File consists of one print of the side-by-side images Tree Woman (Leaves for Hands) and Spray of Fifteen Leaves. Numbered 6/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one drawing of a house, titled "Ville de Madrid." Titled, dated and signed by Gill with an explanatory note. Also includes photocopy and caption from Thomas Fisher Rare Book Room.

File consists of one engraving by Desmond Macready Chute (1895–1962). Engraving shows the Madonna with child. Recto note reads "Engraving by Desmond Chute see Songs to our Lady SDP 33."

File consists of one drawing of Father O'Connor. Verso identifies him as "Father O'Connor (the very reverend mgr. John O'Connor). Also includes a photocopy of the drawing.

File consists of one print of Ecce Tu Pulchra Es, showing three women. Part of the print is in blue. Numbered 1/10 and signed by Gill. Originally intended to be used for the Cranach Press edition of Canticum, Canticorum.

File consists of one pencil drawing highlighted with watercolours by Gill. The drawing shows a woman's head and is titled "Minnie." Unique in style for Gill, the drawing is a Whisterlian OHO!.

File consists of one print of Christchild, showing a young Jesus holding boughs of leaves. Numbered USA 3/5 and signed by Gill. Used as an illustration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

One large illustrated poem about the month of November by Orpheus Moyer Schantz. The poem is in the centre of the board and is surrounded by illustrations of autumn leaves.

File consists of one print of Clothes as Houses. Numbered 3/10 and signed by Gill. Originally intended as an illustration for Clothes, by Gill.

File consists of one print of Nature and Nakedness. Numbered 15/25 and signed by Gill. Originally intended as an illustration for Clothes, by Gill.

File consists of one print of Woman Dancing. Numbered 7/10 and signed by Gill. Originally intended as an illustration for the title page of Clothes, by Gill.

File consists of one print of Trousers and Spats. Numbered 7/10 and signed by Gill. Originally intended as an illustration for Clothes, by Gill.

A notebook containing drawings, writing, and mathematical equations created by Peg Forbes.

File consists of one original drawing, one proof print, and one final variant print (with red ink) of Tree and Dog. Designed as a press mark for the Pigotts Press. Proof print is dated 12.1.31.

File consists of one print of History: Man Just Going on Walking. Numbered 20/20 and signed by Gill. Originally an illustration for The New Temple Shakespeare.

File consists of one print of Marionette. Numbered 15/20 and signed by Gill. Originally an illustration for The Constant Mistress.

File consists of one print of The Nun's Priests's Tale showing three figures and a chicken under a leaf border with the letter "H". Numbered 4/5 and signed by Gill. Used as an illustration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of The Pardoner's Tale showing three men in a garden with a skeleton looking up at them, along with the letter "O." Numbered 10/10 and signed by Gill along with the annotation USA 5. Used as an illustration for the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of Puck Juggling. Numbered 5/20 and signed by Gill. Originally from half title for The New Temple Shakespeare.

File consists of one print of The Shipman's Tale showing a man and woman on a bed surrounded by a border of leaves and the letter "O." Numbered USA 1/5 and signed by Gill. Used as an illustration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of Babe on bough. Numbered 19/20 and signed by Gill. Originally an illustration for The Constant Mistress.

File consists of one print of St. John. Numbered 11/20 and signed by Gill. Originally an illustration for The Passion of our Lord printed by Hague and Gill.

File consists of one print of Laocoon. Numbered 12/15 and signed by Gill. Originally designed for the jacket of XX Century Library.

File consists of one print of Romance: Man Seizing Unreality. Numbered 4/20 and signed by Gill. Originally an illustration for The New Temple Shakespeare.

File consists of one print of the side-by-side images of Spray of Seven Leaves and Flower Bud and Woman Climbing Floreated Phallus. Numbered 3/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of St. Matthew. Numbered 14/20 and signed by Gill. Originally an illustration for The Passion of our Lord printed by Hague and Gill.

File consists of one print of the side-by-side images Woman and Ape and Naked Men Fighting. Numbered 3/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of Bartimeus. Originally an illustration the jacket of the Aldine Bible.

File consists of one print of Comedy: Man Trying to Fly. Numbered 19/20 and signed by Gill. Originally an illustration for The New Temple Shakespeare.

File consists of one print of The Constant Mistress. Numbered 7/20 and signed by Gill. Originally an illustration for The Constant Mistress printed by the Golden Cockerel Press.

File consists of one print of The Empty Bed. Numbered 19/20 and signed by Gill. Originally an illustration for The Constant Mistress. Also includes a photocopy of the print and a caption from the Thomas Fisher Rare Book Room.

File consists of one print of Hamlet, the cover page for the Hague and Gill edition of Hamlet. Numbered 12/25 and signed by Gill.

File consists of two copies of the print The Lord's Song from the artist's own published sermon of the same name. Numbered 1/25 and 4/25 and signed by Gill.

File consists of one print of The Single Bed (Thanks). Numbered 12/20 and signed by Gill. Originally an illustration for The Constant Mistress.

File consists of one print of St. Luke. Numbered 14/20 and signed by Gill. Originally an illustration for The Passion of our Lord printed by Hague and Gill.

File consists of one print of Tradegy: Man Trying to Escape. Numbered 19/20 and signed by Gill. Originally an illustration for The New Temple Shakespeare.

File consists of one drawing of David Pepler. Titled, dated and signed by Gill.

Artwork created by Mary Ham (nee Augustine).

File consists of two prints of Naphill Jubilee Card. Lettered "to his majesty King George from his loyal subjects of Naphill Buckinghamshire thankful greetings."

File consists of one print of Christ Seated. Numbered 14 and signed by Gill. Originally an illustration for Quia Amore Langueo, printed by Hague and Gill.

Series contains clippings documenting memorial exhibits for Homer Watson and articles reviewing his life. There are two scrapbooks containing newspaper clippings between 1936 and 1947. One scrapbook contains mostly newspaper memorabilia and exhibition advertisements, while the other contains clippings focused mainly on announcing exhibits throughout Ontario along with press and editorial comments. There are also files of clippings that discuss the closure of Watson’s art gallery and studio in 1947. One of the clippings is a print, from a magazine, depicting Homer Watson.

File consists of seven proofs of the prints created by Eric Gill for the Aldine Bible. Note that there is one blank page, but it is unclear if it is intentionally blank or if a print has been removed.

File consists of one print of Divine Lovers. Numbered 14/25 and signed by Gill. Originally the frontispiece from Morals and Marriage.

File consists of one print of I Am a Little World. Numbered 3/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

File consists of two original concept drawings and one print of Madonna and Child, used for the Peace Pledge Union Christmas card of 1937.

File consists of one proof print of Madonna with Child, used for the Peace Pledge Union Christmas card. Woodcut appears to have been hand tinted.

File consists of one print of Girl with Three Scallops, used a bookplate. Print lettered "ex libris Kate Fletcher."

File consists of one print of Death be not Proud. Numbered 15/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

File consists of one print of Thou Hast Made Me. Numbered 6/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

File consists of one print of At the Round Earths Imagin'd Corners. Numbered 7/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

File consists of one print of the frontispiece for Henry the Eighth. Signed by Gill with a note reading "for Shakespear's Henry VIII pub by New York Limited Edition Club, 1937. Also includes the back of the original mat.

File consists of one print of David and Goliath. Numbered 12/15 and signed by Gill. Originally illustration for The English Bible-Selected.

File consists of one print of Moneychangers. Numbered 13/15 and signed by Gill. Originally illustration for The English Bible-Selected.

File consists of one print of The Leisure State, showing a woman listening to a grammaphone with the words Techne (translation: “art, craft”) and Poiesis (translation: “creation, poetry”). Numbered 18/18 and signed by Gill. Originally for Unemployment, by Gill.

File consists of one original drawing by Eric Gill titled "Old House at Ditchling." Signed E.A.G.

File consists of one print of Jesus and the Doctors. Numbered 3/15 and signed by Gill. Originally illustration for The English Bible-Selected.

File consists of nineteen woodcut prints by Elizabeth Rivers. Some of the prints are signed and numbered and include captions.

Writings and paperwork related to Bettie Bernice Wilson during her time at the Royal Canadian Air Force (RCAF). Includes a drawing, a certificate of discharge for Wilson from the RCAF from September 1945, writing titled "The plight of 'C' flight" by AW2 Lockwood, J.B.E. in May 1942, the Christmas program for No. 16 Service Flying Training School (SFTS) Hagersville (Ontario) for 1944, and the menu for the 25th Anniversary Reunion of Women of the RCAF (1966).

One folder of loose pencil and pen and ink sketches by David Hill.

Series contains leaflets relating to Homer Watson’s life and memorial exhibits. Leaflets contain information about memorial exhibits such as one held by the Waterloo Trust and Savings Company building in Kitchener. One of the leaflets also contains a photocopied sketch of a graveyard scene. The series also contains a typescript biography of Watson written by his friend, Ross Hamilton. Another typescript covers a speech by Watson to shareholders of the Waterloo County Grand River Park. The speech calls for the conservation of a woodland area called Cressman Bush.

Typescripts
14. Address by H. Watson “Conservation of Cressman Bush for Waterloo County”
15. Homer Watson Paintings
16. Expense Account of Ross Hamilton in Connection with H. Watson Estate Feb. 4-10

Pamphlets
17. Homer Watson, Artist - A Tribute
18. Biography of Homer Watson by Ross Hamilton
19. Catalogue Memorial Exhibition of Original Paintings by Homer Watson, R.C.A., L.L.D. 1947

Student portfolio created by Nancy-Lou Patterson and presented as a special art project in January 1947, possibly during her time at the University of Washington. Art project is of story The Princess and the Goblin and includes a front cover with a small illustration of a castle with mountains in the background, eleven drawings made by Patterson, and a back cover. Drawings were drawn with pencil and then coloured with watercolours. Drawings depict moments of the story of princess Irene and her friend Curdie, with bright colours and dynamic scenes, and include subtitles with information about the section of the story to which they belong. Sections are:

• Title page "The princess and the goblins" with subtitle "Special art project / January, 1947".
• Drawing of Irene and a woman with subtitle "There, Irene, is my work for you!"
• Drawing of Irene and a woman on a balcony with subtitle "She clapped her hands with delight."
• Drawing of Irene and her nursemaid Lootie by a river with goblins in the background with subtitle "We are lost, lost!"
• Drawing of Curdie in a mine watching goblins talk with subtitle "It was a goblin-voice...there could / be no doubt about that."
• Drawing of a Curdie in a cave watching goblins talk with subtitle "One of the court was now addressing / the multitude."
• Drawing of a woman with a spinning wheel with subtitle "'Come in, Irene,' she said again."
• Drawing of Irene walking in the night with subtitle "In a moment, the clouds them- / selves parted."
• Drawing of Irene walking in a forest with subtitle "[...] bit of gossamer is!"
• Drawing of Irene and Curdie in a cave with subtitle "Curdie gave a great rush with his / shoulder."
• Drawing of a battle between humans and goblins with subtitle "Curdie burst in like a small incarnate / whirlwind."

Sketchbooks and loose sketches by David Hill, American artist. Includes material relating to his death and estate, primarily correspondence to Joe Plaskett. Includes correspondence to David Hill by Virgil Burnett.

One sketchbook, four pages.

Four copies of a "Re-elect Norman Schneider" poster.

One folder of loose pen and ink sketches by David Hill. Includes two clippings dated 1952.

File consists of one drawing of Dana Porter by Ed Keiss.

File consists of one reproduction of a caricature of Dana Porter by Henry H. Bull. Bull was the Crown Attorney for Metropolitan Toronto and the County of York and drew many caricatures of colleagues. The reproduction print is mounted using Durograf technology, a type of screen printing where the image is applied to a spunbonded polyester fibre. The image has been mounted on a piece of acrylic, with a biography of Henry Bull on the back.

Sketchbook containing pencil sketches by David Hill, only partially filled.

A wedding planner notebook containing correspondence, sketches, advertisements, and notes pertaining to Betty Forbes's wedding ceremony with Bill Land on May 29, 1954 in Hespeler, Ontario.

Sketchbook containing pen and ink sketches by David Hill.

Drawing of LeRoy car.

File consists of one portrait of Ross Dixon and one portrait of Doris Dixon, done in pastel by K. Costas.

One sketchbook, nine pages. Includes Scotland landscape sketches of Cornwall and Dunreay, flowers, profiles, and geometric designs.

One sketchbook, five pages. Includes Scotland landscape and cityscape sketches of Polperro Cornwall, and Iona Cathedral off the Island of Mull.

File consists of magazine and newspaper clippings pertaining to Indigenous peoples in Canada, with particular focus on northern communities. Many of the clippings are from the Winnipeg Free Press. Also in the file is a Canadian Indian Workshop (July 4th - August 12th, 1966) pamphlet and an envelope containing Birch bark bite photographs by Mrs. [Angelique?] Merasty, a Cree woman from Beaver Lake, Saskatchewan and clippings regarding birch bark biting.

One sketchbook, eight pages. Includes landscape and cityscape sketches of Wellfleet, Cape Cod.

File consists of eleven items of correspondence from Admiral Husband E. Kimmel and one photograph of a painted portrait of Kimmel. The letters are dated:

• November 11, 1960 (handwritten, 4 leaves);
• November 30, 1960 (handwritten, 1 leaf);
• February 14, 1961 (handwritten 1 leaf);
• August 2, 1961 (handwritten, 1 leaf);
• August 20, 1961 (handwritten, 2 leaves);
• September 1, 1961 (handwritten, 1 leaf);
• November 3, 1961 (handwritten, 5 leaves);
• January 21, 1962 (handwritten, 1 leaf);
• May 22, 1962 (handwritten, 1 leaf plus envelope);
• June 25, 1962 (typed, 1 leaf - note that this letter is addressed to the publishers Harper & Row who published "The Puzzle of Pearl Harbor");
• June 25, 1962 (handwritten, 1 leaf).

The letters discuss the events surrounding the attack on Pearl Harbor, the publication of books on the history of WWII, an interview with Kimmel, possible resources to consult and the publication of "The Puzzle of Pearl Harbor."

Posters advertising concerts held at the Village Bistro featuring a variety of artists including the Papa Bears, Chase Anderson, the Paisleys, Black Shake Blues Band, Sleepy John, Seeds of Time (later known as the Passionate Mad), Tomorrow’s Eyes, the Poppy Family, Mock Duck, Grady Moore, Black Snake, Hydroelectric Street Car, As Sherriff, the Billy Joe Bottom Band, and the Isle of Sky. One poster contains a handwritten contract on the verso transferring ownership of the Village Bistro to Allan Kirton for the sum of $2000.00. The contract is dated March 22, 1969 but is not signed by Telegdi or Kirton.

Also includes posters and related material including press clippings and a brochure advertising musicians and bands performing at other venues in Vancouver, British Columbia or Toronto, Ontario including Sweetwater, Buffy Saint-Marie, Dick Gregory, the Poppy Family, Mother Tucker, Black Shake, Seeds of Time, Mock Duck, Tomorrow’s Eyes, Tiny Tim, Country Joe and the Fish, A Wizard of the North, Tunnel, Deyong Sound, Lights by Ecto Plasmic, the Papa Bears, Man Child, Elusive Butterfly, the Collectors, the Tote Family, and a variety of other bands that performed at the 1969 Thunderbird Peace Festival in Vancouver, British Columbia.

One sketchbook, ten pages. Includes landscape sketches of Preston Springs, studies of trees and figures, and sketches of a cottage.

One sketchbook, ten pages. Includes landscape sketches of Egol (Isle of Skye), other landscape sketches, and a transcript of a tombstone.

One sketchbook (12 pages). Includes landscape sketches of Cape Cod and Ogunquit for paintings, and studies of birds and boats.

Sketchbook containing pencil sketches by David Hill.

Series consists of artwork, cartoons and comics created by John Herbert between 1964 and 1998. Many of the drawings illustrate story development and ideas for his plays as well as comics and advertisements. The series is divided into files and arranged chronologically.

Letters exchanged between George Alexander Forbes, Millicent Lyall Forbes, Betty Land, Peg Wilson, Ross Wilson, Pamela Wilson, Janet Land, Jennifer Land, and Thomas Land. Correspondence also contains press clippings, drawings, and greeting cards.

One reproduction print of a charcoal portrait of Sir Winston Churchill, by Tom Hall, specially commissioned by Rolland Paper Company Limited, and its coated papers division: Canada Glazed Papers Limited.

One sketchbook (27 pages). Includes landscape, architecture, and cityscape sketches of Venice (St. Mark's and the Grand Canal), Ravenna, Arsini, Rome, Naples, and Capri.

File consists of an original drawing for Austin Clarke's poem Mnemosyne lay in Dust. Artist is unknown.

One sketchbook (13 pages). Includes landscape sketches of the harbours of Provincetown and Orleans, Cape Cod, boats, trees, and a sketch of the Preston flour mill.

One sketchbook (9 pages). Includes landscape sketches of Bermuda scenery, cacti, figures, flowers, boats, and a sketch of a map of Bermuda.

One sketchbook (20 pages). Includes landscape and cityscape sketches of Glasgow, the Victoria Infirmary, cars, and boats.

One sketchbook (7 pages). Includes sketches of ships, still life studies, figures, and landscape sketches of the Chateau de Chillon, Montreux, Terretel.

One sketchbook (12 pages). Includes ms. notes, landscape and seascape sketches of Terretel, Roches des Naye, Turbach Restaurant, Rhone Valley Estuary at Gringolph, and the Isle of Skye.

One sketchbook (9 pages). Includes landscapes and cityscapes of London and Lugano: Hyde Park, the Marble Arch, Great Cumberland Crescent, an outdoor scene in Lugano, still life studies, flowers, and figures.

One sketchbook (11 pages). Includes landscape, cityscape, architecture, harbour, and figure sketches.

One sketchbook (10 pages). Includes sketches of flowers, figures, landscapes, cityscapes, and seascapes.

One sketchbook (12 pages). Includes ms. notes, sketches of figures, geometric designs and equations, and landscape sketches.

One sketchbook (8 pages). Includes landscape, cityscape, figure, and architecture sketches of Lugano.

One sketchbook (17 pages). Includes landscape sketches of the Western Isles, Broadford, Isle of Skye, Loch Lomond, the Highland Ferry, and Iona, as well as sketches of flowers, ships, boats, birds, and cars.

One sketchbook (50 pages). Includes sketches of ships, boats, birds, harbours, trees, landscapes, seascapes, and ms. notes.

One sketchbook (11 pages). Includes still life studies of historical objects, figures, landscape and cityscape sketches of Levis and Tobermory, and a sketch of Tobermory, with a harbour scene and boats.