Full body studio portrait of Emma Ratz Kaufman seen looking off camera with a rose in hands.

Upper body studio portrait of Evelyn Breithaupt seen looking off camera.

File consists of three group portraits of Martha Rieder and her children and grandchildren taken on New Year's Day in 1954 or 1955.

Photograph of Emma Ratz Kaufman standing on the sandy shore of a body of water in Haliburton.

File consists of two photographs taken at the wedding of Paul Rieder and Dorothy Scheifele. Includes a portrait of Paul and Dorothy, and a portrait of the wedding party.

Full length portrait of Paul Rieder and Dorothy Scheifele on their wedding day, seen looking at the camera dressed in a tuxedo and wedding dress. Dorothy has a veil on and is holding a large bouquet of flowers at front.

Full length portrait of Paul Rieder and Dorothy Scheifele on their wedding day with their wedding party. The group is seen looking at camera and dressed in formal wear. From left to right: Homer McIntosh, Bruce McCullough, Paul, Dorothy, Grace Pernfuss, June Peacock, and Walter Pernfuss.

Upper body studio portrait of Martha Reider seen wearing glasses and looking at camera.

Upper body studio portrait of Martha Reider seen wearing glasses and looking at camera.

File consists of snapshots of the grandchildren of Martha Rieder, many of which were taken at Christmas and a birthday party.

Upper body studio portraits of Emeline Rieder and Peter Rieder seen looking at camera. The photos are inside a double panel photographer mount with decorative patterns around the photos.

Upper body studio portrait of Peter Rieder seen looking at camera.

File consists of an album probably compiled by Paul Rieder. Includes snapshots of friends and family members and snapshots taken on trips to the US and around Ontario. Album also includes ts. notes "Tour of Western States," describing a trip to the US. Some photographs include date/captions. Some photographs appear to be missing.

File consists of nine letters received by Martha Rieder from family members and friends. Most letters are from her daughter Margaret Paisley, and one includes two photographs of Margaret and Martha with Margaret's daughter Mary Helen. Letters include envelopes; three envelopes contain stamps.

File consists of three negatives taken at Helen Rieder Henderson's university graduation ceremony. One of the negatives includes Martha Rieder and Emeline Rieder.

File consists of two copies of a studio portrait of Martha Rieder.

Informal portrait of Emeline Rieder, seen in profile, sitting in a rocking chair in the yard of a residential home.

File consists of one photograph showing a Kiwanis picnic group at Puslinch Lake August 19, 1929. The photograph features families, as well as clowns.

File consists of four snapshots taken on the street outside of the Rieder home at 58 Roy Street in Kitchener in the winter. A duplicate photograph is present.

File consists of two copies of a group portrait of Peter and Emeline Rieder on their 50th wedding anniversary, with their children and grandchildren. The group is seen standing and seated in rows inside of a residential home.

File consists of a wedding portrait of Arthur Gauerke and Talma (May) Rieder, a photograph of their daughter Joyce Evelyn at 6 months old, and a later family portrait (with three daughters).

File consists of three studio portraits of Lydia Anthes and her daughters Carrie Breithaupt, Louisa Breithaupt, Martha Rieder, and Ella Anthes Cook. Duplicates are present.

Studio portrait of Lydia Anthes with daughters Ella Cook, Martha Rieder, Louisa Breithaupt and Carrie Breithaupt. Ella and Martha are seen standing, with Louisa and Carrie seated on either side of Lydia. Only Lydia and Louisa are looking toward the camera.

Studio portrait of Lydia Anthes (centre) with daughters (left to right) Carrie Breithaupt, Martha Rieder, Ella Cook, and Louisa Breithaupt. Only Martha and Ella are seen looking toward camera.

Two copies of a studio portrait of Lydia Anthes with daughters Louisa Breithaupt, Ella Cook, Martha Rieder and Carrie Breithaupt. Louisa and Ella are seen standing, with Lydia, Martha and Carrie seated at front. Only Ella, Lydia and Carrie are looking toward the camera.

Studio portrait of (left to right) Dexter, Charles and Zella McDonald.

File consists of three studio portraits of Margaret Rieder Paisley as a baby, toddler, and youth. One duplicate is present.

File consists of seven studio portraits of Helen Rieder Henderson as a baby and toddler. Duplicates are present. Some portraits include a nurse and one includes Martha Rieder.

File consists of two copies of a studio portrait of Talmon Henry and Martha Rieder and their four children, left to right, Edward, Margaret, Paul, and Helen.

File consists of photographs (possibly progress photographs) of the construction of additions to the the Dominion Tire Company manufacturing plant in Kitchener. File also includes some photographs of the Elmira Rubber factory.

File consists of three photographs of the Kitchener Natatorium and its locker rooms. Talmon Henry Rieder played a role in the construction of the natatorium, which opened July 21, 1917 at at 121 King Street West in the Rieder Block.

Studio portrait of Dexter McDonald dressed in a school uniform with a workbook on his lap. He is seen seated in a chair, with ankles crossed, looking at the camera.

Studio portrait of an unidentified adult, probably R.E. Jamieson, General Sales Manager of Canadian Consolidated Rubber Company, seen dressed in a suit and tie and looking off camera.

File consists of two portraits of Talmon Henry Rieder.

File consists of material relating to the Westmount development in Waterloo. Includes a prospectus (Realty Pointers: Westmount, "The Development Beautiful") prepared by Beck & Eisenbach (Berlin, ON) containing a plan of Westmount; and a photograph of a topographical landscape painting showing Berlin, Waterloo, and Westmount, prepared by Gibson Catlett, Real Estate Landscape Paintings (Calgary, AB). The plan in the prospectus contains manuscript annotations.

File consists of a photograph of Norman Franklin Anthes (son of J.I. Frank Anthes). Norman died in 1915 at age 5.

File consists of eight studio portraits of Paul Rieder as a baby, toddler, and youth. Duplicates are present.

Album containing photographs of the construction of the Dominion Tire Company manufacturing plant in what was then Berlin, Ontario. Includes photographs of the construction process, the surrounding land, the interior and exterior of the building during construction, equipment used the tire manufacturing process and employees on the factory floor, etc. Although the majority of the people are unidentified the following people appear in the album: Talmon Henry Rieder (page 1), [Ed Cable?] and Irene Bain (page 3), Dr. Wood (page 6), and J.I. Franklin Anthes (page 9 and 53).

File consists of a photograph of the home of Elizabeth Merner (nee Young) on Main Street in New Hamburg, Ontario. Her family (children and grandchildren) are gathered in the front yard and on the front porch.

Studio portrait of Dexter McDonald as a young child seated on a toy horse.

Group portrait of Elizabeth Merner (nee Young) with her family, including children and grandchildren, taken outdoors at her home on Main Street in New Hamburg, Ontario. Included in the photograph are Peter Rieder and Emeline Rieder (nee Merner), as well as some of their children. The people in the photograph are numbered and pasted to the bottom of the mount is a piece of paper identifying the people by number.

Back row (left to right):

• 1. Aunt Alma Flett
• 2. Chester Merner
• 3. Winnifred M. Brittin
• 4. Aunt Adele "Della" Rieder
• 5. Bert Merner
• 6. Aunt Esther Shave
• 7. Don Merner
• 8. May Gauerke

Second row from back:

• 9. Ernest Wood
• 10. Aunt Em Merner
• 11. Grandpa Peter Rieder
• 12. Marianne Merner
• 13. Aunt Margaret Merner
• 14. Aunt Effie Merner

Third row from back:

• 15. Uncle Henry Merner
• 16. Uncle Ed Merner
• 17. Grandma Emeline Rieder
• 18. Grt. Grandma Merner
• 19. Uncle Emanuel Merner
• 20. Uncle George Merner
• 21. Uncle Will Merner

Fourth row from back:

• 22. Aunt Maude [Wood?]
• 23. Aunt Sarah Zinn
• 24. Thelma Merner (Goldsword)
• 25. Aunt [Linn?] Zurbrigg
• 26. Aunt Tillie
• 27. Aunt Eva Rieder
• 28. Emily Merner

Front row:

• 29. Mildred Wood (Sweet)
• 30. Charles Wood
• 31. Clinton Zurbrigg
• 32. Martha Merner McCorkle
• 33. Miriam Merner

File consists of a postcard containing a photograph of a tree-lined river bank containing the caption "7 Arundel Que." The postcard is addressed to Leo Anthes [possibly Leonard Anthes, son of J.I. Frank and Cyrena Anthes] from Ida W.

File consists of one wedding portrait each of H. Milton Cook and Ella Anthes Cook.

File consists of 34 letters, telegrams, and postcards received by Talmon Henry Rieder from family members, friends and others, including 17 letters from Martha Rieder and several from his children. Also present is a postcard received by Talmon Henry Rieder from [?] containing a photograph of the destruction caused by a tornado that hit Regina, Saskatchewan, on June 30, 1912, and an empty envelope with stamp.

File consists of four photographs taken during the construction of the Rieder house at 610 Belmont Avenue in the City of Westmount, Montreal.

File consists of two photographs of Ella Anthes Cook and travelling companions on horseback in the Gap of Dunloe, Ireland.

File consists of two studio portraits of Martha Rieder's friend Lucie Edkins with her daughter Phyllis, and one studio portrait of Phyllis.

Upper body studio portrait of John Edward Breithaupt seen looking off camera.

File consists of an album possibly compiled by Paul Rieder [?]. Includes snapshots and group photographs of family and friends and snapshots taken on trips. Includes photographs taken in Timmins, Larder Lake, Temagami, Sauble Beach, and at the Grand River. Some photographs include Martha Rieder and her children and possibly grandchildren. Some photographs appear to be missing.

Head and shoulders studio portrait of an unidentified adult, possibly a Della Rieder, looking off camera.

Fully length studio portrait of Margaret Parry as a small child looking at the camera while holding a stuffed animal in right hand and wearing a white dress.

File consists of seven studio portraits of Edward Rieder as a baby, toddler, youth, and upon graduation from university. Duplicates are present.

File consists of studio portraits of Martha Rieder and her children (Margaret, Edward, Helen, and Paul). Includes one portrait of Martha with her four children, one portrait of the four children, two portraits of Margaret and Edward, and one portrait of Helen with an unidentified boy, probably a cousin. Duplicates are present. File also includes manuscript notes by Martha regarding the distribution of one of the portraits.

Photograph of the extended Anthes family outdoors during a picnic at Bridgeport on the occasion of John and Lydia Catherine Anthes' 42nd wedding anniversary. The group is seen standing and seated along the length of a bench and "Bowling Alley" sign is visible in the background at right.

Adults in back row: Cyrena Anthes, John Isaac Anthes holding an unidentified infant, Carrie Breithaupt holding an unidentified infant, John S. Anthes, Lydia Catherine Anthes, Emeline Rieder, Talmon Rieder, Peter Rieder, Ella Anthes, Martha Rieder, and Louisa Breithaupt.

Children in front row: ?, John Edward Breithaupt, ?, Frieda Breithaupt, Louise Breithaupt with possibly Esther Breithaupt, Walter Breithaupt and Fred Breithaupt (likely incorrect).

Group studio portrait of the [Women's Mission Society?] at Zion Evangelical Church in Berlin with three of the Anthes sisters among the members. Carrie Breithaupt is stand at far right in the back row and Louisa Breithaupt (second from left) and Martha Rieder (fourth from left) are standing in the third row front front. Person at far left of back row is likely Emma Kaufman.

File consists of two copies of a studio portrait of four generations of the Rieder family: Elizabeth Merner (nee Young), Peter Rieder, Talmon Henry Rieder (standing), and Margaret Paisley.

File consists of a studio portrait of Catherine Feick and family, seen looking at camera in two rows, standing and seated. Catherine and husband Menno Liebler are likely the couple seated at centre front.

Full length studio portrait of Martha Anthes and Talmon Henry Rieder in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing at Martha's side with right arm on back of Martha's chair and the other in his front pant pocket.

File consists of two wedding portraits of Talmon Henry Rieder and Martha Anthes.

Full length studio portrait of Martha Anthes and Talmon Henry Rieder standing side by side in their wedding attire. Martha, dressed in a white gown adorned with a veil and arm length gloves, is seen holding the back of a wicker chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing next to Martha with right hand behind back and holding a glove in his left hand.

Studio portrait of John C. and Carrie Breithaupt and their five children seated and standing in a row. All but John, who is seen seated and in profile, are looking at the camera.

From left to right: Carl, John Edward, Walter (in white) Carrie, Frieda, John and Louise.

File consists of the wedding album of Talmon Henry Rieder and Martha Anthes. Includes signatures of guests, loose newspaper clippings, photographs, a fabric sample from Martha's dress, and two congratulatory telegrams.

Full length studio portrait of Martha Anthes and Talmon Henry Rieder standing side by side in their wedding attire. Martha, dressed in a white gown adorned with a veil and arm length gloves, is seen holding the back of a chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing next to Martha with right hand behind back and holding a glove in his left hand.Studio portrait of Martha Anthes and Talmon Henry Rieder, both seen standing in wedding dress and suit.

Full length studio portrait of Martha Anthes and Talmon Henry Rieder in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair looking toward camera. Talmon, dressed in suit with a three-quarter length jacket, is seen in partial profile standing at Martha's side with arms at back and looking off camera.

Full length studio portrait of Martha Anthes and Talmon Henry Reider in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing at Martha's side with left arm at back.

File consists of individual studio portraits of Idella Rieder, Alma Rieder, and [Loretta?] Rieder, sisters of Talmon Henry Rieder. One duplicate is present. One photograph by Hershman.

File consists of studio portraits of buisness associates of Talmon Henry Rieder, probably accumulated by him throughout his career. Some portraits are identified by autograph or on verso. Portraits include:

• [T.H. Todd?],
• Mr. Ashcroft,
• A.E. Massie (St.John Division Manager, Canadian Consolidated Rubber Co.),
• Pearl Y. Smiley (General Footwear Factor Manager, Merchant's Rubber Co.),
• R.E. Jamieson (General Sales Manager, Canadian Consolidated Rubber Co.),
• Ralph Dilworth,
• E.C. Kabel (Manager, Dominion Tire factory and President of Kitchener Manufacturers' Association),
• Aaron D. Weber (Vice-President and General Manager of the Canadian Consolidated Felt Co.), and
• a man from the James Robertson Co. of Montreal.

Studio portrait of Lucy Edkins seen standing and looking slightly off camera. She is wearing a hat, lace adorned top and a fur scarf across shoulders.

Studio portrait of Effie Schmidt Tulloh seen standing with right hand at back and looking off camera.

Studio portrait of Lucy Edkins seen standing and looking slightly off camera. She is wearing a hat, lace adorned top and a fur scarf across shoulders.

Studio portrait of John S. and Lydia Anthes. John is seen in profile looking off camera and Lydia is seen looking toward it.

File consists of personal material accumulated by Talmon Henry Rieder. Includes ephemera, newspaper clippings, membership cards (e.g. Kiwanis Club, Y.M.C.A., Old Colony Club, Automobile Club of Canada, Canadian Manufacturers' Association, and others), business cards, certificates, advertisements, a motor vehicle license, a typescript diet list from his doctor, ms. notes, a permit to leave Canada (including photograph), etc.

Full body studio portrait of an unidentified woman seen looking off camera. She has a wedding ring on her left hand.

Head and torso studio portrait of an unidentified woman standing, and looking at camera.

Head and torso studio portrait of an unidentified woman standing with her hands and her back and wearing a nursing uniform.

Studio portrait of Ina Kimmel seen standing and looking off camera.

File consists of a studio portrait of J.I. Frank Anthes with an unidentified man posing with a dresser.

Studio portrait of Ella Anthes Cook and Martha Rieder, dressed in high-collared, lace adorned tops.

Studio portrait of Martha Rieder and Ella Anthes Cook, dressed in high-collared, lace adorned tops.

Upper body studio portrait of an unidentified woman seen looking off camera with left hand at chin.

Head and shoulders studio portrait of W.W. Nash seen looking at camera.

Four studio portraits of the children of J.I. Frank and Cyrena Anthes.

Head and body studio portrait of Emma Kaufman seen looking off camera in a white dress and standing with hands at front.

Photograph of Zella Dexter McDonald posed for the camera seated, on the edge of a bed. She is seen in what may be Romani inspired dress and is wearing multiple bracelets and necklaces.

Studio portrait of Charles Campbell McDonald.

Full length studio portrait of Martha Rieder seated in an arm chair holding a flower in lap, seen wearing a long white dress and looking at camera.

Full length studio portrait of Martha Rieder seated in an arm chair holding a flower in lap, seen wearing a long white dress and looking at camera.

Two portraits of Talmon Henry Rieder with two friends, Aaron D. Weber and [?] Marshal.

Head and shoulders studio portrait of an unidentified adult.

File consists of a photograph of Albert Breithaupt and Louisa Anthes and their wedding party, including William Lyon Mackenzie King as best man.

File consists of a wedding portrait of Albert Breithaupt and Louisa Anthes.

Photograph of a houseboat with a Dixie sign at top surrounded by several smaller boats and people relaxing, fishing, etc. John S. Anthes is seated at far left on the deck of the houseboat. Martha Rieder is standing next to him and Ella Anthes is seated on the deck railing, looking toward camera. John Edward Breithaupt may be the child seated on the end of the row boat with a blurry face from moving when the photo was taken.

Full length studio portrait of Martha Anthes looking down at a flower held in hands, seen wearing a long white dress and standing in front of an arm chair with throw pillows. A side table with a potted plant is visible in the background at right.

Head and shoulders studio portrait of an unidentified adult seen looking off camera.

File consists of material relating to the wedding of Lydia Louise Anthes and Albert B. Breithaupt held in Berlin (now Kitchener) in 1901. Includes a photocopy of an undated newspaper clipping about the wedding and a reproduction of a photograph of the wedding party and guests. William Lyon Mackenzie King was best man in the wedding and appears in the photograph.

File consists of a group portrait of the [Waterloo?] county council. Included in the photograph (and identified on verso) are John S. Anthes and George Debus.

File consists of portraits of Zella Dexter McDonald and family (friend of Martha Rieder and Ella Anthes Cook). Includes two informal portraits probably taken by Martha, two studio portraits of Zella's son Dexter, one studio portrait of Zella with her husband, Charles, and Dexter, one studio portrait of Charles, and one studio portrait of Zella and Ella.

Photograph of Zella Dexter McDonald posed for the camera with left hand at back of head, on the edge of a bed. She is seen in what may be Romani inspired dress and is wearing multiple bracelets and necklaces.

File consists of three photographs of the children of J.I. Frank and Cyrena Anthes. Includes a snapshot of Olive Cyrena Anthes, a snapshot of Olive Cyrena and Edith Louisa Anthes, and a snapshot of Olive Cyrena, Edith Louisa and Leonard John Anthes.

Photograph taken during the construction of an unidentified factory in Berlin (now Kitchener), probably the Berlin Rubber Manufacturing Company.