Advertisement trade card for Sapolio showing two women cleaning marble statues with the caption "clean marble with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Advertisement trade card for Agate Iron Ware showing a group of women holding hands in a circle around an iron tea pot. The caption reads "The growing triumph." Verso reads "For sale by Davis, Wright & Co., 41 Main Street, Keene, N.H."

One upper body studio portrait of Jeremiah Eby. Identification from album.

Upper body studio portrait of Portus B. Weare seen looking off camera.

Photograph of Carrie Flagler Schantz (at left) standing outdoors with daughter Ruth Schantz and sister-in-law Nell Johnston Flagler. The three are shown standing on the lawn of the Schantz home at Morton Park.

Photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. An unidentified individual is visible lying in a hammock on the front porch.

File consists of four advertisement trade cards featuring women and girls working in the kitchen.

Tree Ball Washing crystal advertisement trade card showing an illustration of three women washing, hanging out, and ironing laundry. The women are accompanied by a dog and a bird in a cage. Verso reads "Nellie - mama, shall I go for the washerwoman, as you have been sick lately and are not able to do the washing? Mother - Oh no, my dear child, you just go to our grocer and get me a large 5 cents package of the Three Ball Washing Crystal, it makes washing so easy that no washwoman is required. Manufactured by C.H. Fischer & Co., New York"

Advertisement trade card for the White Mop Wringer Company of Fultonville, N.Y. Serving as a business card for representative M.D. Alger. Recto shows a woman using a mop wringer and the verso shows illustrations of two mop wringers, one for family use and the other for hotel use.

Advertisement trade card for Sapolio showing a woman scrubbing a tub while a baby bathes in a smaller tub with the caption "clean baths with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Advertisement trade card for Sapolio showing a woman scrubbing a tin pan while a young girl shows a cat its reflection in another. Caption reads "clean tins with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

Advertisement trade card showing a girl holding the tail of a cat as it tries to scratch a bird in a cage. The caption reads "Cats can but Bon Ami can not scratch for it lacks grit." Verso reads "Bon Ami is a modern improvement in the list of household necessities, doing the work of a metal polish, a scouring soap and all powders used for cleaning purposes (not for washing of clothes). It will clean anything cleanable and polish anything that can be polished. It contains no grit to scratch or acid to corrode; neither is there any alkali to redden or roughen the hands; on the contrary, it leaves them soft. It is always used in the form of a lather, which is applied to the surface to be cleaned. It requires so little water for this that slops and muss are avoided. It is made of the best and finest materials, and is so constituted that while it is too fine to scratch, it is coarse enough to clean. Coarser cleaners gradually and surely wear out the article cleaned, but Bon Ami removes the dirt without injuring or wearing off the surface. Don't fail to try the sample. Read carefully directions with each package. For sale by all grocers. The Bon Ami Company, 66 Maiden Lane, New York City."

Studio portrait of Adah Montgomery Forrest seen wearing a high-collared, lace-trimmed top.

Conqueror wringer advertisement showing three women and two children on washing day titled "Washing Day." The women are washing, wringing, and hanging out clothes to try while the children are playing with a boat and a doll near the wash bucket. Verso reads "The Conqueror excels all other wrings in having 1. A forged steel spring, tapered and tempered, and the temper not "drawn" by galvanizing. 2. The extension crank, which gives double power, without loss of speed. 3. Composition metal bearings, which neither rot, rust or wear out. 4. Patent solid white rubber rolls, fastened immovably to the shaft. 5. Malleable iron swivel clamps, which fit either round or stationary tubs. Foote & Gaskill dealers in hardware, agricultural implements, also stoves, hollow ware, house furnishing goods, &c. wringers repaired. Hamilton, New York." Includes illustrated depiction of the wringer.

Advertisement trade card showing a woman seated using a clothes wringer while a man stands next to her holding a tennis racket and a cat stands at her feet. The caption reads "George: Come into the garden Maud. Maud: Wait George until I finish these clothes it won't take three minutes with this new Empire Wringer. "Verso reads ""You can do twice the work! And no more labor required. Our ""purchase gear"" reduces the labor one-half! By giving added power, and the strength thus saved every week is worth much more than the small additional cost. The gears and bearings of rolls need no oil, so cannot soil or grease the clothes the crank is not attached to either roll, as in other wringers, thus saving wear or rolls and cost of repairs. The rolls are solid white rubber. Empire wears longest and is warranted against defects. Look for brass bushing on the crank journal: our latest improvement. Use the Empire Wringer - will pay for itself. For sale by S.A. Ball, Le Roy, N.Y."""

Advertisement trade card for Sapolio showing three women washing dishes with the caption "Wash dishes with Sapolio." Verso reads "There is no one article known that will do so many kinds of work in and about the house and do it so well as Enoch Morgan's Sons Sapolio. (Each cake is wrapped in Tin Foil, and surrounded with Ultramarine Blue-Band, and bears the above device) always note this. A cake of Sapolio, a bowl of water and a brush, cloth or sponge will make house cleaning a quick and easy job, will clean paint and all painted surfaces, will clean marble, mantles, tables and statuary, will clean oil-cloths, floors, shelves, etc., will clear bath tubs, wash basins, etc., will clean crockery, glassware, etc., will clean kitchen utensils, of all kinds, will clean windows without splashing of water, will polish tin, brass and copperware, will polish knives as you wash them, will polish all metal surfaces and will clean all household articles and is better and cheaper than soap, emery, rotten stone, etc. John Wanamaker, Grad Depot, Phila."

Puzzle card postcard advertising Bissell Carpet Sweepers showing an unhappy couple with a regular broom and a happy couple with a Bissell Carpet Sweeper. Recto reads "Why is this gentleman so perplexed, why is this lady sorely vexed? Why does this gentleman now smile. and she be happy all the while? The reason will be plain, if you can but this puzzle card see through."

Hand coloured photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. Carrie Flagler Schantz and Ruth Schantz are shown on the porch while Worth Schantz plays on the lawn.

Head and torso studio portrait of Jesse Gross Moyer dressed in suit and tie, looking off camera.

Cyanotype photograph of Orpheus Moyer Schantz and Ruth Schantz. Orpheus is seated on a swing out front of their home at Morton Park with arm around Ruth who is standing at his side.

Advertisement showing three women of different generations at a water pump with a washing bucket washing clothes and holding up a box of Ivorine. In the background are two men standing looking into the distance carrying farm implements. Verso reads "Ivorine the wonderful cleanser the best and purest article for all washing purposes that it is possible to produce; also, unequaled as a disinfectant. Use it, and clothes, money, and life will last longer. We use the same care in the selection of materials and the preparation of Ivorine, which, for almost half a century has given Williams' "Genuine Yankee" shaving soaps their wide popularity. A handsome silver plate tea-sponn is given with each one-pound package of Ivorine, and, with each two-pound package, either a substantial silver plated table spoon, knife, fork, butter knife, or sugar shell as the purchaser may prefer. By this way of advertising Ivorine and inducing the housekeeper to give it a trial, we are giving to them, directly, what others spend in newspapers and other expensive advertising from which the purchaser gets no benefit. As this plated-ware is made for us by the Williams Bros. M'f'g Co., of this town, under our direct supervision, we can guarantee each article to be of good quality and to wear well. Ask your grocer for Ivorine. The J.B. Williams Co., Established 1840, Glastonbury, Conn."

Advertisement trade card for Sapolio showing three women polishing glassware with the caption "clean glass with Sapolio." Verso reads "1809 1880 Enoch Morgan's Sons' Sapolio for cleaning & polishing. Hand Sapolio for the toilet and bath. Sapolio being put up in an attractive style some persons think is a fancy article but the fact is that one cake is equal to three cakes of any 'mineral soap' and will do more and better work."

File consists of two identical snapshots of members of the Bowlby family in Los Angeles in 1901. Includes David Sovereign Bowlby, Martha Esther Murphy Bowlby, Grace Bowlby Fennell and two unknown people. Versos read "Los Angeles May 6, 1901. To dear Mosom with love from Grandma" and "Lose Angelse Cal. May 6, 1901. To dear little Frieda with grandma's love."

Full length studio portrait of Worth Schantz shown sitting on a chair and wearing a long white gown.

Two identical three quarter length portraits of Jennie Moyer. Jennie is seen seated at a piano with left arm on the keys and a handkerchief in right hand with a ribbon in her hair.

Studio portrait possibly of Marguriete Moyer (daughter of Edward A. Moyer, son of Anna Moyer) as an infant. Marguriete is shown in a gown, bonnet and cape, seated in a chair.

One three quarter length portrait of Jennie Moyer. Jennie is seen seated at a piano with left arm on the keys and a handkerchief in right hand with a ribbon in her hair. Also includes the original slip cover for the photograph.

One upper body studio portrait photograph of Emma Bliss Moyer (wife of Samuel Moyer) seen looking off camera..

One full body studio group portrait of Jessie Watt Moyer with children Barbara Helen and Dorothy Louise. Barbara is seated in Jessie's lap and Dorothy is standing next to them.

Two studio portraits of Charles Andrew Ahrens, seen in formal dress with hands crossed at abdomen. One is an upper body portrait, and the other is a head and shoulders crop of the same photo.

Studio portrait of a seated Ruth Schantz, age ten years and six months, holding Worth Schantz, age seven months, who is propped on the arm's chair.

Full length studio portrait of Worth Schantz, ages seven months, shown sitting on a chair and wearing a long white gown.

Studio portrait of Lucy Edkins seen standing and looking slightly off camera. She is wearing a hat, lace adorned top and a fur scarf across shoulders.

Studio portrait of Lucy Edkins seen standing and looking slightly off camera. She is wearing a hat, lace adorned top and a fur scarf across shoulders.

Full body studio portrait of Ruth (age 12) and Worth (age 2) Schantz seen looking off camera. Ruth is seated with Worth standing at her side, his left arm resting on her lap.

One scrapbook kept by an unknown theatre goer. The book is specially made for theatre performances and features in index of the plays, and a two page spread devoted to each play. The left hand side of the page allows for written comments on the title, date and location of the play as well as impressions, and criticisms of the actors and performance. The right hand side of the page is intended to be used to paste in the playbill. In many entries newspaper clippings about the performance are also present. All of the productions were held at the Castle Square Theatre in Boston by the Boston Stage Society in 1904 and 1905. There are records for 80 plays. Some of the playbills also include advertisements.

Photograph of the exterior of Orpheus Moyer Schantz's family home in Morton Park, Chicago. Carrie Schantz is visible seated on front steps and standing to her right, on the lawn, are Ruth Schantz and Worth Flagler Schantz. Also included in the shot are a newly planted tree and a wood plank sidewalk.

Fonds consists of one scrapbook assembled by Ethel and Anne Longfellow during their attendance at Smith College, Massachusetts between 1902-1906. The scrapbook contains correspondence, photographs, programmes, clippings, notes and ephemera detailing the academic and social life of the sisters.

Hand-coloured photograph sent as a postcard to Miss Alberta Ritzer, Waterloo, postmarked Buffalo Sept. 20, 1906.

Upper body studio portrait of Carrie Flagler Schantz and Worth Schantz.

Studio portrait of the Honsberger family. The spelling of the Honsberger name varies in inscription on verso.

Back row, left to right: Lucinda Honsberger, Amanda White (nee Honsberger), Owen Honsberger, Lovina Levagood (nee Honsberger).

Front row, left to right: Benjamin Honsberger, Phoebe Murphy (nee Honsberger), Ervine Honsberger, Rosa Honsberger, Mrs. Stickney (first name unknown), Esther Honsberger (nee Biehn).

Photograph shows a couple and two children in a boat. Written on the verso:"Boehmer - Martha Ritzer / Indiana - / Mill Race/ Alberta Knauff/ Karl Knauff".

Head and torso studio portrait of Orpheus Moyer Schantz (center back) with (left to right) Ruth, Worth Flagler and Carrie Schantz.

Three quarter length studio portrait of Ruth Schantz seen seated, with arm resting on chair arm, and looking at camera. The bottom of the image has been intentionally faded out.

Five identical decal prints from the Wild Flower Preservation Society: Illinois Chapter. The decals say "Enjoy-Do Not Destroy" around the edge and the middle shows a drawing of pink blossoms. The Wild Flower Preservation Society was a branch of the Illinois Audubon Society of which Orpheus Schantz was a board member.

Head and shoulders studio portrait of possibly of Minerva Alverta Rinehart seen looking at camera.

Postcard featuring a photograph of a group of seven adults by or on a bench with a building and another group of people by a car in the background, taken in Wilmington, Delaware (U.S.).

People in photograph are: Carrie Breithaupt seated at the far right.

One piece of correspondence to Dorothy Etta White from her Uncle Austin Schantz, Grant, Colorado.

File consists of material relating to a clambake hosted by Col. Samuel P. Colt at his farm in Rhode Island to meet the president and directors of the Industrial Trust Company. Colt was the chairman of the board of directors, as well as the president of the United States Rubber Company. File includes a personalized menu and guest list for Talmon Henry Rieder and newspaper clippings, as well as an invitation for a clambake held another year.

Snapshot of Harry Byers, Helen Bawman (nee Byers) and an infant named Robbie Urie standing in front of house porch. Caption on verso reads: "Harry & Helen and Robbie Urie, July 25/1917. My home address 2505 Park Ave Kansas City Mo."

Two pieces of correspondence to Dorothy Etta White from Mabel, Yale, Mich.

File consists of a studio portrait of Catherine Feick and family, seen looking at camera in two rows, standing and seated. Catherine and husband Menno Liebler are likely the couple seated at centre front.

Photograph of Florence Grace Clement (left) and Blanche Mildred Clement Kelly smiling at the camera while standing on a train platform. Florence is holding a camera and Blanche a rolled up newspaper.

Photograph of Florence Grace Clement posed for a photo while standing on the side of pool of water that is surrounded by palm branches.

File consists of three photographs showing Florence Grace Clement, Blanche Mildred Clement Kelly and Geneva Jackson on a trip to California.

Snapshot of Florence Grace Clement (left) and Geneva Jackson standing on a sandy beach, next to the ocean.

File consists of a portion of a photograph that shows Edwin Perry Clement standing outside in California. An unidentified women is visible in the background, smiling at camera.

Photograph of Blanche Mildred Clement Kelly in Santa Monica standing among cacti and other flora.

Photograph album compiled by Mabel E. Neiley during her time working as a nurse in the U.S. Army Nurse Corps. Album reflects the life of a Canadian woman who emigrated to the United States in the early 20th Century and worked in the medical profession during the First World War and the 1918 Influenza pandemic.

Album includes photographs and postcards featuring photographs of the experiences of Mabel E. Neiley during her time as a U.S. Army nurse. Photographs capture nurses in uniform at the hospitals and barracks, nurses taking care of patients, nurses socializing with each other and with soldiers, and nursing posing in different areas of the hospital facilities. Album also contains photographs of soldiers by themselves and official visits (including one of possibly Edith and Woodrow Wilson).

According to annotations in some photographs, images were taken at Walter Reed hospital (Washinton DC, U.S.A), Camp Gordon (Georgia, U.S.A), and Columbus Barracks (Ohio, U.S.A).

File contains an two envelopes with examples of German ration coupons from the 1920s and examples of scrips from Rochester, New York and Multnomah County in Oregon. The ration coupons include a pencil identification that reads: "Walter Johann".

Materials published by Stark Brothers Nurseries for the purposes of advertising and selling their fruit trees, particularly apple trees.

Fonds contains autographs collected by Eugene Ferrin Clark from various British and American actors. Correspondence from Clark to various people soliciting autographs and autographed photographs are included.

Correspondence:
1. Granville Barker also G. Barker’s autograph
2. John Randolph Bolling; November 23, 1921
3. Witter Bynner, New York; December 12, 1921/December 21, 1921
4. W. L. George, New York; October 22, 1920
5. B. Roland Lewis, University of Utah; December 14, 1919/December 19, 1919
6. Joseph Pennell, London/Philadelphia; June 8, 1913/November 16, 1919
7. G. Rollin, Chicago; May 10, 1919

Autographs collected by Clark:
8. George Arlis, Walter Hampden, Victor Herbert, William Hodge, James Hunellar, Oliver Lodge, Nance O’Neil, Eugene O’Neill, A.C. Read, Chauncey Brewster Tinker

Photographs:
9. Floral Tributes on Grave of Actor James O’Neill, 1920 and photographs with autograph signatures of:

• Nazimova, n.d.;
• Henry Irving dated 1894;
• Anton Lang as Jesus dated 1922;
• Anton Lang dated 1922;
• Guido Moyr dated 1922.

Two snapshots of the Schantz's Cole 8 car, one with Worth Flagler Schantz driving.

Snapshot of (left to right) Dorothy, Margery Ruth and Walter Bishop Spelmen as children standing on the running boards of a Cole 8 car.

Upper body studio portrait of Orpheus Moyer Schantz seen looking at camera.

Collection consists of four files donated as part of the Sol Eisen collection of Canadiana. These items include a ms. of Mexican plays, a music manuscript, a receipt for work completed by a slave on chain gang, and materials related to the life of Frederic William Wile.

Group portrait of Harry Byers (front row, centre) with and what appears to be his Kansas Sweeney Tractor Machine Company class. There is a banner above the class that says "SAS Kansas City" [Sweeney Automobile School], and Harry Byers is holding a sign that says "Plate 1157 Jan. 3, 1928."

A promotional notebook published in 1912 by the Alaska Feather & Down Co., Montreal, used by Dorothy Russell to record movies, plays and concerts she attended in Kitchener, Ont., Toronto, Sarnia, Chatham and Chicago, 1921-1928. Included are the names of actors and actresses, the theatre and the date.

One piece of correspondence to Dorothy Etta White, undated, from Lowrena, Detroit, Michigan.

A studio portrait of Orpheus Moyer Schantz by Loubell Studios. Orpheus is wearing a bowler hat and top coat.

Six pieces of correspondence to Dorothy Etta White from her cousin Worth, Chicago, Ill. One is an elaborate pop-up valentine dated 1915; one an undated New Year's card and one a wedding announcement.

Informal group portrait of 7 unidentified individuals sitting by a fountain in a court. Caption on verso reads: "Note your big sis taken in the Court of the Little Theatre first of its kind in America and in the Old French Quarters a beautiful court, April 19 - 1930."

Portrait of (left to right) Louise Ahrens, Helena Schneider, J.M. Schneider taken in an outdoors courtyard, possibly of a hotel. Helena is seen seated in a chair with an [orange] in her left hand with Louise and J.M. standing at her sides. The group is posed next to a table with a large bowl of [oranges] on top. File also includes photocopies and identifications of a postcard of the same individuals with Charles and Emma Ahrens taken at the Mexican border.

A business card for Rev. W. von Cartheuser in Orange, New Jersey.

A snapshot of Joan Elizabeth Schantz seated outside on a stool and smiling at something off camera.

Pamphlet from The National Federation of Bureaus of Occupations for Trained Women Workers, Organized April, 1917. Gives information on joining the organization as well as on types of careers for women.

One photograph of nurses dressed in white uniforms marching in a parade along a cobblestone city street. An Elkhart General Hospital Training School banner is being carried by nurses near the back of the group.

File consists of Rose Motz's press pass, with photo, for the 1934 A Century of Progress International Exposition in Chicago. Motz is seen in partial profile, wearing a hat and looking off camera.

Snapshot of Joan Elizabeth Schantz as a child seated outside in a garden in front of a stone wall and shrubbery.

An 11 page booklet titled "Home service" published by The Edison Electric Illuminating Company of Boston with information on course on home cooking and lighting using electricity. Published before 1936.

Leaflet titled "What do you mean fascism?" issued by the American League Against War and Fascism based in New York City. Includes mail in membership card and encouragement to read "Fight," a newspaper produced by the league.

Canister includes handwritten notes by unknown hand about film.

Weekly intake report on broadcasts in English for North American listeners mainly from the United States of America, Germany, Italy and England. Copy no. 27.

Weekly intake report on broadcasts in English for North American listeners mainly from the United States of America, Germany, Italy and England. Copy no. 27.

Report providing an analysis of the collaboration between the Axis Powers (Germany, Italy, and Japan) to minimize and discredit the British success at Taranto, Italy in broadcasts from Greece, Turkey, Russia, United States of America, Madrid, Free France and Switzerland. Copy no. 192.

Weekly intake report on broadcasts in English for North American listeners mainly from the United States of America, Germany, Italy and England. Copy no. 27.

Weekly intake report on broadcasts in English for North American listeners mainly from the United States of America, Germany, Italy and England. Copy no. 27.

Collection consists of 169 19th century American photographs. Included are 115 carte-de-visites, 40 cabinet portraits, 2 albums, 11 miscellaneous photographs and 1 envelope of miscellaneous business and greeting cards.

The photographs vary in size, but many of are 1 x 1 cm and mounted on card. Most are albumen type photographs depicting various people including infants, children, and adults. The photographs come from various studios across the United States though the majority come from studios in New York, Vermont, Massachusetts, New Hampshire, and Illinois. The photographs, since rehoused, were originally housed in two albums decorated with an intricate relief on the cover and a metal clasp lock.

Four pieces of personal correspondence one written to Emma Kaufman, and three written by Emma Kaufman. These three letters are written to friends in Japan and are dated Dec. 4, 5 and 7 respectively, and describe her efforts to gather material to send back with a Japanese friend on the Dec. 14th sailing of a ship from Los Angeles to Japan.

One film reel, a home movie showing members of the Guy family and friends. Film shows family activities in New York, Waterloo and Bermuda including children, winter activities, fishing, vacationing and more. A scene list by Jim Guy is included.

Snapshots taken between 1917 and 1942 of Austin Schantz and his life in Colorado. The photographs are largely unidentified, although some identifications are present. Includes images of Denver, Colorado during a snowstorm ; Colorado mountains and landscapes ; mining operations ; Christmas and New Years decorations ; animals ; buildings, ; Arthur Schantz at his cabin and holding fish ; as well as unidentified others.

File consists of an album probably compiled by Paul Rieder. Includes snapshots of friends and family members and snapshots taken on trips to the US and around Ontario. Album also includes ts. notes "Tour of Western States," describing a trip to the US. Some photographs include date/captions. Some photographs appear to be missing.

A snapshot of members of the Schantz and Hamilton families and a dog standing outside and smiling at camera. From left to right: Charles C. Hamilton, Ruth Schantz, Ruth Hamilton, Elizabeth Joan Schantz (back), Sally Schantz, and Worth Flagler Schantz.

A snapshot of Joan Elizabeth Schantz (right) and Sally Ann Schantz standing outside and smiling at camera.

Studio portrait postcard of an unidentified man in military uniform, seen smiling at camera, from the Bechler family photo album. Postcard made in the United States of America and bottom right corner of portrait signed Holloway.

A snapshot of the exterior home of Worth Flagler Schantz taken from across the street by his father Orpheus Moyer Schantz.

Bendix Automatic Home Laundry pamphlet detailing uses for the housewife, worker, nurse or chief. The advertisement makes reference to the use of Bendix during the Second World War.

File consists of one photograph of the 1946 training conference for independent biscuit manufacturers held March 25th-29th 1946 in Chicago.

Snapshot of Joan Elizabeth Schantz seated outside on the steps of a home and looking off camra.

Snapshot of Sally Ann Schantz standing outside in front of a bare shrub and smiling at camera.