle "It was a goblin-voice...there could / be no doubt about that."
• Drawing of a Curdie in a cave watching goblins talk with subtitle "One of the court was now addressing / the multitude."
• Drawing of a woman with a spinning wheel with subtitle "'Come in, Irene,' she said again."
• Drawing of Irene walking in the night with subtitle "In a moment, the clouds them- / selves parted."
• Drawing of Irene walking in a forest with subtitle "[...] bit of gossamer is!"
• Drawing of Irene and Curdie in a cave with subtitle "Curdie gave a great rush with his / shoulder."
• Drawing of a battle between humans and goblins with subtitle "Curdie burst in like a small incarnate / whirlwind."

Sketchbook belonging to Helen Edmonds, dated July 1991, containing sketches in the style of Virgil Burnett. Most sketches are drawn with brown ink and feature people, landscapes, buildings, and sculptures. The sketchbook also includes watercolour sketches accompanied by notes and quotations.

Sketchbooks and loose sketches by David Hill, American artist. Includes material relating to his death and estate, primarily correspondence to Joe Plaskett. Includes correspondence to David Hill by Virgil Burnett.

Collection of etchings from the 16th to 20th centuries covering a variety of formats and topics.

Fonds consists of one charcoal drawing by Arthur Lismer of Elizabeth Styring Nutt of Halifax. Elizabeth was principal of the Victoria School of Art and Design in Halifax (later NSCAD) in the period immediately following Lismer's time there.

Collection consists of seven caricature prints of "men of the day" from the British weekly magazine Vanity Fair. Includes images of Mr. R. Richardson-Gardner; Mr. Herbert Spencer; Marquis of Winchester; Admiral Sir H.R. Yelverton; Mr. Joseph Ernest Renan; The Reverend Arthur Tooth; Lord H.F. Thynne.

File consists of nineteen woodcut prints by Elizabeth Rivers. Some of the prints are signed and numbered and include captions.

Collection consists of two prints of Sir Robert Peel and Lord Nelson. They are printed by George Baxter as an oil colour picture print, the first commercially viable colour printing.

Fonds consists of one print of a work by Thomas Austen Brown. The drawing shows ships in the water at night underneath a moon. Signed by the artist.

One print of the library of All Souls College. Original drawing by A. Pugin.

Fonds consists of one charcoal drawing of a George Barrie print titled "The Old Mill." There is no signature on the drawing. Also includes a print of The Old Mill.

Fonds consists of four prints titled "A.R.H." by Olivia Carvalho. The prints feature a portrait and handwriting of Alice Riggs Hunt.

Fonds consists of one painting by Peter Etril Snyder of the Dana Porter Library. The work was commissioned in 1975 for the home of the then President of the University, Burt Matthews.

One photograph album kept by an unknown woman with pictures of famous women. The album is made with wooden boards which feature paintings of a sunset over water and a song sparrow with calligraphic poetry. Each page includes a photograph of a different woman surrounded by a hand drawn frame that speaks to her life and work. Women in the album include Florence Nightingale, Elizabeth Barrett Browning, Dame Millicent Garrett Fawcett, Elizabeth Garrett Anderson, Lady Florence Baker, Mary Somerville, Emily Davies, Johanna Maria Lind, and Rosa Bonheur.

Collection contains prints of Canadian landscapes done by William Henry Bartlett in 1841 and portraits of prominent 17th and 18th century politicians from Europe and Canada. Also included are letters from English prime ministers dating around the 1700s. The collection is arranged in one series consisting of print engravings, a file of Bartlett prints, and a scrapbook containing letters.

Manuscript poem entitled, "On Parting from My Sister and Her Children." Also included are two pencil drawings, one of which depicts a church and graveyard scene in a village located three miles from Dublin. The poem and drawings have been bound into a book. In the front cover of the book is a newspaper clipping of an obituary for Isabella Jane and Caroline Olivia Clare.