File consists of one head and shoulders studio portrait of William Pope Clement upon his graduation from Victoria College, University of Toronto. William is shown wearing his graduation robe and hood.

File consists of one composite photograph showing the members of the 1911 graduating class in arts of Victoria College. Includes George Elmore Reaman and:

Leitch, D.B.
Dean, D.E.
Hunter, C.E.
Scott, R.C.
Spenceley, J.
Darby, G.E.
DeBeck, H.
Pratt, E.
Robinson, H.P.
Shipman, G.W.
Colwill, E.R.
Beckett, G.G.
Reed, J.G.
Locke, R.P.
Macaulay, L.
Eby, W.H.
Pennington, C.A.
Locke, C.E.
Soper, S.H.
Hunter, J.B.
Smith, M.P.
Robinson, B.H.
Richardson, L.M.
Moorhouse, W.
Tonlon, T.S.
Asbury, F.C.
Taylor, W.B.
Best, A.E.
Morrison, W.J.
Lawrence, L.S.
Horning, E.L.
Gibson, E.G.
White, J.T.
Durnin, E.W.
Van Wych, H.B.
Rumball, J.R.
Laycock, S.R.
Rogers, S.O.
Green, W.R.
Hetherington, F.E.
Corcoran, J.E.
Freeman, A.G.
Crawford, M.R.
Colbeck, W.L.
Denton, L.
Denton, Lily
Anderson, E.
Fowler, M.F.
Dawson, M.S.E.
Tait, E.M.
Stanley, C.W.
Liddy, R.B.
Daniher, H.
Birnie, J.F.P.
Price, P.G.
Gundy, J.R.
Cowan, J.K.
Ockley, L.L.
Rogers, H.O.
Newton, R.H.
Livingston, F.J.
Montgomery, J.A.
Burwell, H.
McCulloch, A.E.
Batlett, E.B.
Fennell, E.M.
Dafoe, H.I.
Shaw, H.O.
Jackson, P.B.
Hewitt, R.C.
Colver, L.
MacNiven, W.E.
Pound, A.N.C.
Rice, L.M.
Langford, A.L.
Reynar, A.H.
Burwash, N.
McLaughlin, J.F.M.

File consists of one photograph showing the Victoria University Glee Club of 1909-1910 including:

Brandon, G.D.
Soper, S.H.
Knox, G.
Graham, F.T.
Copeland, R.C.
Allen, T.A.
Aldridge, W.G.
Line, J.
Lilico, J.B.
Scott, R.C.
Roberts, H.L.
Richardson, L.M.
Staples, J.F.R.
McIntosh, H.W.
Bridgman, C.A.
Gree, W.R.
Mumford, W.J.
Morris, J.F.G.
Howie, W.
Totten, J.O.
Waddell, J.A.
Sherlock, J.M.
Avison, H.W.
Pike, W.H.
Puffer, D.S.
Hutcheson, H.O.
Halbert, E.J.
Whiting, M.M.
James, W.P.E.
Pound, A.C.

Material documenting Luella Creighton's student days at Victoria College, University of Toronto, 1924-1926. Her personal life is further documented through a series of diaries, 1963-1990. Most of the textual material in the fonds, however, relates to her career as a writer of both fiction and non-fiction, and consists of correspondence with her publishers and readers, reviews, manuscripts and typescripts of both published and unpublished works.