Photograph of Blanche Mildred Clement Kelly in Santa Monica standing among cacti and other flora.

Photograph album compiled by Mabel E. Neiley during her time working as a nurse in the U.S. Army Nurse Corps. Album reflects the life of a Canadian woman who emigrated to the United States in the early 20th Century and worked in the medical profession during the First World War and the 1918 Influenza pandemic.

Album includes photographs and postcards featuring photographs of the experiences of Mabel E. Neiley during her time as a U.S. Army nurse. Photographs capture nurses in uniform at the hospitals and barracks, nurses taking care of patients, nurses socializing with each other and with soldiers, and nursing posing in different areas of the hospital facilities. Album also contains photographs of soldiers by themselves and official visits (including one of possibly Edith and Woodrow Wilson).

According to annotations in some photographs, images were taken at Walter Reed hospital (Washinton DC, U.S.A), Camp Gordon (Georgia, U.S.A), and Columbus Barracks (Ohio, U.S.A).

Snapshot of Harry Byers, Helen Bawman (nee Byers) and an infant named Robbie Urie standing in front of house porch. Caption on verso reads: "Harry & Helen and Robbie Urie, July 25/1917. My home address 2505 Park Ave Kansas City Mo."

One piece of correspondence to Dorothy Etta White from her Uncle Austin Schantz, Grant, Colorado.

16 pieces of correspondence to Dorothy Etta White from her uncle Orpheus Schantz, Chicago, Ill. Includes stamped envelopes.

Two pieces of correspondence to Dorothy Etta White from Mabel, Yale, Mich.

Six pieces of correspondence to Dorothy Etta White from her cousin Worth, Chicago, Ill. One is an elaborate pop-up valentine dated 1915; one an undated New Year's card and one a wedding announcement.

Postcard featuring a photograph of a group of seven adults by or on a bench with a building and another group of people by a car in the background, taken in Wilmington, Delaware (U.S.).

People in photograph are: Carrie Breithaupt seated at the far right.

One photograph of nurses dressed in white uniforms marching in a parade along a cobblestone city street. An Elkhart General Hospital Training School banner is being carried by nurses near the back of the group.

Five identical decal prints from the Wild Flower Preservation Society: Illinois Chapter. The decals say "Enjoy-Do Not Destroy" around the edge and the middle shows a drawing of pink blossoms. The Wild Flower Preservation Society was a branch of the Illinois Audubon Society of which Orpheus Schantz was a board member.

Three quarter length studio portrait of Ruth Schantz seen seated, with arm resting on chair arm, and looking at camera. The bottom of the image has been intentionally faded out.

Head and torso studio portrait of Orpheus Moyer Schantz (center back) with (left to right) Ruth, Worth Flagler and Carrie Schantz.

Upper body studio portrait of Carrie Flagler Schantz and Worth Schantz.

File consists of a studio portrait of Catherine Feick and family, seen looking at camera in two rows, standing and seated. Catherine and husband Menno Liebler are likely the couple seated at centre front.

Hand-coloured photograph sent as a postcard to Miss Alberta Ritzer, Waterloo, postmarked Buffalo Sept. 20, 1906.

Photograph of the exterior of Orpheus Moyer Schantz's family home in Morton Park, Chicago. Carrie Schantz is visible seated on front steps and standing to her right, on the lawn, are Ruth Schantz and Worth Flagler Schantz. Also included in the shot are a newly planted tree and a wood plank sidewalk.

Studio portrait of Lucy Edkins seen standing and looking slightly off camera. She is wearing a hat, lace adorned top and a fur scarf across shoulders.

Studio portrait of Lucy Edkins seen standing and looking slightly off camera. She is wearing a hat, lace adorned top and a fur scarf across shoulders.

One scrapbook kept by an unknown theatre goer. The book is specially made for theatre performances and features in index of the plays, and a two page spread devoted to each play. The left hand side of the page allows for written comments on the title, date and location of the play as well as impressions, and criticisms of the actors and performance. The right hand side of the page is intended to be used to paste in the playbill. In many entries newspaper clippings about the performance are also present. All of the productions were held at the Castle Square Theatre in Boston by the Boston Stage Society in 1904 and 1905. There are records for 80 plays. Some of the playbills also include advertisements.

Full body studio portrait of Ruth (age 12) and Worth (age 2) Schantz seen looking off camera. Ruth is seated with Worth standing at her side, his left arm resting on her lap.

One full body studio group portrait of Jessie Watt Moyer with children Barbara Helen and Dorothy Louise. Barbara is seated in Jessie's lap and Dorothy is standing next to them.

Studio portrait of a seated Ruth Schantz, age ten years and six months, holding Worth Schantz, age seven months, who is propped on the arm's chair.

Full length studio portrait of Worth Schantz, ages seven months, shown sitting on a chair and wearing a long white gown.

Full length studio portrait of Worth Schantz shown sitting on a chair and wearing a long white gown.

Fonds consists of one scrapbook assembled by Ethel and Anne Longfellow during their attendance at Smith College, Massachusetts between 1902-1906. The scrapbook contains correspondence, photographs, programmes, clippings, notes and ephemera detailing the academic and social life of the sisters.

Two identical three quarter length portraits of Jennie Moyer. Jennie is seen seated at a piano with left arm on the keys and a handkerchief in right hand with a ribbon in her hair.

Studio portrait possibly of Marguriete Moyer (daughter of Edward A. Moyer, son of Anna Moyer) as an infant. Marguriete is shown in a gown, bonnet and cape, seated in a chair.

One three quarter length portrait of Jennie Moyer. Jennie is seen seated at a piano with left arm on the keys and a handkerchief in right hand with a ribbon in her hair. Also includes the original slip cover for the photograph.

One upper body studio portrait photograph of Emma Bliss Moyer (wife of Samuel Moyer) seen looking off camera..

File consists of two identical snapshots of members of the Bowlby family in Los Angeles in 1901. Includes David Sovereign Bowlby, Martha Esther Murphy Bowlby, Grace Bowlby Fennell and two unknown people. Versos read "Los Angeles May 6, 1901. To dear Mosom with love from Grandma" and "Lose Angelse Cal. May 6, 1901. To dear little Frieda with grandma's love."

File consists of a booklet containing 20 photochrom prints of views seen along the Columbia River highway.

Photograph of a man posing for the camera with buildings in the background. Photograph was possibly taken at North-Western College, Naperville, Illinois.

Photograph of an adult studying in a dorm room with a bed in the background and pennants on the wall. Photograph was possibly taken at North-Western College, Naperville, Illinois.

Snapshot of Violet Byers and two unidentified men behind a picnic sign at Swope Park in Kansas City, Missouri.

Snapshot of a group of people standing on the Marquette & Joliet rock, which is marked with a cross.

Photograph of a man leaning on a wall by a river posing for the photograph with vegetation in the background. Photograph was possibly taken at North-Western College, Naperville, Illinois.

One upper body studio portrait of Jeremiah Eby. Identification from album.

Upper body studio portrait of Portus B. Weare seen looking off camera.

Three photographs of the home of Orpheus Moyer Schantz presented on a board along with decorative detailing.

Photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. An unidentified individual is visible lying in a hammock on the front porch.

An 11 page booklet titled "Home service" published by The Edison Electric Illuminating Company of Boston with information on course on home cooking and lighting using electricity. Published before 1936.

Studio portrait of Adah Montgomery Forrest seen wearing a high-collared, lace-trimmed top.

Photograph shows a couple and two children in a boat. Written on the verso:"Boehmer - Martha Ritzer / Indiana - / Mill Race/ Alberta Knauff/ Karl Knauff".

File consists of 16 photochrom prints as postcards containing views from the Glenwood Mission Inn in Riverside, California.

File consists of 212 loose postcards, including black and white and sepia-toned photographs, black and white and sepia-toned rotogravures, photochroms, and other colour prints. Postcards contain views of numerous European cities and landforms (including Binz, Potsdam, Oberammergau, Berlin, Wittenberg, Lucerne, the Rhine, and the Alps), as well as views along the Canadian Pacific Railway in British Columbia and Alberta (photographed by Byron Harmon) and the Columbia River Highway in Oregon (photographed by Cross & Dimmitt), and views of Banff, the Rocky Mountains, Stratford (Ontario), and other places and scenes. Some duplicates are present. Six postcards contain a stamp (four German, one Canadian, and one Czechoslovakian). Two postcards were sent through the mail; one from Keffer to his wife, and one from Max [last name illegible] to Keffer (in German). Six of the postcards were published by Valentine & Sons.

Snapshot of an unidentified woman standing on the Marquette & Joliet rock in Illinois. Caption on verso reads: "This is me on the same Rock."

One full body studio portrait of Dorothy Louise Moyer, age 10 1/2 months. Dorothy is shown sitting on a chair looking at the camera and dressed in a white gown.

Hand coloured photograph of Orpheus Moyer Schantz's home at 4215 West 24th St., Cicero, Illinois. Carrie Flagler Schantz and Ruth Schantz are shown on the porch while Worth Schantz plays on the lawn.

File consists of material relating to a clambake hosted by Col. Samuel P. Colt at his farm in Rhode Island to meet the president and directors of the Industrial Trust Company. Colt was the chairman of the board of directors, as well as the president of the United States Rubber Company. File includes a personalized menu and guest list for Talmon Henry Rieder and newspaper clippings, as well as an invitation for a clambake held another year.

File consists of two unused postcards showing Letchworth State Park in New York and the Administration Building of the State University Teacher's College in Geneseo, New York.

File consists of three photographs taken along the Columbia River highway in Oregon taken by R.I. Gifford (Portland, OR).

Photograph of a woman in a street holding books in one hand with buildings in the background. Photograph was possibly taken at North-Western College, Naperville, Illinois.

Photograph of three adults and one child standing by a train. Photograph was possibly taken at North-Western College, Naperville, Illinois.

Photograph of a building. Photograph was possibly taken at North-Western College, Naperville, Illinois.

Cyanotype photograph of Orpheus Moyer Schantz and Ruth Schantz. Orpheus is seated on a swing out front of their home at Morton Park with arm around Ruth who is standing at his side.

File consists of one menu for the Shanghai-Low restaurant and catering co. in St. Louis, Mo.

Head and shoulders studio portrait of Rev. Mrs. Baldwin seen in partial profile looking off camera.

Two identical upper body studio portraits of Carrie Flagler Schantz see looking off camera and wearing a lace adorned top.

Head and shoulders studio portrait of Ruth Schantz seen in profile with a ribbon in hair.

Photograph of Sophie Schantz standing with her kindergarten class and two other adults, likely teachers, in Chicago. The teachers are all white but the children are racially diverse including Black, Brown and white students. Several of the children have shaved heads.

Upper body studio portrait of Ruth Schantz, seen from the left side with a ribbon in her hair.

Upper body studio portrait of J.M. Moyer. Identification from verso.

One informal group portrait of the Schantz/Flagler family and friends. The group is seen sitting on the front porch of Orpheus' home at Morton Park.

Back row: Arthur Schantz, Melvina Dorthula Flagler, Samuel A. Flagler.

Middle Row: Sophie Schantz, Carrie Flagler Schantz, William Brown Flagler, Nell Johnston Flagler.

Front Row: G.H. Bowers with banjo, H. Goodwal Dickerman with Ruth Schantz and guitar, Orpheus Schantz.

Upper body studio portrait of Mary Elizabeth "Mollie" Moyer, seen looking off camera in a partially beaded, high-collared top.

Photograph of Carrie Flagler Schantz (at left) standing outdoors with daughter Ruth Schantz and sister-in-law Nell Johnston Flagler. The three are shown standing on the lawn of the Schantz home at Morton Park.

Upper body studio portrait of Mary Elizabeth "Mollie" Moyer, seen looking off camera in a partially beaded, high-collared top.

Upper body studio portrait of Orpheus Moyer Schantz seen looking off camera, possibly given by Orpheus to his sister Sophie Emma Schantz.

One upper body studio portrait of Edmund Warren Moyer seen in profile.

Head and shoulders studio portrait of possibly of Minerva Alverta Rinehart seen looking at camera.

One upper body studio portrait of Mary Emma Moyer seen looking at camera. She is wearing a lace collared top with leg of mutton style sleeves.

Photograph of members of the Schantz family and friends seen seated together in a residential home.

Back row: Etta Schantz, [Kathryn Ellis]
Middle row: H. Goodwal Dickerman, Charlotte Hayes Moyer, Harry Rollin Moyer, Orpheus Moyer
Front row: Carrie Flagler Schantz, Ruth Schantz, Mary Emma Moyer.

Studio portrait of Louis Henry Wagner with son Louis Jacob Gordon Wagner, daughter Ida Wagner and wife Sarah Moyer Wagner.

Group portrait showing the Moyer family having Christmas dinner at Levi Nash Moyer's home in Wilmette, Illinois. From left to right: Mary Emma Moyer, [Edmund Warren Moyer?], ?, Ela Bliss Moyer, ?, Charlotte Hays Moyer, Levi Nash Moyer, Jennie Moyer, Etta Moyer.

Head and shoulders studio portrait of Etta Lydia Mary White (nee Schantz) seen looking off camera.

Group portrait showing the Moyer having Christmas dinner at Levi Nash Moyer's home in Wilmette, Illinois. From left to right: Mary Emma Moyer, [Edmund Warren Moyer?], ?, Ela Bliss Moyer, ?, Charlotte Hays Moyer, Levi Nash Moyer, Jennie Moyer, Etta Moyer.

One head and shoulders studio portrait of Lillian M. Moyer seen looking off camera.

One print showing the enlarged premises of the Marshall & Field Company building in Chicago. Orpheus worked for Marshall & Field.

Upper body studio portrait of Alfred Stocker seen looking off camera.

Upper body studio portrait of Ruth Schantz, age three, seen dressed in a lace trimmed top and looking off camera.

Fonds contains autographs collected by Eugene Ferrin Clark from various British and American actors. Correspondence from Clark to various people soliciting autographs and autographed photographs are included.

Correspondence:
1. Granville Barker also G. Barker’s autograph
2. John Randolph Bolling; November 23, 1921
3. Witter Bynner, New York; December 12, 1921/December 21, 1921
4. W. L. George, New York; October 22, 1920
5. B. Roland Lewis, University of Utah; December 14, 1919/December 19, 1919
6. Joseph Pennell, London/Philadelphia; June 8, 1913/November 16, 1919
7. G. Rollin, Chicago; May 10, 1919

Autographs collected by Clark:
8. George Arlis, Walter Hampden, Victor Herbert, William Hodge, James Hunellar, Oliver Lodge, Nance O’Neil, Eugene O’Neill, A.C. Read, Chauncey Brewster Tinker

Photographs:
9. Floral Tributes on Grave of Actor James O’Neill, 1920 and photographs with autograph signatures of:

• Nazimova, n.d.;
• Henry Irving dated 1894;
• Anton Lang as Jesus dated 1922;
• Anton Lang dated 1922;
• Guido Moyr dated 1922.

Full length studio portrait of Ruth Schantz at two years of age seen standing in a long white gown and holding a bough of flowers.

Full length studio portrait of Ruth Schantz, age 15 months, seen standing on a wicker chair in a long black dress and looking off camera.

Full length studio portrait of Ruth Schantz, age 15 months, seen standing on a wicker chair in a long black dress and looking off camera.

File consists of one trip diary kept by Florence Bray. The diary details trips to Europe (1926), California (1938 & 1939), New York and Atlantic City (1932), Virginia (1950), Florida (1930 & 1938), Scotland (1892), Gaspe (1946), Muskoka (1946). Also included in the diary are addresses of people met while on trips, a list of hotels stayed in and a fold out map of the United States and Mexico. The 1926 trip to Europe is of particular interest, with descriptions of major European cities and First World War battlefields.

Hand coloured head and shoulders studio portrait of Etta Schantz seen looking off camera.

Advertisement featuring illustration of young girl holding a dust pan, broom and bucket with a box of James Pyle's Pearline Washing Compound in it titled "My Busy Day." Verso reads "James Pyle's Pearline washing compound the great invention for saving toil & expense without injury to the texture, color, or hands. New York. Front of every package of Pearline should look exactly like this cut, or it is an imitation. Don't use an imitation of anything, much less an imitation of Pyle's Pearline. Peddlers and some unscrupulous grocers will tell you the stuff they offer is "Pearline," "same as Pearline," "or as good as Pearline." IT'S FALSE; Pearline is the Original Washing Compount - has no rival - no equal - never peddled - gives no prizes - but stands on the foundation on which it was reared – MERIT."

Photograph of the home of Orpheus Moyer Schantz and family at Morton Park. Two unidentified children, possibly Ruth and Worth, are visible standing on the porch. The photograph has been mounted on a board and with a decorative handwritten caption that reads "Residence of Mr. & Mrs. O.M. Schantz, Morton Park, Ills., Sept. 9, 1892."

Photograph of a steam locomotive at the Harlem Avenue station in Berwyn (now Chicago) Illinois.

One group studio portrait of Samuel Moyer and Emma Bliss Moyer with their children Ela Bliss Moyer (standing right), Robert B. Moyer (standing left) and Louise Moyer.

A collection of musical notation to be sung by students from Sunday Schools across Chicago as part of the Chicago Sunday School Field Day.

One full length studio portrait of Theodore Moyer and wife Alice Maud Guy Moyer. Theodore is shown seated on a chair with Alice standing to his right.

One upper body studio portrait of Abram Lincoln Schantz seen looking off camera in partial profile.

One upper body studio portrait of Mary Moyer Schantz seen looking off camera.

Head and shoulders studio portrait of Levi Nash Moyer seen looking off camera.

Advertisement trade card showing a girl holding the tail of a cat as it tries to scratch a bird in a cage. The caption reads "Cats can but Bon Ami can not scratch for it lacks grit." Verso reads "Bon Ami is a modern improvement in the list of household necessities, doing the work of a metal polish, a scouring soap and all powders used for cleaning purposes (not for washing of clothes). It will clean anything cleanable and polish anything that can be polished. It contains no grit to scratch or acid to corrode; neither is there any alkali to redden or roughen the hands; on the contrary, it leaves them soft. It is always used in the form of a lather, which is applied to the surface to be cleaned. It requires so little water for this that slops and muss are avoided. It is made of the best and finest materials, and is so constituted that while it is too fine to scratch, it is coarse enough to clean. Coarser cleaners gradually and surely wear out the article cleaned, but Bon Ami removes the dirt without injuring or wearing off the surface. Don't fail to try the sample. Read carefully directions with each package. For sale by all grocers. The Bon Ami Company, 66 Maiden Lane, New York City."

Head and shoulders portrait of Emma Ahrens seen looking off camera.

One upper body studio portrait of Ela Bliss Moyer in collared shirt and tie seen looking at camera.

One upper body studio portrait of Ela Bliss Moyer seen looking off camera in partial profile.

One upper body studio portrait of Metta Sophia Moyer in a high-collared top, seen looking off camera.