File consists of six studio proofs of upper body portraits William Pope Clement. Also included is the original proof-book.

File consists of one photograph showing Margaret (Peggy) Chellew Adams Clement Forbes and sister Elizabeth (Betty) Clement Stewart on their lawn at 71 Heins Ave., Kitchener, Ont.

Head and shoulders studio portrait of Margaret (Peggy) Chellew Adams Forbes taken on the occasion of her graduation from Occupational Therapy school.

File consists of one full length studio portrait of Bowlby family dog Fritzy Beau. The photo shows a white, long-haired, medium sized dog seated and looking at camera with mouth open in contented manner.

File consists of three photographs showing life at Portage Point, Georgian Bay. Two identical photographs show the "Portage Point Farewell", a snapshot of extended Clement family members holding hands and jumping in the air. The third photograph is on the verso side of a page to which one farewell photograph is glued. This shows a sailboat on Georgian Bay. Family members shown in the image include: A.Y. Jackson, David Ward Clement, Florence Grace Clement, Ed Whyte, Esther Williams, Elinor Williams, Marial Birnie.

File consists of two identical snapshots showing members of the extended Clement family doing the "Portage Point Farewell" at Georgian Bay. These snapshots show the family holding hands and jumping into the air. Included in the photographs are: William Pope Clement, A.Y. Jackson, David Ward Clement, Florence Grace Clement, Ed Whtye, Esther Williams, Elinor Williams and Marial Birnie.

File consists of one re-print photograph showing members of the extended Clement family sailing on Georgian Bay. Included in the image are: David Ward Clement, Elinor Williams, John Birnie and an unidentified man.

File consists of snapshots taken by, and showing, extended family members and friends of the Clement family at locations in Georgian Bay. Edwin Perry Clement and his brother-in-law John Birnie both had cottages in Georgian Bay. The photographs show the cottages and camps as well as family and friends swimming, boating, picnicking and enjoying the outdoors. Family and friends shown include: John Birnie, Florence Grace Clement, Muriel Alberta Kerr Clement, David Ward Clement, Charles Bowlby Clement, Blanche Mildred Clement Kelly, Edwin Oliver Clement, William Pope Clement, Alice Lyons Clement Birnie, Esther Williams, Edwin Perry Clement, Mosson Boyd.

File consists of two photographs related to the launch of the Hochelaga in Collingwood Ontario. One shows the Hochelaga in port, and the other shows on-lookers watching it launch. Information from verso indicates that it was the first ship launched sideways.

Re-print photograph of A.Y. Jackson looking at the camera while seated in a row boat on Georgian Bay.

Snapshot portrait of Geneva Jackson shown holding a spray of leaves, with right hand at head, standing at the edge of a body of water, possibly Georgian Bay.

Upper body studio portrait of Evelyn Breithaupt, Aida [Yentles?], and Blanche Mildred Clement Kelly taken when they were attending Ontario Ladies College. The group is looking at camera and wearing similar hats.

File consists of one studio portrait of, left to right, Emma Kaufman, Blanche Mildred Clement Kelly, and Evelyn Breithaupt taken when they were attending Ontario Ladies College. The group is posed identically, seen wearing similar hats and black ribbons tied around the necks of their high-collared blouses.

Photograph of the exterior of the home of Blanch Mildred Clement Kelly and her husband Frederick Bowman Kelly at 5 Ardmay Crescent in Guelph, Ontario. Taken in warm weather, the home is partially covered in ivy with and is landscaped with shrubs and young maple trees at front.

File consists of two identical portrait photographs showing Blanche Mildred Clement Kelly at the age of three. The portrait shows Blanche leaning on the back of a couch resting her head on her arms. Only her head is visible.

Full length studio portrait of Blanche Mildred Clement Kelly as a child seen seen leaning against a decorative prop wall, wearing a dress and a bonnet.

File consists of one photograph of the Kitchener-Waterloo Symphony Orchestra performing.

File consists of three photographs showing the members of the Kitchener-Waterloo Symphony Orchestra, in which William Pope Clement played the viola for twenty-five years, and was a Life Director. William can be seen in the orchestra in two of the photographs.

Upper body studio portrait, formerly owned by Blanche Mildred Clement Kelly, Lillian Southgate and Nettie Morris seen looking at camera, dressed in jackets and fancy straw hats.

File consists of one full length wedding portrait of Elizabeth (Betty) Clement Stewart. Betty is shown in her gown, holding her bouquet on the front steps of her home. Portrait was taken and is signed by Charles Belair.

Two "candid camera" snapshots of Elizabeth (Betty) Clement Stewart on her wedding day being walked into the church by her father William Pope Clement.

File consists of three snapshots (two duplicates and one variant) showing a walking party at Chicoppee. Members of the party include: Frederick Bowman Kelly, Florence Grace Clement, Dorothy Pierson [?], Freida Kathleen Boyd Heefer, Blanche Mildred Clement Kelly, Clayton Snyder, Vera Bonnell (Havergal friend), Norah Smythe, Sadie Devitt, Pete [Moyer?], Edwin Oliver Clement, Eddie Hewitt.

Group snapshot of the attendees of a wedding posed outdoors in front of a large tree. William Pope and Muriel Clement standing second row, fourth and fifth from left.

File consists of one photograph showing the exterior of Daphne Berkinshaw's home. Two unidentified adults are visible in photo, one standing on a wrap around porch and the other seated on steps leading to the porch.

Snapshot of the gravestone of Adam Bowlby and others in Waterford, Ont.

File consists of one upper body studio portrait of Alfred Bowlby seen looking at camera.

File consists of one three quarter length studio graduation portrait of David Shannon Bowlby. David is shown with legs crossed, wearing a gown and holding a graduation cap in his lap.

File consists of one upper body studio portrait of David Shannon Bowlby seen in partial profile looking of camera in graduation cap and gown.

File consists of two identical photographs of David Sovereign Bowbly's home "Liberty Hall" in Kitchener, taken from the tennis courts in warm weather. The resident is seen from the rear, surrounded by trees, shrubs and garden beds.

Photograph of the exterior of "Liberty Hall", the 25 John Street residence of David Sovereign Bowlby in what was then Berlin, Ontario. The home is situated on a dirt road. A wrought-iron fence and two trees border the front of the house and ivy is visible growing up sections of the building. A sign over an entrance to a separate section of the home, at left, reads: "Dr. Bowlby".

File consists of two identical upper body studio portrait photographs of David Sovereign Bowbly in his graduation cap and gown.

Upper body studio portrait photograph of David Sovereign Bowbly seen looking off camera.

File consists of two identical upper body studio portraits of David Sovereign Bowlby, seen in partial profile looking off camera.

File consists of one group portrait of Martha Esther Murphy Bowlby (left) with daughters (from left to right) Janie Elizabeth Bowlby Clement, Grace Esther Bowlby Fennell and Emma Allen Bowlby Boyd. All are seen in high-collared dresses with oversized leg of mutton sleeves.

File consists of one group portrait of Martha Esther Murphy Bowlby (second from left) with daughters (from left to right) Janie Elizabeth Bowlby Clement, Grace Esther Bowlby Fennell, and Emma Allen Bowlby Boyd. All are seen in high-collared dresses with oversized leg of mutton sleeves.

File consists of one photograph showing members of the Bowlby family in front of "Liberty Hall", the family home. In the carriage are shown Martha Esther Murphy Bowlby and Janie Elizabeth Bowlby Clement, being pulled by mare Dolly. In front of the home are shown David Sovereign Bowlby, George Herbert Bowlby, Blanche Alexandrine (Adine) Seagram Bowlby, David Shannon Bowlby, and Grace Esther Bowlby Fennell. The photograph was used in "Busy Berlin" in 1897.

File consists of one full body studio portrait showing George Herbert Bowlby, about age 3, with dog Tippo Saib by the "Ontario" Photograph Gallery, Berlin, Ont. George and Tippo are shown in an outdoor setting in front of a wooden fence.

File consists of two identical head and shoulders studio portraits of Martha Esther Murphy Bowlby seen looking at camera. Bowlby is wearing earnings and is dressed in a lace collared top with a brooch at centre of neck.

File consists of one head and shoulders studio portrait of Martha Esther Murphy Bowlby seen looking off camera in partial profile and dressed in a high-collar top with leg of mutton sleeves.

File consists of one head and shoulders studio portrait of Martha Esther Murphy Bowlby by J. Fraser, Toronto, Ont.

File consists of one head and shoulders studio portrait of Martha Esther Murphy Bowlby seen looking off camera.

Full body studio portrait of Emma Allen Bowlby Boyd seen in profile. Boyd is standing, looking down, and holding a book in her right hand. She is wearing a lace and embroidery adorned dress.

Head and torso studio portrait, possibly of John Chalk [?], seen looking off camera, seated with left arm on side table and wearing a fur hat.

Snapshot of (left to right) Charles Bowlby Clement, Janie Elizabeth Bowlby Clement, Isabella Jackson Hayward and Geneva Jackson standing together Geneva Jackson's garden.

File consists of one studio portrait of Charles Bowlby Clement with sister Blanche Mildred Clement Kelly as children seen looking at camera. Blanche is seated on the edge of a couch, with a magazine in lap, and Charles is standing next to her, right arm resting on couch.

File consists of one snapshot showing David Ward Clement preparing to 'shave' his brother Charles Bowlby Clement with an axe at Portage Point.

File consists of one full length studio portrait of David Ward Clement dressed in his Cadet Corps uniform taken during his time at St. Andrew's College.

Head and shoulders studio portrait of David Ward Clement seen looking at camera, dressed in military uniform.

Full body studio portrait of David Ward Clement shown wearing a white lace gown and sitting next to a mirror so that his face is visible looking off camera and in profile.

Full body studio portrait of David Ward Clement shown wearing a white lace gown and sitting in front of a mirror, holding up one finger, so that his face is visible looking off camera and in profile.

File consists of three photographs (one duplicate) showing David Ward Clement and friends Carl Spahr Berlet and Alf Stewart in their First World War uniforms the year he went overseas.

Photograph of (left to right) Carl Berlet, Alf Stewart and David Ward Clement standing in a row outdoors. The group is seen in uniform and looking at camera.

Two copies of a photograph of (left to right) Art Schnarr, David Ward and Alf Stewart standing outside of a residential home. The group is seen in uniform and looking at camera.

File consists of one typescript essay by John Brown titled "Where La Salle met Joliet" which details the meeting of the two explorers and the settlement of Otinawattawa. Also includes three photographs of the settlement. [Settlement believed to be a Neutral Nation settlement North of what is now Hamilton].

One photograph of Blood [Kaniai] and Peiikani (formerly Piegan) Indigenous Chiefs of the Blackfoot Confederacy in Brantford for the unveiling of the Brant Memorial. The chiefs are identified as One Spot, Red Crow, and North Axe.

File consists of one snapshot of Milliken Park in Toronto.

File consists of seven snapshots of various sites in Ontario. Some photographs are identified on the verso.

File consists of four snapshots of Toronto city hall and Nathan Phillip's Square with accompanying negatives.

Photographs of Hervey Bowman, a house on Church St., Kitchener, and a house on Roland St., Kitchener. Note that the photographs were found with correspondence between Franklin Abram Schantz and Franklin Bowman regarding Hervey Bowman's death.

Upper body studio portrait of Theodore Moyer seen looking off camera.

Head and shoulders studio portrait of Henry Nash. Photograph has been altered to show Henry in a scroll and the edges of the card are bevelled.

Full body studio portrait of Etta and Sophie Schantz. Etta (at left) is seated on a settee and Sophie is on a chair next to her. Both are seen looking off camera and holding a small piece of paper of unknown significance.

Head and shoulders studio portrait of (left to right) siblings Worth and Ruth Schantz with cousin Dorothy White. Ruth is wearing eyeglasses and both she and Dorothy are wearing hair ornaments.

Group studio portrait of Etta (standing, far left) and Sophie Schantz (standing, second from right) with ten friends. One of the group is standing at far right, apart from the rest, wearing a picture hat and carrying a case. Another member of the group is seated with a piece of paper, possibly a folded newspaper, on lap that can not be identified.

Photograph of the Schantz family taken in front of the Schantz home at 43 Schneider Avenue in Kitchener, Ontario. Left to right: Walter Spelman (holding Dorothy Spelman), Ruth Schantz (with Walter Bishop Spelman and Margery Ruth Spelman), Orpheus Moyer Schantz, Carrie Flagler Schantz, Sophie Schantz, Florence Schantz, Mary Moyer Schantz, Dorothy White, Worth Schantz.

Card photograph possibly of the exterior of the Schantz house in Port Elgin, Ontario. Shows a wood frame house with a porch and a wooden fence. Standing out front are one adult and five children, one of whom is holding a bicycle.

Head and torso studio portrait of Mary Moyer Schantz at approximately sixteen years of age with ribbons in hair.

Studio portrait of Orpheus Moyer Schantz and Cornelia "Carrie" Flagler Schantz, with their daughter Ruth Schantz. Ruth is seen standing at centre with bow in hair arms on her parents' backs.

Head and shoulders studio portrait of Sophie Schantz seen looking at camera and wearing a top with leg of mutton sleeves.

Two identical copies of a full body studio portrait of Tobias Schantz, showing him with his book agent's accoutrements: hat, cane and book sample case.

Two identical head and shoulder studio portraits of Tobias Schantz with long beard seen looking at camera.

Upper body studio portrait of Urban Snyder seen looking toward camera.

Head and shoulders studio portrait of Oliver St. John seen looking off camera.

Two identical full length studio portraits of Miss. Jessie Thomson seen seated on a chair covered with a fur and looking at camera. Enclosed is a calling card of Miss. Thomson with the inscription "With love all & best wishes for the new year."

One group portrait of the Victoria School class of 1915-1916, of which Dorothy White [front row, third from right?] was a student. The group, taught by Mrs. Suter, is seen posed in four rows, grouped by gender, on the front steps of the school.

Seven negatives showing images of Beausoliel Island. Four are landscapes showing the windblown trees, one shows a sailboat, another two women stand next to a pleasure boat "The Wabanaki" and the final is a group portrait. Enclosure included in file.

Image of windblown trees along a rocky shoreline.

Image of two windblown trees along a rocky shoreline.

Image of two unidentified women standing on a wooden dock next to a pleasure boat with "The Wabanaki" painted along side at front.

Image of an unidentified group standing along a rocky shoreline. In the background is a small rocky, tree covered island with a boat house.

Image of an unidentified man sailing on a body of water with a rocky, tree lined shoreline visible in background.

Image of a rocky shoreline with a windblown tree at left. People are visible in the distance, walking along the rocks.

Image of Don and Lyndon Gross standing in front of a snowman on a residential street. Snowshoes and a toboggan are positioned at the base of the snowman.

Image of Don and Lyndon Gross standing in front of in front of a snowman, seen in profile, on a residential street. Snowshoes and a toboggan are positioned at the base of the snowman.

Image of Don and Lydon Gross posed for the camera on a residential street along with two unidentified adults who are both holding dogs. A snowman with snowshoes at its base is visible behind the group at left.

Image of Dorothy White and one of the Gross children posing for the camera while standing on either side of a snowman on a residential street. The shadow of the person taking the photo is visible at bottom right.

Image of three adults and two children posing for the camera while standing in skates on a frozen body of water. The adults are standing in the back row and the children are standing at front, one of whom is holding a hockey stick horizontally.

Image of Harold Russell sitting upright in a baby carriage as an infant with mother Dorothy looking on. The pair are seen outdoors on the sidewalk of a residential street.

Image of Harold Russell seated on a tricycle smiling happily toward the camera. A clothes line, trees and a garden bed are visible in the background.

Image of Harold Russell as an infant, wrapped in a blanket and wearing a hat, being held by an unidentified adult in [Victoria Park] along a shoreline. In the background trees, a foot bridge and a swan are visible.

Image of Harold Russell in a carriage looking toward the camera with an unidentified toddler trying to show something to Harold. At right in the background an unidentified adult looks on.

Photograph of Dorothy Russell and her son, Harold, standing outside during the day, and holding hands. There is a street, trees, and houses in the background with some snow on the ground, and they are dressed for cool weather. Harold is smiling at the camera while Dorothy is smiling at Harold.

Photograph of Dorothy Russell standing outside on a winter day. There is snow on the ground, and she is dressed for cold weather. Dorothy is smiling at the camera and holding a small suitcase or briefcase.

Photograph of Harold Russell outside in the middle of a tree-lined street. It is a sunny day, and Harold is dressed for warm weather. Harold is smiling at the camera as he stands astride a bicycle, with one foot on a pedal.

Photograph of Harold Russell standing beside a bicycle with his hands on the handlebar and looking slightly off from the camera. Trees and houses are seen in the background.

Photograph of Harold Russell riding a bicycle down a street. While Harold and the bicycle are clear, the background and foreground are blurred. Houses and trees are visible in the background.

Blurry photograph of an unidentified adult seated in a rocking chair and reading a newspaper. The subject’s features are unclear. What is likely a wood-burning radiator can be seen in the forefront.

Photograph of Harold Russell posed with a football, smiling and gazing off camera. Fallen leaves line the sidewalk, and Harold is dressed in a striped sweater. The shadow of the photographer is seen in the foreground.