Sketchbook containing pen and ink sketches by David Hill.

Sketchbook containing pencil sketches by David Hill.

Sketchbook containing pencil sketches by David Hill.

Sketchbook containing pencil sketches by David Hill.

Sketchbook containing pencil sketches by David Hill.

Sketchbook containing pencil sketches by David Hill.

Partial sketchbook containing pencil sketches by David Hill.

Undated sketchbook containing pencil sketches by David Hill.

Contains one colour poster advertising Dare Foods Limited schoolhouse promotion. The promotion consisted of customers filling out ballots to win a free cardboard schoolhouse playhouse for children.

File consists of one portrait of Ross Dixon and one portrait of Doris Dixon, done in pastel by K. Costas.

Materials related to biographical sketches written by James Downey. Contains writings about different people, tributes and essays by Downey, materials accumulated by Downey to support his research (such as news stories and photocopies of photographs), and related correspondence.
Titles of speeches and articles are:

• "A toast to Tom" (May 14, 2003),
• "Foreword" to Otto Tucker That nothing be lost (2003),
• "Mary Louise Lynch: lawyer; adviser & confidante of Lord Beaverbrook,"
• "Protectorate to Province: Newfoundland, 1934-1957,"
• "Ernest Fletcher Downey" (July 14, 2006),
• "Jemima Anne (Andrews) Downey" (May 13, 2000),
• "Dorothy (Downey) Elder" (January 31, 2000),
• "Margaret (Downey) Richards, on the 50th anniversary of her marriage,"
• "Lorne Parott" (July 9, 2000) and related correspondence,
• "Roland Hawkins" (April 11, 2000) and related correspondence,
• "Arthur S. Butt" (August 11, 2001),
• "Memories are made of this & that: recollections of life on Long's Hill, 1955-1956,"
• "Cott Fillier: a quick sketch" (September 16, 2005),
• "Dunville" (January 11, 2000),
• "George Story" (December 29, 1999)
• "Paul West" (January 6, 2000),
• "Eric Richards (1924-2004)" (August 4, 1999),
• "John Hutchinson",
• "Donald Soper" (January 2000),
• "A tribute to Chester Campbell" (March 1995),
• "A tribute to Eric Garland" (February 1997),
• "A toast to Harrison McCain" (January 17, 1998),
• "A toast to James F. O'Sullivan" (April 23, 1999),
• "Bob Burridge: a tribute (sort of)" (April 12, 1991),
• "For Colin B. Mckay" (March 30, 1999),
• "Beaverbrook's choice: the appointment of Colin B. Mackay as President of UNB" (February 18, 2003),
• "Tom Condon" (May 14, 2003),
• "Mary Ives (Anglin) Mackay,"
• "The Beaverbrook Beneficence" (January 1992),
• "Frank McKenna" (April 13, 2006),
• "Ted Williams" (July 11, 2002),
• "The brothers Kennedy at UNB. Introduction,"
• "Notes for remarks about Les Harris at AAU Dinner" (March 22, 1990),
• "Opening of Pratt exhibition" (September 16, 1993),
• "Senator J. Trevor Eyton" (January 19, 1994),
• "Michael Higgins" (May 9, 1994),
• "Introduction for peter Gzowski" (February 16, 1995),
• "Alex Colville" (November 10, 1995),
• "Remarks for the opening of an exhibition of the sculpture of Judith Schwartz" (January 14, 1998),
• "Installation of Bonnie Patterson: Luncheon talk" (October 2, 1998),
• "Introduction for David Johnston" (May 19, 1999),
• "Brian Hendley" (June 2, 1999),
• "Peter Harvey Sims to be Doctor of Laws" (June 15, 1999)
• "For Jim Kalbfleisch" (December 10, 2000),
• "For Susan Shantz" (April 24, 2000),
• "For Ian Lithgow, friend and colleague" (October 19, 2000),
• "Paul Mitchell" (April 3, 2001),
• "Arnold Naimark" (August 1998),
• "Anastasios Christodoulou: the very model of a Secretary General" (August 2002),
• "Introduction for Michael Ignatieff" (January 24, 2001),
• "For Paul Davenport, Officer of the Order of Canada" (October 28, 2002),
• "Conclusion to slide/video tribute to Valentine O'Donovan" (October 29, 2002),
• "J. Robert S. Prichard to be Doctor of Laws" (May 18, 2002),
• "For Lyle Hallman: a funeral tribute" (October 31, 2003),
• "Russel Legge: a funeral tribute" (March 28, 2004),
• "Welcome to the groom & toast to the bride" (May 2005),
• "For Bill Klassen" (April 23, 2006),
• "Words for Robin" (March 24, 2013),
• "For Mary Bales,"
• "For Doris Nicholson" (August 21, 2015),
• "A funeral tribute for Jim Kalbfleisch" (April 30, 2017).

Also includes one drawing by Gerard Brender à Brandis titled “Winterton, Newfoundland” and photocopies of photographs.

File consists of 2 ink drawings and 4 prints prepared for use in a calendar. Drawings depict a piece of machinery at RMS and have an inset depicting the historical equivalent to that machine.

File consists of one leaf of paper with drawings by a child on it. Possibly by Julian or Dana Porter Jr.

File consists of an ink and crayon drawing of a landscape in Hong Kong, by an unknown artist.

File consists of one drawing of Dana Porter by Ed Keiss.

File consists of one reproduction of a caricature of Dana Porter by Henry H. Bull. Bull was the Crown Attorney for Metropolitan Toronto and the County of York and drew many caricatures of colleagues. The reproduction print is mounted using Durograf technology, a type of screen printing where the image is applied to a spunbonded polyester fibre. The image has been mounted on a piece of acrylic, with a biography of Henry Bull on the back.

File consists of six high quality colour photocopies of original paintings by Dana Porter. The paintings are typically Northern Ontario landscapes and were stylistically inspired by the Group of Seven. Porter's maternal uncle was Group of Seven painter Lawren Harris.

File consists of one drawing of a lighthouse on an island. The bottom right hand corner is signed F.K.M. (probably Francis Kathleen Montgomery).

File consists of one painted portrait of George Herbert Bowlby in his army uniform. The painting appears to be watercolour on ivorine, and the signature reads E.C. Blisley, 1917. Bowlby died in 1917 during First World War and this is possibly a commemorative portrait.

File consists of one portrait of David Sovereign Bowlby. The painting is oil on prepared canvas. A signature on the bottom left is hard to read, but may say [Ella] [Moss].

File consists of one print of Child and Spectre. Originally an illustration from "Concerning Dragons" by the St. Dominic Press.

File consists of one print of Christ Seated. Numbered 14 and signed by Gill. Originally an illustration for Quia Amore Langueo, printed by Hague and Gill.

File consists of one print of Christchild, showing a young Jesus holding boughs of leaves. Numbered USA 3/5 and signed by Gill. Used as an illustration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print probably by Desmond Chute. Print shows a woman with a halo and head dress holding a sprig of plants. Lettering reads "Catharina Sponsa XTI."

File consists of one engraving by Desmond Macready Chute (1895–1962). Engraving shows the Madonna with child. Recto note reads "Engraving by Desmond Chute see Songs to our Lady SDP 33."

File consists of one print of Clothes as Houses. Numbered 3/10 and signed by Gill. Originally intended as an illustration for Clothes, by Gill.

File consists of one print of Comedy: Man Trying to Fly. Numbered 19/20 and signed by Gill. Originally an illustration for The New Temple Shakespeare.

File consists of one print of The Constant Mistress. Numbered 7/20 and signed by Gill. Originally an illustration for The Constant Mistress printed by the Golden Cockerel Press.

File consists of one print of Crucific.

File consists of one print of David and Goliath. Numbered 12/15 and signed by Gill. Originally illustration for The English Bible-Selected.

File consists of one print of Death be not Proud. Numbered 15/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

File consists of one print of Divine Lovers. Numbered 14/25 and signed by Gill. Originally the frontispiece from Morals and Marriage.

File consists of one print of Ecce Tu Pulchra Es, showing three women. Part of the print is in blue. Numbered 1/10 and signed by Gill. Originally intended to be used for the Cranach Press edition of Canticum, Canticorum.

File consists of one print of The Empty Bed. Numbered 19/20 and signed by Gill. Originally an illustration for The Constant Mistress. Also includes a photocopy of the print and a caption from the Thomas Fisher Rare Book Room.

File consists of one print of Flight Into Egypt.

File consists of one print of Girl with Three Scallops, used a bookplate. Print lettered "ex libris Kate Fletcher."

File consists of one print showing a head and shoulders portrait of Gordian Gill. Numbered 41/50 and signed by Gill.

File consists of one print of Hamlet, the cover page for the Hague and Gill edition of Hamlet. Numbered 12/25 and signed by Gill.

File consists of one print of History: Man Just Going on Walking. Numbered 20/20 and signed by Gill. Originally an illustration for The New Temple Shakespeare.

File consists of one print of the frontispiece for Henry the Eighth. Signed by Gill with a note reading "for Shakespear's Henry VIII pub by New York Limited Edition Club, 1937. Also includes the back of the original mat.

File consists of one print of Hog and Wheatsheaf. Signed by Gill, and noted as a bakery bag for the Hampshire House Bakery.

File consists of one print of The Holy Face. Originally an illustration for "Ritus Servandus In Benedictione" printed by the St. Dominic's Press.

File consists of one print of I Am a Little World. Numbered 3/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

File consists of one print of Jesus and the Doctors. Numbered 3/15 and signed by Gill. Originally illustration for The English Bible-Selected.

File consists of one print of Jesus Before Pilate. Signed by Gill.

File consists of one print of Laocoon. Numbered 12/15 and signed by Gill. Originally designed for the jacket of XX Century Library.

File consists of one print of The Last Judgement.

File consists of one print of The Leisure State, showing a woman listening to a grammaphone with the words Techne (translation: “art, craft”) and Poiesis (translation: “creation, poetry”). Numbered 18/18 and signed by Gill. Originally for Unemployment, by Gill.

File consists of one print titled Actor on Stage, a proof design for the Ditchling Dramatic Club.

File consists of two copies of the print The Lord's Song from the artist's own published sermon of the same name. Numbered 1/25 and 4/25 and signed by Gill.

File consists of one print of Madonna and Child: Madonna Kneeling. Originally a design for a Christmas card.

File consists of two original concept drawings and one print of Madonna and Child, used for the Peace Pledge Union Christmas card of 1937.

File consists of one print of Madonna and Child with Chalice. Originally a title page illustration for "Adeste Fideles a Christmas Hymn" published by St. Dominic's Press.

File consists of one print of Madonna and Child, With Children, showing Mary holding a baby Jesus surrounded by other children. The print is numbered 21/50 and is signed by Gill.

File consists of one print of Madonna and Child with Gallows. Originally a design for a Christmas card.

File consists of one proof print of Madonna with Child, used for the Peace Pledge Union Christmas card. Woodcut appears to have been hand tinted.

File consists of one print of Marionette. Numbered 15/20 and signed by Gill. Originally an illustration for The Constant Mistress.

File consists of one print of Moneychangers. Numbered 13/15 and signed by Gill. Originally illustration for The English Bible-Selected.

File consists of one print of Mother and Child.

File consists of one print of Animals All. The print is unique in that it is gold ink on a black background. Originally used for the tail piece "The Philosophy of Art."

File consists of one print of My Love Among the Lilies showing a man sitting in a garden with a goblet in one hand and a ball in the other which was used in the Golden Cockerel Press edition of Song of Songs. The print is numbered as edition 8/12 and is signed by Gill.

File consists of two prints of Naphill Jubilee Card. Lettered "to his majesty King George from his loyal subjects of Naphill Buckinghamshire thankful greetings."

File consists of one print of a nativity scene. Numbered 20/25 and signed by Gill.

File consists of one print of Nature and Nakedness. Numbered 15/25 and signed by Gill. Originally intended as an illustration for Clothes, by Gill.

File consists of one print of The Nun's Priests's Tale showing three figures and a chicken under a leaf border with the letter "H". Numbered 4/5 and signed by Gill. Used as an illustration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one mock up for The Order of Industrial Heritage award as presented by the London Daily Herald. This second version shows the original holy ghost dove has been replaced by a star. Also includes one colour copy of the print and a caption created by Thomas Fisher Rare Book Library.

File consists of one print of The Pardoner's Tale showing three men in a garden with a skeleton looking up at them, along with the letter "O." Numbered 10/10 and signed by Gill along with the annotation USA 5. Used as an illustration for the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print showing a head and shoulders portrait of Mrs. Moira Robert Gibbings. Edition is marked as 40/50 and is signed by Gill.

File consists of seven proofs of the prints created by Eric Gill for the Aldine Bible. Note that there is one blank page, but it is unclear if it is intentionally blank or if a print has been removed.

File consists of one print of Puck Juggling. Numbered 5/20 and signed by Gill. Originally from half title for The New Temple Shakespeare.

File consists of one print of Ascension. Originally an illustration for "The Game" printed by St. Dominic's Press.

File consists of one print of Romance: Man Seizing Unreality. Numbered 4/20 and signed by Gill. Originally an illustration for The New Temple Shakespeare.

File consists of three small card folded horizontally featuring a woodcut illustrion of a fish and a religious verse. Lettering reads "Salvator noster hodie natus est: gaudeamus. Neque enim fas est locum esse tristitiae, ubi natalis est vitae. Nemo ab hujus alacritatis participatione secernitur: una cunctis laetitiae communis est ratio. Ersultet (sic) sanctus, quia appropinquat ad palmam; gaudeat paccator, quia invitatur ad beniam."

Translation: This day our Saviour was born: let us rejoice. For it is impossible to be sad to, where is the birthday of life. No one from participating in our category, all a joy to both systems. Rejoice, O thou holy, because it approaches nearer to the palm;'s joy is a sinner, for he is invited to pardon.

File consists of one print of Sculpture II, showing a male nude sculpture.

File consists of one print of The Shipman's Tale showing a man and woman on a bed surrounded by a border of leaves and the letter "O." Numbered USA 1/5 and signed by Gill. Used as an illustration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of The Single Bed (Thanks). Numbered 12/20 and signed by Gill. Originally an illustration for The Constant Mistress.

File consists of one print of The Skaters showing two naked skaters based on a photograph from the London Daily Mail. Labled "specimin plate."

File consists of one print of the side-by-side images of Spray of Seven Leaves and Flower Bud and Woman Climbing Floreated Phallus. Numbered 3/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of St. Bernadette, lettered "Bernadette Ora Pro Nobis." Numbered 25/50 and signed by Gill.

File consists of one print of St. John. Numbered 11/20 and signed by Gill. Originally an illustration for The Passion of our Lord printed by Hague and Gill.

File consists of one print of St. Luke. Numbered 14/20 and signed by Gill. Originally an illustration for The Passion of our Lord printed by Hague and Gill.

File consists of one print of At the Round Earths Imagin'd Corners. Numbered 7/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

File consists of one print of St. Matthew. Numbered 14/20 and signed by Gill. Originally an illustration for The Passion of our Lord printed by Hague and Gill.

File consists of one print of The Symbol of Christ Crucified. Originally an illustration for "The Devil's Devices."

File consists of one print showing a head and shoulders portrait of Thomas Edmond Lowinsky. Pencil mark in bottom right reads "proof EG."

File consists of one print of Thou Hast Made Me. Numbered 6/15 and signed by Gill. Originally illustration for The Holy Sonnets of John Donne.

File consists of one print of Tradegy: Man Trying to Escape. Numbered 19/20 and signed by Gill. Originally an illustration for The New Temple Shakespeare.

File consists of one original drawing, one proof print, and one final variant print (with red ink) of Tree and Dog. Designed as a press mark for the Pigotts Press. Proof print is dated 12.1.31.

File consists of one print of the side-by-side images Tree Woman (Leaves for Hands) and Spray of Fifteen Leaves. Numbered 6/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of Trousers and Spats. Numbered 7/10 and signed by Gill. Originally intended as an illustration for Clothes, by Gill.

File consists of one print of View of Ditchling. Originally a design for the Ditchling Women's Institute.

File consists of one print of the side-by-side images Woman and Ape and Naked Men Fighting. Numbered 3/10 and signed by Gill. Used as border decoration in the Golden Cockerel edition of Chaucer's Canterbury Tales.

File consists of one print of Babe on bough. Numbered 19/20 and signed by Gill. Originally an illustration for The Constant Mistress.

File consists of one print of Woman Bending, showing a naked woman bent over in nature. Numbered 14/25 and signed by Gill.

File consists of one print of Woman Dancing. Numbered 7/10 and signed by Gill. Originally intended as an illustration for the title page of Clothes, by Gill.

File consists of one print of Bartimeus. Originally an illustration the jacket of the Aldine Bible.

File consists of one drawing of David Pepler. Titled, dated and signed by Gill.

File consists of one drawing of Father O'Connor. Verso identifies him as "Father O'Connor (the very reverend mgr. John O'Connor). Also includes a photocopy of the drawing.

File consists of four drawings later used to create woodcuts. They include The Manage (Physick 74), Epiphany (Physick 84) and Palm Sunday (Physick 86).

File consists of one drawing by Gill of the Fox Inn, Bramsdean. Signed and dated.