File consists of one photograph showing a Kiwanis picnic group at Puslinch Lake August 19, 1929. The photograph features families, as well as clowns.

File consists of an unaddressed letter written by Ella Anthes Cook, an unsigned letter received by Ella, and a letter and postcard received by Ella from H. Milton Cook. Postcard contains a photograph of Cook with two other men in front of a pavilion, Woodside [farm?], Waterloo.

File consists of material relating to money owed to Talmon Henry Rieder by his brother Elmer Rieder and a case between Elmer Rieder and Samuel Hessenauer heard in the Supreme Court of Alberta. Includes manuscript notes by Talmon Henry Rieder keeping accounts of money owed, a promissory note, correspondence, an assignment and a judgement roll. Also present is a snapshot of a river and adjacent land, relation to documents unknown.

File consists of material relating to the Westmount development in Waterloo. Includes a prospectus (Realty Pointers: Westmount, "The Development Beautiful") prepared by Beck & Eisenbach (Berlin, ON) containing a plan of Westmount; and a photograph of a topographical landscape painting showing Berlin, Waterloo, and Westmount, prepared by Gibson Catlett, Real Estate Landscape Paintings (Calgary, AB). The plan in the prospectus contains manuscript annotations.

File consists of personal material accumulated by Talmon Henry Rieder. Includes ephemera, newspaper clippings, membership cards (e.g. Kiwanis Club, Y.M.C.A., Old Colony Club, Automobile Club of Canada, Canadian Manufacturers' Association, and others), business cards, certificates, advertisements, a motor vehicle license, a typescript diet list from his doctor, ms. notes, a permit to leave Canada (including photograph), etc.

Full length studio portrait of Martha Anthes and Talmon Henry Rieder in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing at Martha's side with right arm on back of Martha's chair and the other in his front pant pocket.

Full length studio portrait of Martha Anthes and Talmon Henry Rieder in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair looking toward camera. Talmon, dressed in suit with a three-quarter length jacket, is seen in partial profile standing at Martha's side with arms at back and looking off camera.

Full length studio portrait of Martha Anthes and Talmon Henry Rieder standing side by side in their wedding attire. Martha, dressed in a white gown adorned with a veil and arm length gloves, is seen holding the back of a chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing next to Martha with right hand behind back and holding a glove in his left hand.Studio portrait of Martha Anthes and Talmon Henry Rieder, both seen standing in wedding dress and suit.

File consists of the wedding album of Talmon Henry Rieder and Martha Anthes. Includes signatures of guests, loose newspaper clippings, photographs, a fabric sample from Martha's dress, and two congratulatory telegrams.

File consists of a postcard containing a photograph of a tree-lined river bank containing the caption "7 Arundel Que." The postcard is addressed to Leo Anthes [possibly Leonard Anthes, son of J.I. Frank and Cyrena Anthes] from Ida W.

File consists of 34 letters, telegrams, and postcards received by Talmon Henry Rieder from family members, friends and others, including 17 letters from Martha Rieder and several from his children. Also present is a postcard received by Talmon Henry Rieder from [?] containing a photograph of the destruction caused by a tornado that hit Regina, Saskatchewan, on June 30, 1912, and an empty envelope with stamp.

Group studio portrait of the [Women's Mission Society?] at Zion Evangelical Church in Berlin with three of the Anthes sisters among the members. Carrie Breithaupt is stand at far right in the back row and Louisa Breithaupt (second from left) and Martha Rieder (fourth from left) are standing in the third row front front. Person at far left of back row is likely Emma Kaufman.

File consists of four copies of a group portrait of the Zion church choir at a picnic at Lexington. Verso of one copy contains identification of each person in the photograph. Members of the choir include Talmon Henry Rieder, his sisters Maude and Idella Rieder, Louisa Breithaupt, and Albert Breithaupt.

File consists of a photograph of the plan of seating for the the Zion Evangelical Church in Berlin, built in the 1890s on a property purchased by John S. Anthes and Jacob Kaufman.

File consists of mounted photographs relating to Martha Rieder's involvement at her church. Includes a group portrait of the first officers of the Junior Young People's Alliance (including Rev. J.G. Litt, and Martha as secretary), a snapshot of Martha's Sunday School class at the Grand River, snapshots of picnics of the Junior Young People's Alliance, and snapshots of Martha with her sisters and friends dressed in costume for church play, "In want of a servant."

File consists of one portrait each of the mother and father of Elizabeth Merner (nee Young), and a modern reproduction of each portrait (three copies each). Names are not given.

File consists of snapshots of the cottage of John C. Breithaupt at Woods Bay, and snapshots of people in a canoe. A duplicate photograph is present. Photographs may have been taken by Martha Rieder.

File consists of a photograph (postcard, blank) of a view of Berlin, taken from a high vantage point, showing several factories and smoke towers.

File consists of photographs, taken at night, of the University of Toronto.

File consists of three copies of a modern reproduction of a studio portrait of an unidentified woman, probably a relative of Peter or Emeline (Merner) Rieder.

File consists of a portrait of an unidentified group of women. Included in the group are Ella Anthes Cook and other women identified on verso by surname only: Kaufman, Bender, Bilger, Augustine, and Holman.

Standing (left to right): ?, ?, Holman, Edna Louise Augustine, ?, ?

Seated: Bilger, Bender, Ella Anthes Cook, Jean Helen Kaufman

File consists of snapshots probably taken by Martha Rieder on a trip she took to Niagara on September 1, 1898 from Toronto on the S.S. Chippewa with her uncle and aunt [Anthes?], Irene [cousin?] and Ella Anthes Cook. Includes snapshots of Niagara Falls, Brock's monument, some of the party having a picnic, and other scenes from the trip.

File consists of snapshots taken inside the Ontario legislative building at Queen's Park in Toronto, probably by Martha Rieder.

File consists of six snapshots of Martha Rieder with friends playing in the snow and and sitting on a wooden structure labelled on verso as "toboggan slide, Westmount Boulevard." Snapshots probably taken by Martha; some belonged to Ella Anthes Cook. Duplicates are present.

Three-quarter length studio portrait of two unidentified adults. One adult is standing with a rolled document in right hand, which is resting on a side table. The second, seated at the first's side, is seen looking at camera with left arm resting on the back of an armchair.

Full length studio portrait of Willie and Arthur, last name unknown, seated side by side. One child, dressed in a plaid dress with a lace collar, is seated in a chair, with left arm on the side of an armchair where a second child, an infant, is seated upright dressed in a white grown.

Full length studio portrait of Hugh and Evelyn Clarke, the children of May Wing, seen looking at camera. Hugh is seen seated on a side table, holding hands with Evelyn who is standing at right.

Fully length studio portrait of Margaret Parry as a small child looking at the camera while holding a stuffed animal in right hand and wearing a white dress.

Full length studio portrait of a young unidentified child seen looking off camera and dressed in a button up outfit with a lace collar.

Studio portrait of two unidentified adults. One is seated and looking off camera with legs crossed and the other is standing with left hand on the other's shoulder, looking off camera in the opposite direction.

Upper body studio portrait of John Edward Breithaupt seen looking off camera.

Head and shoulders studio portrait of Emma Wilkin (Simpson) seen looking slightly off camera.

Head and shoulders studio portrait of an unidentified teenager seen looking off camera.

Head and shoulders studio portrait of an unidentified adult.

Head and shoulders studio portrait of W.W. Nash seen looking at camera.

Head and shoulder studio portrait of J.E. Bilger seen looking off camera.

Head and shoulders studio portrait of an unidentified adult seen looking at camera.

Head and shoulders studio portrait of an unidentified adult seen looking slightly off camera.

Full length studio portrait of two unidentified adults seen looking at camera. One is wearing a floor length white dress and the other is seated in a high-based armchair at right.

Studio portrait of three unidentified children seated in a row, slanted from high to low, and looking at camera. The head of an adult is partially visible behind the children, supporting the infant dressed in a long white gown at centre.

Head and shoulders studio portrait of an unidentified adult seen looking off camera.

Studio portrait of two unidentified children. One is seated in a chair and smiling at something off camera and the other is seated at a table playing with a metal building set.

Upper body studio portrait of two unidentified adults seem looking off camera.

Upper body studio portrait of Jane Anthes seen looking off camera.

Head and shoulders studio portrait of missionary Jozo Takano seen looking off camera.

Studio portrait of a child, likely Jane Anthes, seen looking off camera with slight smile on face.

Head and shoulders portrait of an unidentified woman looking over left shoulder, off camera, with a smile on face.

Upper body portrait of an unidentified seated adult holding an infant, dressed in an white gown, upright on side of chair. Both are seen looking at camera.

Head and shoulders studio portrait of Lulu Fawcett seen looking off camera. Lulu is wearing a fancy hat and a high-collar jacket with leg of mutton sleeves.

Head and shoulders studio portrait of Zella Dexter McDonald seen dressed in a high-collar top and looking off camera.

Head and shoulders studio portrait of Laurie Anthes seem looking off camera.

Full length portrait of an unidentified infant seated in a high back chair, looking toward camera and dressed in a white gown.

Full length studio portrait of the children of Evelyn and John Parry, from left to right: Elizabeth, John, Margaret and Rosa. Elizabeth and John are seen seated on a round-back chair and Margaret and Rosa are seen standing to the right, holding hands.

Full length studio portrait of the children of Evelyn and John Parry, from left to right: Elizabeth, John, Margaret and Rosa. Elizabeth and John are seen seated on a round-back chair and Margaret and Rosa are seen standing to the right, holding hands.

Head and shoulders studio portrait of Carrie Briethaupt seen looking slightly off camera that likely belonged to Martha Rieder.

Studio portrait of an unidentified infant seated upright in an armchair and looking toward camera. The child is dressed in an embroidered dress with a lace collar and underskirt.

Full length portrait of an unidentified infant looking off camera and dressed in a white gown.

Fully length studio portrait of an unidentified child looking toward camera with right hand resting on the arm of a chair positioned at back. Their right ankle is crossed in front of the left and they are holding a rolled up document in their left hand.

Head and shoulders studio portrait of an unidentified adult seen looking off camera.

Head and shoulders studio portrait of an unidentified adult seen looking at the camera with a slight smile on face.

Head and shoulders studio portrait of an unidentified adult, possibly a Della Rieder, looking off camera.

File consists of studio portraits, most of which were probably accumulated by Martha Rieder and possibly Talmon Henry Rieder. Portraits are of families, children, men, and women, probably family members and friends of Martha, Talmon, and the Rieder and Anthes families. Some photographs include a date and/or caption on verso. People identified are:

• Jane Anthes,
• Jozo Takano (missionary),
• cousin Ruth,
• Helena Esther Breithaupt,
• Willie & Arthur,
• [Rev. Burn?] family,
• May Wing family (Evelyn & Hugh),
• Margaret Parry,
• Parry family,
• Laurie L. Anthes,
• Mildred Wood Sweet,
• Aunt Emma Wilkin (Simpson),
• W.W. Nash, and
• J.E. Bilger.

Several duplicates are present.

File consists of studio portraits, most of which were probably accumulated by Martha Rieder and possibly Talmon Henry Rieder. Portraits are of families, children, men, and women, probably family members and friends of Martha, Talmon, and the Rieder and Anthes families. Some photographs include a date and/or caption on verso. People identified are:

• Jane Anthes,
• Jozo Takano (missionary),
• cousin Ruth,
• Helena Esther Breithaupt (Duffield),
• Willie & Arthur,
• [Rev. Burn?] family,
• May Wing family (Evelyn & Hugh),
• Margaret Parry,
• Parry family,
• Laurie L. Anthes,
• Mildred Wood Sweet,
• Aunt Emma Wilkin (Simpson),
• W.W. Nash, and
• J.E. Bilger.

File consists of a class portrait. Martha Rieder is seated in the second row from the bottom, third from right. Ella Anthes is seated second from left, at front.

Photograph of a large windmill in a grassy field with a wooden fence and dirty road in foreground. Photograph is a sample produced by the Eastman Kodak Company showing the quality and size of picture made with the Bullet and Bulls-Eye cameras.

Two portraits of Talmon Henry Rieder with two friends, Aaron D. Weber and [?] Marshal.

File consists of 14 studio portraits of Talmon Henry Rieder, including one carte-de-visite. Duplicates are present. File also includes several copies of printed reproductions of a portrait.

File consists of two portraits of Talmon Henry Rieder.

Snapshot of Talmon Henry Rieder.

File consists of studio portraits of buisness associates of Talmon Henry Rieder, probably accumulated by him throughout his career. Some portraits are identified by autograph or on verso. Portraits include:

• [T.H. Todd?],
• Mr. Ashcroft,
• A.E. Massie (St.John Division Manager, Canadian Consolidated Rubber Co.),
• Pearl Y. Smiley (General Footwear Factor Manager, Merchant's Rubber Co.),
• R.E. Jamieson (General Sales Manager, Canadian Consolidated Rubber Co.),
• Ralph Dilworth,
• E.C. Kabel (Manager, Dominion Tire factory and President of Kitchener Manufacturers' Association),
• Aaron D. Weber (Vice-President and General Manager of the Canadian Consolidated Felt Co.), and
• a man from the James Robertson Co. of Montreal.

Studio portrait of an unidentified adult, probably R.E. Jamieson, General Sales Manager of Canadian Consolidated Rubber Company, seen dressed in a suit and tie and looking off camera.

Unidentified informal group photograph of Talmon Henry Rieder (standing centre) posing with eight other men.

Full length studio portrait of Martha Anthes and Talmon Henry Reider in their wedding attire. Martha, dressed in a white gown, is seen seated in a wooden chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing at Martha's side with left arm at back.

Full length studio portrait of Martha Anthes and Talmon Henry Rieder standing side by side in their wedding attire. Martha, dressed in a white gown adorned with a veil and arm length gloves, is seen holding the back of a wicker chair. Talmon, dressed in suit with a three-quarter length jacket, is seen standing next to Martha with right hand behind back and holding a glove in his left hand.

File consists of two wedding portraits of Talmon Henry Rieder and Martha Anthes.

Full body studio portrait of Peter Rieder standing and looking forward with left hand on a carrying case and right hand holding an umbrella.

Full body studio portrait of Peter Rieder standing and looking down at a newspaper with an umbrella hanging from left arm.

File consists of two studio portraits of Peter Rieder.

Upper body studio portraits of Emeline Rieder and Peter Rieder seen looking at camera. The photos are inside a double panel photographer mount with decorative patterns around the photos.

Upper body studio portrait of Emeline and Peter Rieder seen seated side by side and looking at camera.

Upper body studio portrait of Peter Rieder seen looking at camera.

File consists of studio portraits of Peter and Emeline Rieder. Includes one portrait of Peter and Emeline together, and one portrait of each individual mounted together. One duplicate is present.

File consists a studio portrait of Peter and Emeline Rieder with five of their children, probably Talmon Henry (standing back centre), Elmer, Maude, Idella, and Loretta.

File consists of two copies of a group portrait of Peter and Emeline Rieder on their 50th wedding anniversary, with their children and grandchildren. The group is seen standing and seated in rows inside of a residential home.

Head and body studio portrait of Christian Rieder seen looking off camera with right hand on back of arm chair.

Head and shoulders studio portrait of Sam Reider seen looking off camera.

Head and torso studio portrait of unidentified adult seated with right hand on thigh and left arm propped on table at side.

Head and shoulders studio portrait of unidentified adult seen looking off camera.

Head and torso studio portrait of unidentified adult seated in arm chair.

Full body studio portrait of unidentified adult standing with right hand on top of a book placed on table at side.

Head and shoulders studio portrait of unidentified bearded adult seen looking off camera.

Head and shoulders studio portrait of Dan Rieder seen looking off camera.

Head and torso studio portrait of Peter Rieder seated and looking at camera.

File consists of nine portraits (cartes-de-visites) of members of the Rieder family, seven men and two women, possibly the parents, aunts and uncles of Peter Rieder. Some portraits are identified on verso: Christian Rieder, Sam Rieder, Dan Rieder, and Peter Rieder (d. 1858).

File consists of eight studio portraits of Paul Rieder as a baby, toddler, and youth. Duplicates are present.

Full length portrait of Paul Rieder and Dorothy Scheifele on their wedding day with their wedding party. The group is seen looking at camera and dressed in formal wear. From left to right: Homer McIntosh, Bruce McCullough, Paul, Dorothy, Grace Pernfuss, June Peacock, and Walter Pernfuss.

Full length portrait of Paul Rieder and Dorothy Scheifele on their wedding day, seen looking at the camera dressed in a tuxedo and wedding dress. Dorothy has a veil on and is holding a large bouquet of flowers at front.

File consists of two photographs taken at the wedding of Paul Rieder and Dorothy Scheifele. Includes a portrait of Paul and Dorothy, and a portrait of the wedding party.

File consists of photographs, most of which were likely taken by Martha and her friends, documenting aspects of her time as a student at the Ontario Ladies' College in Whitby. Includes mostly snapshots of Martha's friends and roommates taken at the college on the grounds and in their dorm rooms. File also includes a two studio portraits.

Mostly groups of girls having fun e.g. 'pillow fight,' etc.; sweet photo of the 4 roommates (Martha, Ella, Lucy Edkins, Zella Dexter).

Upper body studio portrait of Martha Reider seen wearing glasses and looking at camera.