Contains two photographs of the Kaufman plant in Batavia New York under the name Kaufman Footwear Corporation.

Four pieces of personal correspondence one written to Emma Kaufman, and three written by Emma Kaufman. These three letters are written to friends in Japan and are dated Dec. 4, 5 and 7 respectively, and describe her efforts to gather material to send back with a Japanese friend on the Dec. 14th sailing of a ship from Los Angeles to Japan.

Photograph of Blanche Mildred Clement Kelly in Santa Monica standing among cacti and other flora.

Pamphlet advertising L.I. Fisk & Co's Soaps. The cover shows three women washing and hanging out clothes with the caption "The suds is like velvet, I never used a soap like it. The water is settled and I find no grit in the tub. We never had such clothes they are whiter at every washing. L.I. Fisk & Co,'s Soaps for sale by all grocers who look to the interests of their customers by buying pure goods." The interior describes the qualities of the soap and gives examples of clothes washed in their soap and with others. The back cover shows a young woman and a caricature of a Japanese man holding a scroll which reads "All soaps bearing our name are warranted free from any of the many adulterations the best for economy, purity, cleanliness and washing quality of any in the world. L.I. Fisk and Co., Springfield, Mass." There are also testimonials on the back cover which read "It has cured my chapped hands. I'll use no other and keep them so. It is a delight to all in the bath. It is so soft and clean."

Die cut Lenox Soap advertisement showing a woman standing next to a washing tub with a large pile of soap suds coming out of it. The advertisement reads "Lenox Soap. Lather from 1 oz in hard water. Lathers freely in hard water."

Collection consists of one undated typescript letter to Joseph Jefferson from Jan Larue in Iberia Parish, Louisiana. The letter requests Jefferson put in a good word for Larue. Also included is an undated photograph card of Joseph Jefferson, taken by Gilbert & Bacon studios in Philadelphia.

Correspondence from Litchfield Steam Laundry of Litchfield, Illinois. The letterhead shows women at work in the laundry engaged in tasks such as using washing drums, pressing, and folding clothes. The letter reads "...from 40 to 69 lbs. Also, the water is clear now to what is was one month ago. It is also a compound which if you would let stand one month no settling would be acceptable. But hoping you have a machine which can master it. [illegible] yours truly, Hugh Snell"

File consists of 212 loose postcards, including black and white and sepia-toned photographs, black and white and sepia-toned rotogravures, photochroms, and other colour prints. Postcards contain views of numerous European cities and landforms (including Binz, Potsdam, Oberammergau, Berlin, Wittenberg, Lucerne, the Rhine, and the Alps), as well as views along the Canadian Pacific Railway in British Columbia and Alberta (photographed by Byron Harmon) and the Columbia River Highway in Oregon (photographed by Cross & Dimmitt), and views of Banff, the Rocky Mountains, Stratford (Ontario), and other places and scenes. Some duplicates are present. Six postcards contain a stamp (four German, one Canadian, and one Czechoslovakian). Two postcards were sent through the mail; one from Keffer to his wife, and one from Max [last name illegible] to Keffer (in German). Six of the postcards were published by Valentine & Sons.

Photograph album compiled by Mabel E. Neiley during her time working as a nurse in the U.S. Army Nurse Corps. Album reflects the life of a Canadian woman who emigrated to the United States in the early 20th Century and worked in the medical profession during the First World War and the 1918 Influenza pandemic.

Album includes photographs and postcards featuring photographs of the experiences of Mabel E. Neiley during her time as a U.S. Army nurse. Photographs capture nurses in uniform at the hospitals and barracks, nurses taking care of patients, nurses socializing with each other and with soldiers, and nursing posing in different areas of the hospital facilities. Album also contains photographs of soldiers by themselves and official visits (including one of possibly Edith and Woodrow Wilson).

According to annotations in some photographs, images were taken at Walter Reed hospital (Washinton DC, U.S.A), Camp Gordon (Georgia, U.S.A), and Columbus Barracks (Ohio, U.S.A).

Photograph of a man leaning on a wall by a river posing for the photograph with vegetation in the background. Photograph was possibly taken at North-Western College, Naperville, Illinois.

Photograph of a man posing for the camera with buildings in the background. Photograph was possibly taken at North-Western College, Naperville, Illinois.

Photograph of an adult studying in a dorm room with a bed in the background and pennants on the wall. Photograph was possibly taken at North-Western College, Naperville, Illinois.

Two maps created by Gordon Wagner that show the location of Henry Wagner's homestead in upstate New York, near the town of Rose. One map shows the location in relation to the large geographical area and the other shows the exact plot and surrounding farms with notes on the location of the home, etc.

File consists of material relating to the writing and publication of an application case history about the the use of Electrohome's ECP 4000 projectors at Martin Marietta space launch systems interactive demonstration centre (Denver, CO). Includes correspondence and memoranda (some faxed), edited draft and final typed versions of story outlines and of articles (some faxed), ms. notes, a photograph of the projection system at the demonstration centre, and other information about Martin Marietta.

Snapshot of a group of people standing on the Marquette & Joliet rock, which is marked with a cross.

Photograph of the exterior of Orpheus Moyer Schantz's family home in Morton Park, Chicago. Carrie Schantz is visible seated on front steps and standing to her right, on the lawn, are Ruth Schantz and Worth Flagler Schantz. Also included in the shot are a newly planted tree and a wood plank sidewalk.

File consists of Rose Motz's press pass, with photo, for the 1934 A Century of Progress International Exposition in Chicago. Motz is seen in partial profile, wearing a hat and looking off camera.

Studio portrait of the Jacob Nash Moyer and family. Jacob is seated at left, Mary Miller Moyer is standing at centre, holding Bertha, age 4 months, and Willard White, age 2 years, 7 months is seated at right. All but Bertha are looking off camera.

Group portrait showing the Moyer family having Christmas dinner at Levi Nash Moyer's home in Wilmette, Illinois. From left to right: Mary Emma Moyer, [Edmund Warren Moyer?], ?, Ela Bliss Moyer, ?, Charlotte Hays Moyer, Levi Nash Moyer, Jennie Moyer, Etta Moyer.

Group portrait showing the Moyer having Christmas dinner at Levi Nash Moyer's home in Wilmette, Illinois. From left to right: Mary Emma Moyer, [Edmund Warren Moyer?], ?, Ela Bliss Moyer, ?, Charlotte Hays Moyer, Levi Nash Moyer, Jennie Moyer, Etta Moyer.

Head and shoulders studio portrait of Abraham Nash Moyer seen in partial profile.

Studio group portrait of Abraham Nash Moyer with wife Nannie Entrekin Moyer and children Metta Sophia and Clyde Entrekin.

One upper body studio portrait of Clyde Entrekin Moyer seen in partial profile.

One full body studio portrait of Dorothy Louise Moyer, age 10 1/2 months. Dorothy is shown sitting on a chair looking at the camera and dressed in a white gown.

One upper body studio portrait of Edmund Warren Moyer seen in profile.

One upper body studio portrait of Ela Bliss Moyer in collared shirt and tie seen looking at camera.

One upper body studio portrait of Ela Bliss Moyer seen looking off camera in partial profile.

One head and body studio portrait of Ela Bliss Moyer seen looking off camera.

One head and shoulders studio portrait of Emma Bliss Moyer seen looking off camera in partial profile.

One upper body studio portrait photograph of Emma Bliss Moyer (wife of Samuel Moyer) seen looking off camera..

One head studio portrait of Jacob Moyer seen looking off camera.

Two identical three quarter length portraits of Jennie Moyer. Jennie is seen seated at a piano with left arm on the keys and a handkerchief in right hand with a ribbon in her hair.

One three quarter length portrait of Jennie Moyer. Jennie is seen seated at a piano with left arm on the keys and a handkerchief in right hand with a ribbon in her hair. Also includes the original slip cover for the photograph.

Head and torso studio portrait of Jesse Gross Moyer dressed in suit and tie, looking off camera.

One full body studio group portrait of Jessie Watt Moyer with children Barbara Helen and Dorothy Louise. Barbara is seated in Jessie's lap and Dorothy is standing next to them.

Head and shoulders studio portrait of Levi Nash Moyer seen looking off camera.

One head and shoulders studio portrait of Mollie and Levi Nash Moyer posed sided by side and seen looking off camera.

One head and shoulders studio portrait of Lillian M. Moyer seen looking off camera.

One upper body portrait of Louise Moyer seen leaning over the back of a chair and wearing a dress with a lace collar.

Studio portrait possibly of Marguriete Moyer (daughter of Edward A. Moyer, son of Anna Moyer) as an infant. Marguriete is shown in a gown, bonnet and cape, seated in a chair.

One upper body studio portrait of Mary Emma Moyer seen looking at camera. She is wearing a lace collared top with leg of mutton style sleeves.

Upper body studio portrait of J.M. Moyer. Identification from verso.

One upper body studio portrait of Metta Sophia Moyer in a high-collared top, seen looking off camera.

Upper body studio portrait of Mary Elizabeth "Mollie" Moyer, seen looking off camera in a partially beaded, high-collared top.

Upper body studio portrait of Mary Elizabeth "Mollie" Moyer, seen looking off camera in a partially beaded, high-collared top.

Upper body studio portrait of Robert Bliss Moyer, seen looking off camera.

One group studio portrait of Samuel Moyer and Emma Bliss Moyer with their children Ela Bliss Moyer (standing right), Robert B. Moyer (standing left) and Louise Moyer.

One full length studio portrait of Theodore Moyer and wife Alice Maud Guy Moyer. Theodore is shown seated on a chair with Alice standing to his right.

Full body studio portrait of Willard White Moyer aged sixteen months. Willard is shown seated on an arm chair with a doll.

Advertisement trade card for Mt. Penn Stove Works featuring decorative floral illustration surrounding a woman cooking on a range with a caption reading "a complete kitchen always contains a pretty cook and a Penn Esther range." A large line of sizes and a great variety of styles. For sale by G.W. Rinesmith & Sons 114 North Hanover Street, Carlisle, PA. Made by Mt. Penn Stove Works, Reading, Pa."

Head and torso studio portrait of Agnes Nash seen in partial profile looking off camera. Nash is wearing a top with lace edging around the collar and a cross on a choker necklace.

Pamphlet from The National Federation of Bureaus of Occupations for Trained Women Workers, Organized April, 1917. Gives information on joining the organization as well as on types of careers for women.

File consists of photographs of the new United States Rubber plant being constructed in Opelika, Alabama.

File consist of the April 15, 1865 edition of the New York Herald. This edition reports on the assassination of Lincoln.

A promotional notebook published in 1912 by the Alaska Feather & Down Co., Montreal, used by Dorothy Russell to record movies, plays and concerts she attended in Kitchener, Ont., Toronto, Sarnia, Chatham and Chicago, 1921-1928. Included are the names of actors and actresses, the theatre and the date.

Contains one ground floor plan of Fowler's "Folly" octagonal building in Fishkill, New York, U.S.A.

Collection consists of materials created and accumulated by Paul S. Burtness and Warren U. Ober relating to their research on the events surrounding the attack on Pearl Harbor during World War II. Includes correspondence with prominent members of the U.S. Forces during World War II, as well as published articles that came out of the research.

One image of the bell tower of the Perkinsville [Vermont?] Roman Catholic church.

Collection consists of 169 19th century American photographs. Included are 115 carte-de-visites, 40 cabinet portraits, 2 albums, 11 miscellaneous photographs and 1 envelope of miscellaneous business and greeting cards.

The photographs vary in size, but many of are 1 x 1 cm and mounted on card. Most are albumen type photographs depicting various people including infants, children, and adults. The photographs come from various studios across the United States though the majority come from studios in New York, Vermont, Massachusetts, New Hampshire, and Illinois. The photographs, since rehoused, were originally housed in two albums decorated with an intricate relief on the cover and a metal clasp lock.

Photograph of a building. Photograph was possibly taken at North-Western College, Naperville, Illinois.

File consists of photographs and negatives of Electrohome plants and product testing facilities. Includes photographs of the Morristown, TN, plant; the Electrohome (U.S.A.) Inc. branch in Ontario, CA; an aerial photograph of Plant 10 (Cambridge, ON); and photographs of employees testing television and video monitors. One photograph has been mounted on board and retouched.

File consists of one photograph of Dana Porter with wife Dorothy Porter and three unidentified others at a table at the Saranac Inn, in New York.

File consists of two unused postcards showing Letchworth State Park in New York and the Administration Building of the State University Teacher's College in Geneseo, New York.

File consists of photographs, transparencies, and slides depicting Electrohome Projection Systems products and their applications in various corporations and organizations. Applications pictured include: CSX Transportation Control Center (Jacksonville, FL), Canadian Embassy (Tokyo, Japan), Rochester Gas and Electric (Rochester, NY), Thames River Water System (London, UK), National Bowling Stadium (Reno, NV), the Barcelona Stock Exchange (Spain), and others.

Weekly intake report on broadcasts in English for North American listeners mainly from the United States of America, Germany, Italy and England. Copy no. 27.

Weekly intake report on broadcasts in English for North American listeners mainly from the United States of America, Germany, Italy and England. Copy no. 27.

Weekly intake report on broadcasts in English for North American listeners mainly from the United States of America, Germany, Italy and England. Copy no. 27.

Weekly intake report on broadcasts in English for North American listeners mainly from the United States of America, Germany, Italy and England. Copy no. 27.

File consists of material relating to public relations activities for the years 1982 and 1983. Includes news releases, memoranda, copies of form letters to employees and dealers from John A. Pollock, product photographs with typed cutlines, typed remarks by John A. Pollock given at the 1982 annual meeting, the first issue of the newsletter Electrohome World, and press kits for Electrohome Electronics, Deilcraft furniture, and the 1982 annual meeting.

File also includes a portfolio from the Morristown Area Chamber of Commerce (Morristown, TN) containing news releases about Electrohome's purchase of a production facility there and 16 photographs of the plant during construction.

File consists of material relating to public relations activities for the years 1982 and 1983. Includes news releases, memoranda, copies of form letters to employees and dealers from John A. Pollock, product photographs with typed cutlines, typed remarks by John A. Pollock given at the 1982 annual meeting, the first issue of the newsletter Electrohome World, and press kits for Electrohome Electronics, Deilcraft furniture, and the 1982 annual meeting.

File also includes a portfolio from the Morristown Area Chamber of Commerce (Morristown, TN) containing news releases about Electrohome's purchase of a production facility there and 16 photographs of the plant during construction.

File contains an two envelopes with examples of German ration coupons from the 1920s and examples of scrips from Rochester, New York and Multnomah County in Oregon. The ration coupons include a pencil identification that reads: "Walter Johann".

File consists of one receipt, in French, for work performed by an enslaved Black female named Maria on a chain gang in New Orleans in 1825. Translation reads "Wages for negress on the chain: The city treasury will pay to Mr. D. Fitch the sum of 11 piastre and 50 cents for forty six days of work by his negress Maria, employed by the public works from August 9 to October 3." The document is signed by David Fitch and Precend Lament [?] and is dated at New Orleans, Oct. 3, 1825.

Attached to the receipt is what appears to be a clipping from the vendor catalogue which listed the item for sale. It reads:
"174. NEGRO CHAIN GANG LABOR RECEIPT. Printed document, in French, signed, one page, oblong small quarto. Nouvelle-Orleans, 1825. Interesting if not gruesome document. Receipt for labor in the chain gang performed by a negress."

Three photographs of the home of Orpheus Moyer Schantz presented on a board along with decorative detailing.

Head and body studio portrait of Christian Rieder seen looking off camera with right hand on back of arm chair.

Head and shoulders studio portrait of Dan Rieder seen looking off camera.

Head and shoulders studio portrait of possibly of Minerva Alverta Rinehart seen looking at camera.

File consists of one sample newspaper for The Inter Dream, Chicago.

Advertisement trade card for Sapolio showing two women cleaning marble statues with the caption "clean marble with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Advertisement trade card for Sapolio showing a woman scrubbing a tub while a baby bathes in a smaller tub with the caption "clean baths with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Advertisement trade card for Sapolio showing a woman scrubbing a tin pan while a young girl shows a cat its reflection in another. Caption reads "clean tins with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Advertisement trade card for Sapolio showing three women washing dishes with the caption "Wash dishes with Sapolio." Verso reads "There is no one article known that will do so many kinds of work in and about the house and do it so well as Enoch Morgan's Sons Sapolio. (Each cake is wrapped in Tin Foil, and surrounded with Ultramarine Blue-Band, and bears the above device) always note this. A cake of Sapolio, a bowl of water and a brush, cloth or sponge will make house cleaning a quick and easy job, will clean paint and all painted surfaces, will clean marble, mantles, tables and statuary, will clean oil-cloths, floors, shelves, etc., will clear bath tubs, wash basins, etc., will clean crockery, glassware, etc., will clean kitchen utensils, of all kinds, will clean windows without splashing of water, will polish tin, brass and copperware, will polish knives as you wash them, will polish all metal surfaces and will clean all household articles and is better and cheaper than soap, emery, rotten stone, etc. John Wanamaker, Grad Depot, Phila."

Advertisement trade card for Sapolio showing three women polishing glassware with the caption "clean glass with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Group portrait of Harry Byers (front row, centre) with and what appears to be his Kansas Sweeney Tractor Machine Company class. There is a banner above the class that says "SAS Kansas City" [Sweeney Automobile School], and Harry Byers is holding a sign that says "Plate 1157 Jan. 3, 1928."

Five images of historic buildings in Saugus, Massachusetts.

A snapshot of members of the Schantz and Hamilton families and a dog standing outside and smiling at camera. From left to right: Charles C. Hamilton, Ruth Schantz, Ruth Hamilton, Elizabeth Joan Schantz (back), Sally Schantz, and Worth Flagler Schantz.

Photograph of members of the Schantz family and friends seen seated together in a residential home.

Back row: Etta Schantz, [Kathryn Ellis]
Middle row: H. Goodwal Dickerman, Charlotte Hayes Moyer, Harry Rollin Moyer, Orpheus Moyer
Front row: Carrie Flagler Schantz, Ruth Schantz, Mary Emma Moyer.

One upper body studio portrait of Abram Lincoln Schantz seen looking off camera in partial profile.

Snapshots taken between 1917 and 1942 of Austin Schantz and his life in Colorado. The photographs are largely unidentified, although some identifications are present. Includes images of Denver, Colorado during a snowstorm ; Colorado mountains and landscapes ; mining operations ; Christmas and New Years decorations ; animals ; buildings, ; Arthur Schantz at his cabin and holding fish ; as well as unidentified others.

One upper body studio portrait of Carrie Schantz seen looking off camera.

Two identical upper body studio portraits of Carrie Flagler Schantz see looking off camera and wearing a lace adorned top.

Upper body studio portrait of Carrie Flagler Schantz and Worth Schantz.

Hand coloured head and shoulders studio portrait of Etta Schantz seen looking off camera.

A snapshot of Joan Elizabeth Schantz seated outside on a stool and smiling at something off camera.

Snapshot of Joan Elizabeth Schantz seated outside on the steps of a home and looking off camra.

Snapshot of Joan Elizabeth Schantz as a child seated outside in a garden in front of a stone wall and shrubbery.

A snapshot of Joan Elizabeth Schantz (right) and Sally Ann Schantz standing outside and smiling at camera.

One upper body studio portrait of Mary Moyer Schantz seen looking off camera.

A studio portrait of Orpheus Moyer Schantz by Loubell Studios. Orpheus is wearing a bowler hat and top coat.